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1-42 of 2,242 results for Bernardo Sandals
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Shoes, Bernardo Sandals American, leather, American
Shoes
Bernardo Sandals
late 1960s–early 1970s
Sandals, Bernardo Sandals American, leather, wood, American
Sandals
Bernardo Sandals
1946
Sandals, Bernardo Sandals American, leather, American
Sandals
Bernardo Sandals
1946
Sandals, Bernardo Sandals American, leather, American
Sandals
Bernardo Sandals
1947
Sandals, Bernardo Sandals American, leather, American
Sandals
Bernardo Sandals
1948
Sandals, Bernardo Sandals American, leather, American
Sandals
Bernardo Sandals
1947
Sandals, Bernardo Sandals American, leather, American
Sandals
Bernardo Sandals
1949
Sandals, Bernardo Sandals American, leather, American
Sandals
Bernardo Sandals
ca. 1973
The Assumption of the Virgin, Bernardo Daddi (possibly with workshop assistance) Italian, Tempera on wood, gold ground
The Assumption of the Virgin
Bernardo Daddi
ca. 1337–39
Christ Enthroned with Saints, Bernardo Daddi Italian, Tempera on wood, gold ground
Christ Enthroned with Saints
Bernardo Daddi
ca. 1325
Saint Reparata before the Emperor Decius, Bernardo Daddi Italian, Tempera on wood
Saint Reparata before the Emperor Decius
Bernardo Daddi
ca. 1338–40
Saint Reparata Being Prepared for Execution, Bernardo Daddi Italian, Tempera on wood, gold ground
Saint Reparata Being Prepared for Execution
Bernardo Daddi
Saint Reparata Tortured with Red-Hot Irons, Bernardo Daddi Italian, Tempera on wood, gold ground (tooled pattern added possibly in the late nineteenth century)
Saint Reparata Tortured with Red-Hot Irons
Bernardo Daddi
Pirna: The Obertor from the South, Bernardo Bellotto Italian, Oil on canvas
Pirna: The Obertor from the South
Bernardo Bellotto
mid-1750s
Mules, Bernardo, Leather, American
Mules
Bernardo
1955–70
Virgin of Quito, Bernardo Legarda, Wood, polychromed and gilded; glass eyes; silver halo, Ecuadorian
Virgin of Quito
Bernardo Legarda
Miguel de Santiago
18th century
Virgin of Quito, Bernardo Legarda, Wood, polychromed and gilded; glass eyes; silver halo, Ecuadorian
Virgin of Quito
Bernardo Legarda
Miguel de Santiago
18th century
Tobias Curing His Father's Blindness, Bernardo Strozzi Italian, Oil on canvas
Tobias Curing His Father's Blindness
Bernardo Strozzi
1630–35
Saint Catherine of Alexandria, Bernardo Cavallino Italian, Oil on canvas
Saint Catherine of Alexandria
Bernardo Cavallino
The Crucifixion, Bernardo Daddi Italian, Tempera on wood, gold ground
The Crucifixion
Bernardo Daddi
Madonna and Child Enthroned with Saints, Bernardo Daddi Italian, Tempera on wood, gold ground
Madonna and Child Enthroned with Saints
Bernardo Daddi
Madonna and Child Enthroned with Saints, Bernardo Daddi Italian, Tempera on wood, gold ground
Madonna and Child Enthroned with Saints
Bernardo Daddi
Vaprio d'Adda, Bernardo Bellotto Italian, Oil on canvas
Vaprio d'Adda
Bernardo Bellotto
1744
The Crucifixion, Bernardo Daddi Italian, Tempera on wood, gold ground
The Crucifixion
Bernardo Daddi
ca. 1325–30
Madonna and Child Enthroned, Bernardo Daddi Italian, Tempera on wood, transferred to canvas and laid down on wood, gold ground
Madonna and Child Enthroned
Bernardo Daddi
ca. 1335–39
The Tower of Marghera, Bernardo Bellotto Italian, Pen and brownish black ink, gray wash, over graphite
The Tower of Marghera
Bernardo Bellotto
ca. 1740–41
Santa Giustina and the Prato della Valle at Padua, Bernardo Bellotto Italian, Pen and brown ink, gray wash
Santa Giustina and the Prato della Valle at Padua
Bernardo Bellotto
ca. 1740–41
The Prato della Valle at Padua, Bernardo Bellotto Italian, Pen and brown ink, gray wash
The Prato della Valle at Padua
Bernardo Bellotto
ca. 1740–41
Imaginary View of Padua, Bernardo Bellotto Italian, Pen and black ink, gray wash
Imaginary View of Padua
Bernardo Bellotto
ca. 1740–41
A Venetian Villa, Bernardo Bellotto Italian, Pen and brown ink, gray wash
A Venetian Villa
Bernardo Bellotto
ca. 1741–80
The Grand Canal from Ca'Moro-Lin and Ca'Foscari to the Carità, Bernardo Bellotto Italian, Pen and brown ink, gray wash
The Grand Canal from Ca'Moro-Lin and Ca'Foscari to the Carità
Bernardo Bellotto
ca. 1736–37
The Grand Canal from the Carità to the Dogana da Mar, Bernardo Bellotto Italian, Pen and brown ink, gray wash
The Grand Canal from the Carità to the Dogana da Mar
Bernardo Bellotto
ca. 1736–37
The Entrance to the Grand Canal, with the Dogana da Mar and Santa Maria della Salute on the Left, Bernardo Bellotto Italian, Pen and brown ink, gray wash
The Entrance to the Grand Canal, with the Dogana da Mar and Santa Maria della Salute on the Left
Bernardo Bellotto
ca. 1736–37
The Grand Canal with the Rialto Bridge, from the North, Bernardo Bellotto Italian, Pen and brown ink, gray wash
The Grand Canal with the Rialto Bridge, from the North
Bernardo Bellotto
ca. 1736–37
The Grand Canal, with the Fabbriche Nuove on the Left and Campanile of Santi Apostoli on the Right, Bernardo Bellotto Italian, Pen and brown ink, gray wash
The Grand Canal, with the Fabbriche Nuove on the Left and Campanile of Santi Apostoli on the Right
Bernardo Bellotto
ca. 1736–37
View of Dolo, Bernardo Bellotto Italian, Pen and brown ink, gray wash
View of Dolo
Bernardo Bellotto
ca. 1740–41
A Village on the Brenta, Bernardo Bellotto Italian, Pen and brown ink, gray wash
A Village on the Brenta
Bernardo Bellotto
ca. 1740–41
View of Mestre, Bernardo Bellotto Italian, Pen and brownish black ink, gray wash, over traces of graphite
View of Mestre
Bernardo Bellotto
ca. 1740–41
Saint Peter, Bernardo Strozzi Italian, Black chalk, selectively reinforced with wetted point of chalk, highlighted with white, on light brown paper; traces of octagonal framing lines in black chalk by the artist
Saint Peter
Bernardo Strozzi
1581–1644
The Discovery of the True Cross, Bernardo Strozzi Italian, Pen and brown ink, over leadpoint or black chalk; framing lines in pen and darker brown ink
The Discovery of the True Cross
Bernardo Strozzi
1599–1644
Half-Length Study of a Monk Holding a Book and a Long Implement, Bernardo Strozzi Italian, Black chalk, highlighted with white chalk on blue-gray paper
Half-Length Study of a Monk Holding a Book and a Long Implement
Bernardo Strozzi
ca. 1637–40
Padua from the East, with San Francesco and the Salone, Bernardo Bellotto Italian, Pen and brown ink, over constructed outline drawing in graphite or lead
Padua from the East, with San Francesco and the Salone
Bernardo Bellotto
1721–80