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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 661 results for Camillo Corrado
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Architectura Civil, Recta y Obliqua. Considerada y Dibuxada en el Templo de Ierusalen
Multiple artists/makers
1678
Architectura Civil, Recta y Obliqua. Considerada y Dibuxada en el Templo de Ierusalen, Vol. III
Multiple artists/makers
1678
Architectura Civil, Recta y Obliqua. Considerada y Dibuxada en el Templo de Ierusalen, Vol. III
Multiple artists/makers
1678
The Penitent Magdalen, Corrado Giaquinto Italian, Oil on canvas
The Penitent Magdalen
Corrado Giaquinto
ca. 1750
Medea Rejuvenating Aeson, Corrado Giaquinto Italian, Oil on canvas
Medea Rejuvenating Aeson
Corrado Giaquinto
ca. 1760
Architectura Civil, Recta y Obliqua. Considerada y Dibuxada en el Templo de Ierusalen, Vol. I
Multiple artists/makers
1678
Architectura Civil, Recta y Obliqua. Considerada y Dibuxada en el Templo de Ierusalen, Vol. II
Multiple artists/makers
1678
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3], Camillo Boito
La Basilica di San Marco in Venezia illustrata nella storia e nell'arte da scrittori veneziani : [volume 3]
Camillo Boito
Ferdinando Ongania
1881
Mary Shelley (1797–1851), Camillo Pistrucci British, Marble, Italian
Mary Shelley (1797–1851)
Camillo Pistrucci
1843
Mother ape, Camillo Mariani Italian, Bronze, Italian, Urbino
Mother ape
Camillo Mariani
1595–96
Study of a Nude Man, Corrado Giaquinto Italian, Red chalk on off-white paper
Study of a Nude Man
Corrado Giaquinto
1753
Saint Joseph Presented by the Virgin to the Holy Trinity, Corrado Giaquinto Italian, Red chalk, pen and brown ink, brush and brown wash, highlighted with white
Saint Joseph Presented by the Virgin to the Holy Trinity
Corrado Giaquinto
ca. 1735
Aeneas and Siblyl, Corrado Giaquinto Italian, Pen and brown ink, with brush and gray wash, over traces of black chalk
Aeneas and Siblyl
Corrado Giaquinto
1703–66
Military Cavaliers Entering Town Accompanied by a Turbaned Torch-bearer. In the foreground: Two Seated Women and a Child (recto); Several Cooks, and Two Pages with a Platter in a Kitchen Yard (verso), Corrado Giaquinto Italian, Pen and gray ink, and black chalk, on beige laid paper
Military Cavaliers Entering Town Accompanied by a Turbaned Torch-bearer. In the foreground: Two Seated Women and a Child (recto); Several Cooks, and Two Pages with a Platter in a Kitchen Yard (verso)
Corrado Giaquinto
1703–66
Rest on the flight into Egypt, the Virgin seated on grass in a grove with the Christ Child in her lap, at right Joseph reclines and points toward them, a donkey beyond Joseph, Camillo Procaccini Italian, Etching
Rest on the flight into Egypt, the Virgin seated on grass in a grove with the Christ Child in her lap, at right Joseph reclines and points toward them, a donkey beyond Joseph
Camillo Procaccini
Gaspare dall'Oglio
ca. 1583–1601
The Virgin and Saint Joseph find Jesus Disputing with the Doctors in the Temple, Camillo Procaccini Italian, Pen and black ink, brush and gray wash, highlighted with white gouache, over charcoal, on brownish paper
The Virgin and Saint Joseph find Jesus Disputing with the Doctors in the Temple
Camillo Procaccini
1555–1629
Martyrdom of a Female Saint (Agnes?), Camillo Procaccini Italian, Charcoal, brush and gray wash, highlighted with white gouache, on brown paper; ruled lines in pen and brown ink
Martyrdom of a Female Saint (Agnes?)
Camillo Procaccini
1605–9
The Annunciation, Camillo Procaccini Italian, Red chalk
The Annunciation
Camillo Procaccini
1616–18
Saint Francis of Assisi Resuscitating a Dead Youth, Camillo Procaccini Italian, Red chalk
Saint Francis of Assisi Resuscitating a Dead Youth
Camillo Procaccini
1555–1629
The Birth of Saint Francis of Assisi, Camillo Procaccini Italian, Pen and brown ink, brush and pale brown wash, on beige paper. Squared in charcoal
The Birth of Saint Francis of Assisi
Camillo Procaccini
1555–1629
Angel with a Banderole, Camillo Procaccini Italian, Red chalk, brush and red wash, highlighted with white
Angel with a Banderole
Camillo Procaccini
1575–1629
Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso), Camillo Procaccini Italian, Red chalk on light brown paper
Bust of a Warrior Wearing a Plumed Helmet, Looking Toward Spectator Over His Right Shoulder (recto); Sketch of a Leg (verso)
Camillo Procaccini
1605–9
The Transfiguration of Christ on Mount Tabor, with Moses and Elijah, three disciples below, Camillo Procaccini Italian, Etching; first state of two
The Transfiguration of Christ on Mount Tabor, with Moses and Elijah, three disciples below
Camillo Procaccini
1587–90
Saint Francis Receiving the Stigmata, Camillo Procaccini Italian, Engraving
Saint Francis Receiving the Stigmata
Camillo Procaccini
Justus Sadeler
1590–1620
Study of Bearded Man, Camillo Procaccini Italian, Red chalk
Study of Bearded Man
Camillo Procaccini
ca. 1580–1600
Imprese Illustri di diversi, Coi Discorsi
Multiple artists/makers
1586
The Marriage of St. Catherine of Alexandria
Camillo Tinti
Parmigianino (Girolamo Francesco Maria Mazzola)
18th century
Rest on the Flight into Egypt
Camillo Procaccini
n.d.
The Naming of St. John the Baptist, plate 7 from "Schola Italica Picturae"
Multiple artists/makers
1771
The Marriage of Meleager and Atalanta, plate 14 from "Schola Italica Picturae"
Multiple artists/makers
1772
The Mystic Marriage of St. Catherine of Alexandria, plate 15 from "Schola Italica Picturae"
Multiple artists/makers
1771
Naturralli e Verri Retratti di Tutti L'imperatori di Cassa d'Austria
Camillo Graffico
1584
Trentaquatro Retratti d [sic] li Sumi Pontefici
Camillo Graffico
1584–85
Thesis Print with the Colonna Coat of Arms
Camillo Cungi
Jan de Laet
ca. 1620–45
Prato Fiorito de Scrittori di Michele Richier di Lorena
Camillo Cungi
Michele Richier
1626
Minerva overthrows the giants; after Pietro da Cortona's frescoes on the ceiling of the salone of Palazzo Barberini
Camillo Cungi
Pietro da Cortona (Pietro Berrettini)
ca. 1642
The marriage of Meleager and Atalanta; three decorated pedastals holding fires, a group of men and women surrounding them, after Polidoro da Caravaggio
Camillo Tinti
Polidoro da Caravaggio
1772
Wilton album, folio 37: The Rest on the Flight into Egypt
Camillo Procaccini
1593
Wilton album, folio 38a: The Rest on the Flight into Egypt
Camillo Procaccini
1583–1600
Wilton album, folio 38b: The Rest on the Flight into Egypt; the Virgin and Child on the left, Saint Joseph in the lower right corner
Camillo Procaccini
Gaspare dall'Oglio
1580–87