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1-42 of 94 results for Carlo Antonio Testore
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Violin, Carlo Antonio Testore Italian, Spruce, maple, Italian
Violin
Carlo Antonio Testore
1737
The Siege of a Fortress, Carlo Antonio Buffagnotti Italian, Pen and brown ink
The Siege of a Fortress
Carlo Antonio Buffagnotti
ca. 1680–1715
Interior of a prison in which sits a woman (possibly a theatre set), Carlo Antonio Buffagnotti Italian, Etching
Interior of a prison in which sits a woman (possibly a theatre set)
Carlo Antonio Buffagnotti
ca 1680–1710
Architectural detail of an elaborate cornice, seen from below, Carlo Antonio Buffagnotti Italian, Etching
Architectural detail of an elaborate cornice, seen from below
Carlo Antonio Buffagnotti
Ferdinando Galli Bibiena
1680–1710
View with a man in a turban and a lion standing at right, tents and classical architecture in the background, Carlo Antonio Buffagnotti Italian, Etching
View with a man in a turban and a lion standing at right, tents and classical architecture in the background
Carlo Antonio Buffagnotti
1680–1710
Architectural Perspective for a Stage Set with a Bridge, Statues and a Fountain in the Background and Human Figures in the Foreground, Carlo Antonio Buffagnotti Italian, Pen and brown ink over traces of leadpoint
Architectural Perspective for a Stage Set with a Bridge, Statues and a Fountain in the Background and Human Figures in the Foreground
Carlo Antonio Buffagnotti
1660–1710
Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza', Carlo Antonio Forti Italian, Etching
Stage design with allegorical figures; from 'L'Idea di tutti le perfezioni ... Piacenza'
Carlo Antonio Forti
ca. 1690
Stage design with allegorical figures on a staircase; from 'L'Eta Dell'Oro', Carlo Antonio Forti Italian, Etching
Stage design with allegorical figures on a staircase; from 'L'Eta Dell'Oro'
Carlo Antonio Forti
ca. 1690
Vertical Oval Vignette of a Mountainous Landscape with Two Shepherds in the Foreground., Carlo Antonio Buffagnotti Italian, Pen and brown ink. Framing outlines in pen and brown ink
Vertical Oval Vignette of a Mountainous Landscape with Two Shepherds in the Foreground.
Carlo Antonio Buffagnotti
late 17th century
Vertical Oval Vignette of A Palace Interior with Two Figures Admiring Decoration; a Craggy Mountain Seen Through a Window in The Far Distance., Carlo Antonio Buffagnotti Italian, Pen and brown and black ink. Framing outlines in pen and brown ink. Foliage and hatching additions added around inside of frame in pen and brown ink
Vertical Oval Vignette of A Palace Interior with Two Figures Admiring Decoration; a Craggy Mountain Seen Through a Window in The Far Distance.
Carlo Antonio Buffagnotti
late 17th century
Venus caressing Cupid, Carlo Antonio Porporati Italian, Engraving; fourth state of four (De Vesme)
Venus caressing Cupid
Carlo Antonio Porporati
Pompeo Batoni
ca. 1760–1816
Susanna at the bath, the elders peering behind her at left, Carlo Antonio Porporati Italian, Engraving; fourth state of four (De Vesme)
Susanna at the bath, the elders peering behind her at left
Carlo Antonio Porporati
Jean-Baptiste Santerre
1773
Adam and Eve kneeling at right and lamenting the death of Abel, who is lying in the foreground, Carlo Antonio Porporati Italian, Engraving; fourth state of four (De Vesme)
Adam and Eve kneeling at right and lamenting the death of Abel, who is lying in the foreground
Carlo Antonio Porporati
Adriaen van der Werff
1776
Erminie, wearing a helmet and standing with a horse at left, and the shepherd, who weaves a basket at right, Carlo Antonio Porporati Italian, Etching and engraving; third state of four (De Vesme)
Erminie, wearing a helmet and standing with a horse at left, and the shepherd, who weaves a basket at right
Carlo Antonio Porporati
Carle (Charles André) Vanloo
1784
Clorinda attacking Tancred with a spear, Tancred blocking her with his sword, Carlo Antonio Porporati Italian, Etching and engraving; fourth state of five (De Vesme)
Clorinda attacking Tancred with a spear, Tancred blocking her with his sword
Carlo Antonio Porporati
Carle (Charles André) Vanloo
1782
A male saint kneeling before the Christ child, Carlo Antonio Forti Italian, Etching
A male saint kneeling before the Christ child
Carlo Antonio Forti
Domenico Maria Canuti
1679
Christ receiving the Virgin in heaven, Carlo Antonio Forti ? Italian, Etching
Christ receiving the Virgin in heaven
Carlo Antonio Forti
Domenico Maria Canuti
1677–1732
Dish with landscape and architectural ruins, Siro Antonio Africa Italian, Tin-glazed earthenware (maiolica), Italian, Pavia
Dish with landscape and architectural ruins
Multiple artists/makers
ca. 1688–1710
Dish with landscape seen though an arch, Siro Antonio Africa Italian, Tin-glazed earthenware (maiolica), Italian, Pavia
Dish with landscape seen though an arch
Multiple artists/makers
ca. 1700
Leda in a pond playing with a swan, two companions at left and a swan flying away at upper right
Carlo Antonio Porporati
Correggio (Antonio Allegri)
ca. 1810
Leda in a pond playing with a swan, her two companions on the bank at left
Carlo Antonio Porporati
Correggio (Antonio Allegri)
ca. 1790
The Death of Saint Mary Magdalene, Giuseppe Antonio Caccioli Italian, Etching
The Death of Saint Mary Magdalene
Giuseppe Antonio Caccioli
Carlo Cignani
1692–1740
Le Coucher, a nude woman wearing onight-cap stepping into a bed and looking over her left shoulder
Carlo Antonio Porporati
Jacob van Loo
1828
Cupid seated with his finger to his lips, his bow lying in the foreground and his quiver under his drapery at right
Carlo Antonio Porporati
Angelica Kauffmann
1790
Hagar and Ishmael
Carlo Antonio Pisarri
Marcantonio Franceschini
1740–80
Interior view of the Palazzo di Villa Pinciana: one of the walls of a room decorated with Egyptian motifs
Carlo Antonini
Antonio Asprucci
ca. 1760–84
Interior view of the Palazzo di Villa Pinciana: one of the walls of a room decorated with Egyptian motifs
Carlo Antonini
Antonio Asprucci
ca. 1760–84
Interior view of the Palazzo di Villa Pinciana: one of the walls of a room decorated with Egyptian motifs
Carlo Antonini
Antonio Asprucci
ca. 1760–84
Interior view of the Palazzo di Villa Pinciana: one of the walls of a room decorated with Egyptian motifs
Carlo Antonini
Antonio Asprucci
ca. 1760–84
Plan of the Palazzo di Villa Pinciana: floor design of a room decorated with Egyptian motifs
Carlo Antonini
Antonio Asprucci
ca. 1760–84
Plate 9: the story of the Pisan saints, here a miracle associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 10: the story of the Pisan saints, here the death of Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Plate 11: the story of the Pisan saints, here the miracles associated with Saint Ranieri, after the frescoes by Antonio Veneziano in the Campo Santo, Pisa, from the 'Pitture a fresco del Campo Santo di Pisa' (published 1812)
Multiple artists/makers
ca. 1808–12
Two putti, with three female figures in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Saints among clouds, surrounded by putti, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Assumption of the Virgin, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
St. Peter and St. Paul, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Second group of Apostles, from "Di Tutti gli Affresco del Correggio in Parma"
Multiple artists/makers
ca. 1846
Three putti with one holding a horn, with a female figure holding a torch in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Two putti with one holding a staff and Minerva in a lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Two putti with one pulling an arrow out of a quiver and a female figure pouring water over an altar in the lunette below, from 'Di Tutti gli Affresco del Correggio in Parma'
Multiple artists/makers
ca. 1846
Raccolta Di Disegni Originali di Mauro Tesi
Multiple artists/makers
1787