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Showing 112 results for Casaletti

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Pianta e spaccato del nuovo teatro d'Imola...

Cosimo Morelli

Casaletti

1780

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Warwick Castle: The East Front, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash — Warwick Castle: The East Front
Canaletto (Giovanni Antonio Canal)
1752

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — The Grand Canal, Venice, Looking South toward the Rialto Bridge
Canaletto (Giovanni Antonio Canal)
1730s

Campo Santa Maria Zobenigo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal)
1730s

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right
Canaletto (Giovanni Antonio Canal)
1730s

Campo Sant'Angelo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal)
1730s

A Lock, a Column, and a Church beside a Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — A Lock, a Column, and a Church beside a Lagoon
Canaletto (Giovanni Antonio Canal)

Warwick Castle, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Warwick Castle
Canaletto (Giovanni Antonio Canal)
1748

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

Padua: The River Bacchiglione and the Porta Portello, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash — Padua: The River Bacchiglione and the Porta Portello
Canaletto (Giovanni Antonio Canal)
ca. 1750–60

Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brown and gray wash — Piazza San Marco from the Southwest Corner, with the Procuratie Nuove on the Right
Canaletto (Giovanni Antonio Canal)
ca. 1724–80

Interior of the Basilica of San Marco, Showing the Crossing and the Choir, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink over black chalk — Interior of the Basilica of San Marco, Showing the Crossing and the Choir
Canaletto (Giovanni Antonio Canal)
ca. 1763–68

A Venetian Interior, with a Young Man Seated by the Fire, Canaletto (Giovanni Antonio Canal) Italian, Pen and black ink, gray wash — A Venetian Interior, with a Young Man Seated by the Fire
Canaletto (Giovanni Antonio Canal)
after 1717

A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, over traces of graphite — A Magnificent Pavilion by the Lagoon (recto); The Grand Canal, with the Rialto Bridge from the South (verso)
Canaletto (Giovanni Antonio Canal)
ca. 1727–29

Imaginary View with a Tomb by the Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Imaginary View with a Tomb by the Lagoon
Canaletto (Giovanni Antonio Canal)
early 1740s

Remains of the Entrance of Hadrian’s Villa near Tivoli, Luigi Basiletti Italian, Pen and brown wash over graphite — Remains of the Entrance of Hadrian’s Villa near Tivoli
Luigi Basiletti
ca. 1820

Title plate of "Vedute altre prese da i luoghi altre ideate", Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of two — Title plate of "Vedute altre prese da i luoghi altre ideate"
Canaletto (Giovanni Antonio Canal)
1735–46

View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; first state of two — View of Mestre, an inn at left and other various buildings lining the canal, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46

The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three — The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46

A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three — A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46

Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of three — Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46

Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; second state of two — Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46

Woman drawing water from a well beneath an arcade at left, with a landscape at right, Canaletto (Giovanni Antonio Canal) Italian, Etching — Woman drawing water from a well beneath an arcade at left, with a landscape at right
Canaletto (Giovanni Antonio Canal)
1717–68

Capriccio with a Roman Triumphal Arch, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brush and gray wash, over traces of leadpoint or graphite — Capriccio with a Roman Triumphal Arch
Canaletto (Giovanni Antonio Canal)
1720–30

Lagoon Capriccio (recto); Architectural Scene (verso), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, brush and gray wash, over traces of lead or graphite (recto). Squared in lead or graphite. Faint traces of a constructed outline drawing of an architectural scene, in lead or graphite; faint traces of a constructed outline drawing of buildings along a Venetian canal in lead or graphite (verso) — Lagoon Capriccio (recto); Architectural Scene (verso)
Canaletto (Giovanni Antonio Canal)
1697–1768

Man Smoking a Pipe (recto); Standing Man and Two Studies of His Head (verso)

Canaletto (Giovanni Antonio Canal)

1697–1768

Piazza San Marco with the Procuratie Nuove on the left and the church of San Geminiano in the background, Canaletto (Giovanni Antonio Canal) Italian, Etching — Piazza San Marco with the Procuratie Nuove on the left and the church of San Geminiano in the background
Canaletto (Giovanni Antonio Canal)
1735–46

Prà della Valle: the right half of the square of Prà della Valle in Padua, with the Colleggio Universitario at right, Canaletto (Giovanni Antonio Canal) Italian, Etching; first state of two (Bromberg) — Prà della Valle: the right half of the square of Prà della Valle in Padua, with the Colleggio Universitario at right
Canaletto (Giovanni Antonio Canal)
1735–46

Al Dolo: the church of Dolo, dedicated to San Rocco, on the bank of the Brenta, facing the villa Zanon-Bon, Canaletto (Giovanni Antonio Canal) Italian, Etching; third state of three (Bromberg) — Al Dolo: the church of Dolo, dedicated to San Rocco, on the bank of the Brenta, facing the villa Zanon-Bon
Canaletto (Giovanni Antonio Canal)
1735–46

Le porte del Dolo: the oval basin of the locks at Dolo, with a barge moored to the quay, Canaletto (Giovanni Antonio Canal) Italian, Etching; third state of three (Bromberg) — Le porte del Dolo: the oval basin of the locks at Dolo, with a barge moored to the quay
Canaletto (Giovanni Antonio Canal)
1735–46

The market on the Molo in Venice, Canaletto (Giovanni Antonio Canal) Italian, Etching — The market on the Molo in Venice
Canaletto (Giovanni Antonio Canal)
1735–46

The façade of the Palazzo Ducale, Canaletto (Giovanni Antonio Canal) Italian, Etching — The façade of the Palazzo Ducale
Canaletto (Giovanni Antonio Canal)
1735–46

Fanciful Landscape (Landscape with Villa Building and Equestrian Monument), Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink — Fanciful Landscape (Landscape with Villa Building and Equestrian Monument)
Canaletto (Giovanni Antonio Canal)
1697–1768

Vedute altre prese da i luoghi altre ideate, Canaletto (Giovanni Antonio Canal) Italian — Vedute altre prese da i luoghi altre ideate
Canaletto (Giovanni Antonio Canal)
18th century

Woman and child

Mario Carletti

1960

Portrait of a man

Mario Carletti

1960

Delilah holding Samson's hair and a pair of scissors, Giuseppe Caletti, called Cremonese Italian, Etching — Delilah holding Samson's hair and a pair of scissors
Giuseppe Caletti, called Cremonese
1620–30

Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left, Giuseppe Caletti, called Cremonese Italian, Etching; first state of three — Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left
Giuseppe Caletti, called Cremonese
1620–30

Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left, Giuseppe Caletti, called Cremonese Italian, Etching; first state of three — Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left
Giuseppe Caletti, called Cremonese
1620–30