Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
On view
Has image
Has Open Access image
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Has 3D image

More than 10,000 results for Cesare Pollino (Cesare dal Francia or Franchi)

Sort by:

Adoration of the Magi, Cesare Pollino (Cesare dal Francia or Franchi) Italian, Red and white chalk on paper — Adoration of the Magi
Cesare Pollino (Cesare dal Francia or Franchi)
1560–1630

The Holy Family with Saint Elizabeth and the Infant Baptist, Cesare Pollino (Cesare dal Francia or Franchi) Italian, Pen and brown ink, brush and brown wash, over red chalk — The Holy Family with Saint Elizabeth and the Infant Baptist
Cesare Pollino (Cesare dal Francia or Franchi)
1560–1630

The Holy Family with Attendant Putti, Cesare Pollino (Cesare dal Francia or Franchi) Italian, Pen and brown ink, brush and brown wash, over red chalk — The Holy Family with Attendant Putti
Cesare Pollino (Cesare dal Francia or Franchi)
1560–1630

Holy Family, with Two Children at Right

Cesare Pollino (Cesare dal Francia or Franchi)

1560–1630

Madonna and Child with Saints Francis and Dominic and Angels, Giulio Cesare Procaccini Italian, Oil on canvas — Madonna and Child with Saints Francis and Dominic and Angels
Giulio Cesare Procaccini
ca. 1612

Vittorio Emanuele II, Cesare Bernieri Italian, Albumen silver print from glass negative — Vittorio Emanuele II
Cesare Bernieri
1867

Evening ensemble, Cesare Guidi Italian, silk, Italian — Evening ensemble
Cesare Guidi
1963–67

Shoes, Cesare Paciotti Italian, leather, Italian — Shoes
Cesare Paciotti
ca. 1982

Charity, Cesare Dandini Italian, Oil on canvas — Charity
Cesare Dandini
ca. 1630

Saint Roch, Francesco Francia Italian, Tempera on wood — Saint Roch
Francesco Francia
1502

Federico Gonzaga (1500–1540), Francesco Francia Italian, Tempera on wood, transferred from wood to canvas and then again to wood — Federico Gonzaga (1500–1540)
Francesco Francia
1510

Nova Iconologia, Cesare Ripa Italian, Woodcut — Nova Iconologia
Cesare Ripa
Pietro Paulo Tozzi
1618

Moses and Other Figures, Cesare Nebbia Italian, Pen and brown ink, over traces of leadpoint or black chalk — Moses and Other Figures
Cesare Nebbia
1570–80

The Contest Between Athena and Poseidon for the Possession of Athens, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in red chalk; traces of framing lines in pen and darker brown ink — The Contest Between Athena and Poseidon for the Possession of Athens
Cesare Nebbia
1570s

Building, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash, over leadpoint — Building
Cesare Nebbia
1536–1614

Standing Draped Male Figure, His Left Arm Resting on a Pillar, Cesare Dandini Italian, Black chalk (with some traces of reworking in graphite by a restorer), on dark brown washed paper; glued onto secondary paper support. — Standing Draped Male Figure, His Left Arm Resting on a Pillar
Cesare Dandini
1596–1656

Allegorical Figure of Painting, Cesare Dandini Italian, Pen and brown ink, over red chalk — Allegorical Figure of Painting
Cesare Dandini
1596–1656

Standing Figure of a Warrior King, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash, over black chalk — Standing Figure of a Warrior King
Cesare Nebbia
1536–1614

Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso), Cesare Nebbia Italian, Pen and brown ink (recto); pen and brown ink, brush and brown wash, over black chalk (verso) — Banquet Scene: A Seated Warrior Attended by a Number of Servants (recto); Back View of a Standing Man in a Long Cloak (verso)
Cesare Nebbia
1536–1614

The Assumption of the Virgin, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash; squared in red and black chalk — The Assumption of the Virgin
Cesare Nebbia
1536–1614

Saint Mathew and the Angel, Cesare Nebbia Italian, Red chalk, highlighted with white; the circular field of the image is incised with a compass — Saint Mathew and the Angel
Cesare Nebbia
1556–1614

An Ecclesiastic (Pope?) Blessing a Book before the Sacred College, Cesare Nebbia Italian, Pen and brown ink, brush and brown wash, over black chalk; traces of framing lines in pen and brown ink — An Ecclesiastic (Pope?) Blessing a Book before the Sacred College
Cesare Nebbia
1580–90

Virgin and Child, Cesare Ferreri Italian, Etching and engraving — Virgin and Child
Multiple artists/makers
19th century

Corona delle Nobili et Virtuose Donne: Libro I-IV, Book I title page (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, Book I title page (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 2 (verso), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 2 (verso)
Cesare Vecellio
1601

The Pentecost (The Descent of the Holy Spirit), Cesare Nebbia Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk — The Pentecost (The Descent of the Holy Spirit)
Cesare Nebbia
ca. 1576

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 2 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 2 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV
Cesare Vecellio
1601

Corona delle Nobile et Virtuose Donne, Libro Terzo, Cesare Vecellio , Venice Italian, Woodcut — Corona delle Nobile et Virtuose Donne, Libro Terzo
Cesare Vecellio
Alessandro de' Vecchi
1620

De gli habiti antichi et moderni di diversi parti del mondo, libri due ..., Cesare Vecellio Italian, Woodcut — De gli habiti antichi et moderni di diversi parti del mondo, libri due ...
Multiple artists/makers
1590

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), Cesare Vecellio Italian, Woodcut — Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona)
Cesare Vecellio
Alessandro de' Vecchi
1620

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 5 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 5 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 7 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 7 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 9 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 9 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 10 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 10 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 11 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 11 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 17 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 17 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 20 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 20 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 27 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 27 (recto)
Cesare Vecellio
1601

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 30 (recto), Cesare Vecellio Italian, Woodcut — Corona delle Nobili et Virtuose Donne: Libro I-IV, page 30 (recto)
Cesare Vecellio
1601