Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

More than 10,000 results for Charles Crace

Sort by:

Carriages, Charles Crace British, Illustrations: etching and engraving — Carriages
Charles Crace
Francis Patton
1750

Coin cabinet, Charles Percier French, Mahogany (probably Swietenia mahagoni), applied and inlaid silver, French, Paris — Coin cabinet
Multiple artists/makers
ca. 1809–19

Americana, Charles Sheeler American, Oil on canvas — Americana
Charles Sheeler
1931

The Court of Lions in the Alhambra, Spain, John Gregory Crace British, Albumen silver print — The Court of Lions in the Alhambra, Spain
John Gregory Crace
1855

Card table, Charles-Honoré Lannuier American, Mahogany veneer, white pine, yellow poplar, gilded gesso, vert antique, and gilded brass, American — Card table
Charles-Honoré Lannuier
1817

Seasons and Elements (Air) (set of four), Charles Le Brun French, Canvas; silk, wool, and metal-thread embroidery in tent stitch (316 stitches per sq. inch, 49 stitches per sq. cm.), French, Paris — Seasons and Elements (Air) (set of four)
Multiple artists/makers
ca. 1683

The Jabach Family, Charles Le Brun French, Oil on canvas — The Jabach Family
Charles Le Brun
ca. 1660

Clarinet in B-flat, Charles Joseph Sax Belgian, Ivory, brass, gold-plated silver, Belgian — Clarinet in B-flat
Charles Joseph Sax
1830

Commode, André Charles Boulle French, Walnut veneered with ebony, marquetry of engraved brass and tortoiseshell, gilt-bronze mounts, verd antique marble, French — Commode
André Charles Boulle
ca. 1710–20

Untitled (Cracked Watermelon), Charles Ethan Porter American, Oil on canvas, American — Untitled (Cracked Watermelon)
Charles Ethan Porter
ca. 1890

Vase, Charles Volkmar American, Earthenware, American — Vase
Charles Volkmar
Charles Houry Pottery
ca. 1877–79

Design for a room with two fireplaces, John Dibblee Crace British, Watercolor, gouache (bodycolor), pen and ink — Design for a room with two fireplaces
John Dibblee Crace
John Gregory Crace
ca. 1860

Elevation of a Dining Room Wall with Sideboard, John Dibblee Crace British, Pen and black ink, watercolor over graphite with touches of gouache (bodycolor) — Elevation of a Dining Room Wall with Sideboard
John Dibblee Crace
John Gregory Crace
1850–1919

Room Design in the Renaissance style, John Dibblee Crace British, Watercolor, pen and ink, graphite and gilt — Room Design in the Renaissance style
John Dibblee Crace
John Gregory Crace
mid-19th–early 20th century

Window with marine motifs, design for Fishmongers’ Hall, London, John Dibblee Crace British, Graphite, pen and ink and watercolor — Window with marine motifs, design for Fishmongers’ Hall, London
John Dibblee Crace
John Gregory Crace
1898

Window with marine motifs, design for Fishmongers’ Hall, London, John Dibblee Crace British, Graphite, pen and ink, and watercolor — Window with marine motifs, design for Fishmongers’ Hall, London
John Dibblee Crace
John Gregory Crace
1898

Design for Library or Dining Room Ceiling, Coffered and Painted Rust and Olive Green, John Gregory Crace , and Son British, Graphite, watercolor and gilt — Design for Library or Dining Room Ceiling, Coffered and Painted Rust and Olive Green
John Gregory Crace
John Dibblee Crace
1888

Design for Ceiling in Four Parts, One Decorated with a Compass Motif, in Rust and Olive Green, Moorish Motifs, John Gregory Crace , and Son British, Graphite, watercolor in reds yellows and blues, and gilt — Design for Ceiling in Four Parts, One Decorated with a Compass Motif, in Rust and Olive Green, Moorish Motifs
John Gregory Crace
John Dibblee Crace
19th century

Design for Wall Elevation with Diapered Wainscoting and a Coffered Ceiling, John Gregory Crace , and Son British, Watercolor over graphite with touches of gilt — Design for Wall Elevation with Diapered Wainscoting and a Coffered Ceiling
John Gregory Crace
John Dibblee Crace
19th century

Interior showing Staircase and Skylight, John Gregory Crace , and Son British, Watercolor over graphite with touches of gilt — Interior showing Staircase and Skylight
John Gregory Crace
John Dibblee Crace
19th century

Interior of a Morning Room with Wainscoting, Striped Curtains, and Painted Walls, John Gregory Crace , and Son British, Watercolor over graphite — Interior of a Morning Room with Wainscoting, Striped Curtains, and Painted Walls
John Gregory Crace
John Dibblee Crace
19th century

Whitley Abbey, interior, John Gregory Crace , and Son British, Graphite and watercolor — Whitley Abbey, interior
John Gregory Crace
John Dibblee Crace
ca. 1888

Interior of a Chapel with Altar, John Gregory Crace , and Son British, Watercolor over graphite — Interior of a Chapel with Altar
John Gregory Crace
John Dibblee Crace
19th century

Coffee Room Elevation, Pompeian style, John Gregory Crace , and Son British, Graphite and watercolor — Coffee Room Elevation, Pompeian style
John Gregory Crace
John Dibblee Crace
19th century

Dining Room Elevation in a Simplified Third Pompeian Style, John Gregory Crace , and Son British, Pen and black ink, watercolor and gouache (bodycolor) over graphite — Dining Room Elevation in a Simplified Third Pompeian Style
John Gregory Crace
John Dibblee Crace
ca. 1870–90

"Clover Leaf", Charles James American, silk, silk/rayon, American — "Clover Leaf"
Charles James
1953

Evening dress, Charles James American, silk/rayon, silk, American — Evening dress
Charles James
1946

"Butterfly", Charles James American, silk, synthetic, American — "Butterfly"
Charles James
1955

Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company, Charles Sheeler American, Gelatin silver print — Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company
Charles Sheeler
1927

Untitled, Charles Ray American, Gelatin silver print — Untitled
Charles Ray
1973, printed 1989

The Refectory of the Imperial Asylum at Vincennes, Charles Nègre French, Salted paper print from glass negative — The Refectory of the Imperial Asylum at Vincennes
Charles Nègre
1858–59

L'œuvre complet de Rembrandt : catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures, Charles Blanc French — L'œuvre complet de Rembrandt : catalogue raisonné de toutes les eaux-fortes du maître et de ses peintures
Multiple artists/makers
1859–1861

Two horses, Charles Ray American, Granite — Two horses
Charles Ray
2019

I Saw the Figure 5 in Gold, Charles Demuth American, Oil, graphite, ink, and gold leaf on paperboard (Upson board) — I Saw the Figure 5 in Gold
Charles Demuth
1928

Doylestown House—Stairs from Below, Charles Sheeler American, Gelatin silver print — Doylestown House—Stairs from Below
Charles Sheeler
1917

Edward C. Moore, Charles Calverley American, Bronze, American — Edward C. Moore
Charles Calverley
1894

Little Ida, Charles Calverley American, Marble, American — Little Ida
Charles Calverley
1869; carved 1881

Robert Burns, Charles Calverley American, Bronze, American — Robert Burns
Charles Calverley
Henry-Bonnard Bronze Company
1890, cast 1891

Plaque, Charles Volkmar American, Earthenware or lava, American — Plaque
Charles Volkmar
1877

Vase, Charles Volkmar American, White earthenware, American — Vase
Charles Volkmar
Volkmar Ceramic Company
1896–1902