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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 496 results for Clara Luz García

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FMC / Marzo 8: Dia Internacional de la Mujer

Clara Luz García

ca. 1970

A Bouquet of Flowers, Clara Peeters Flemish, Oil on wood — A Bouquet of Flowers
Clara Peeters
ca. 1612

Pintura Constructiva, Joaquín Torres-García Uruguayan, Oil on canvas — Pintura Constructiva
Joaquín Torres-García
1931

Removedor, Joaquín Torres-García Uruguayan — Removedor
Joaquín Torres-García
Guido Castillo
1944–53

Raison et nature : théorie, Joaquín Torres-García Uruguayan — Raison et nature : théorie
Joaquín Torres-García
1932

Figure of a Man, Joaquín Torres-García Uruguayan, Oil on wood — Figure of a Man
Joaquín Torres-García
1930

Coloration of the Grand Canal, Venice, Nicolás García Uriburu Argentine, Chromogenic print — Coloration of the Grand Canal, Venice
Nicolás García Uriburu
1968/1980s

Portfolio (Manifesto), Nicolás García Uriburu Argentine, Six screenprints on paper — Portfolio (Manifesto)
Nicolás García Uriburu
1975

Constructivo con objectos, Joaquín Torres-García Uruguayan, Oil on paperboard, mounted on plywood — Constructivo con objectos
Joaquín Torres-García
1936

Bowl, Clara Chipman Newton, Porcelain, overglaze enamel decoration and raised gold paste decoration, American — Bowl
Clara Chipman Newton
Ceramic Art Company, Trenton, New Jersey
ca. 1890–95

Heroic Head, Clara Fasano American, Terrazzo (gray green) — Heroic Head
Clara Fasano
1940

Hat, Clara Hats American, straw, cotton, silk, American — Hat
Clara Hats
1938–40

[Mariano Fortuny y Marsal]

José García Ayola

before 1874

Coloration Uriburu

Nicolás García Uriburu

1968

Portrait of a Woman, Clara D. Davidson American, red chalk (sanguine), oil pastel and chalk on toned paper, American — Portrait of a Woman
Clara D. Davidson
ca. 1910

Quilt, Crazy pattern, Clara Louise Roscoe American, Silk, silk thread, metallic thread, chenille, ink, and oil paint, American — Quilt, Crazy pattern
Clara Louise Roscoe
1894

Laura Newell Veissi, Clara Louise Bell American, Watercolor on ivory, American — Laura Newell Veissi
Clara Louise Bell
1925

Plate 4: disgruntled campesinos being exectued by firing squad, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 4: disgruntled campesinos being exectued by firing squad, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 66: Portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assassination, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 66: Portrait of the agrarian reform leader José Guadalupe Rodríguez on a banner after his assassination, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 81: The synarchists, scene with soldiers relating to the National Synarchist Union, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Figures praying by a cemetary or roadside shrine, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — Christ on the Cross, an angel below, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925)., Juan Manuel García Mexican, Woodcut — A man sitting in a doorway sheltered by an awning selling fruit from baskets, from the portfolio 'Los pequeños grabadores en madera, alumnos de la Escuela Preparatoria de Jalisco' (Guadalajara, Mexico 1925).
Juan Manuel García
ca. 1924

Plate 3: an indentured slave (peon acasillado) cutting maize, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 3: an indentured slave (peon acasillado) cutting maize, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 62: the result of a pastoral ministry, the Cristero uprising, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 62: the result of a pastoral ministry, the Cristero uprising, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Plate 84: the industrialisation of Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Arturo García Bustos Mexican, Linocut — Plate 84: the industrialisation of Mexico, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1947

Reims: la cathédrale, Edouard-García Benito Spanish, Illustrations: line block (photomechanical relief print) and pochoir — Reims: la cathédrale
Multiple artists/makers
1918

Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study of a naked man playing a vihuela, a child holding a sheet of music at the left, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693), José García Hidalgo Spanish, Etching — Studies of three skeleton, from the 'Principios para estudiar el Nobilísimo y Real arte de la Pintura' (Madrid 1693)
José García Hidalgo
ca. 1693

Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura", José García Hidalgo Spanish, Etching — Study from behind of a naked man playing a cello, from "Principios para estudiar el Nobilísimo y Real arte de la Pintura"
José García Hidalgo
ca. 1693

Four Evils, Eric J. García American, Screenprint — Four Evils
Eric J. García
2018

Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848, Eric J. García American, Offset lithograph — Chicano Codices #1: Simplified Histories: The U.S. Invasion of Mexico 1846-1848
Eric J. García
Salsedo Press
2015

David Alfaro Siqueiros in Prison, Arturo García Bustos Mexican, Linocut — David Alfaro Siqueiros in Prison
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
ca. 1961

Death of the agrarian leader José Guadalupe Rodríguez (La muerte del agrarista José Guadalupe Rodríguez), Plate 104 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Death of the agrarian leader José Guadalupe Rodríguez (La muerte del agrarista José Guadalupe Rodríguez), Plate 104 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

A raised fist supported by workers celebrating May Day, for the newspaper "La Voz de Mexico", Arturo García Bustos Mexican, Lithograph (offset) — A raised fist supported by workers celebrating May Day, for the newspaper "La Voz de Mexico"
Arturo García Bustos
May 1, 1949

Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Jacinto Canek, Plate 5 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Discontended campesinos get their response (El descontento de los campesinos obtiene su respuesta), Plate 49 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Industrialization of the country (La industrialización del país), Plate 120 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Industrialization of the country (La industrialización del país), Plate 120 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Sinarquism (El Sinarquismo), Plate 118 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Arturo García Bustos Mexican, Offset lithograph — Sinarquism (El Sinarquismo), Plate 118 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Arturo García Bustos
Taller de Gráfica Popular, Mexico City
1960

Dress, Oscar de la Renta, LLC. American, silk, synthetic — Dress
Multiple artists/makers
fall/winter 2021–22