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Showing 44 results for Clementina Hawarden

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Photographic Study, Clementina Hawarden British, Albumen silver print from glass negative — Photographic Study
Clementina Hawarden
Early 1860s

Photographic Study, Clementina Hawarden British, Albumen silver print from glass negative — Photographic Study
Clementina Hawarden
early 1860s

Untitled #87b, Howardena Pindell American, Cut and torn pasted paper, punched paper, acrylic, watercolor, board, and thread on board, mounted on board — Untitled #87b
Howardena Pindell
1977

Untitled #2, Howardena Pindell American, Pen and black ink and pasted punched paper on graph paper — Untitled #2
Howardena Pindell
1973

Oval Memory Series II: Castle Dragon, Howardena Pindell American, Cut and pasted postcards, tempera, opaque watercolor, fluorescent paint, punched papers, nails and thread on foam board mounted on matboard — Oval Memory Series II: Castle Dragon
Howardena Pindell
1980–81

Self-Portrait, Howardena Pindell American, Oil on Masonite — Self-Portrait
Howardena Pindell
1962

Memory Test: Free, White & Plastic (#114), Howardena Pindell American, Punched painted paper, cut and pasted painted paper, nails, watercolor, acrylic paint, opaque watercolor, thread, and plastic on matboard on board mounted on matboard — Memory Test: Free, White & Plastic (#114)
Howardena Pindell
1979–80

Transverse Flute in B-flat, Clementi & Co. British, ivory, wood, silver, British — Transverse Flute in B-flat
Clementi & Co.
1819

Clarinet in B-flat, Clementi & Co. British, Boxwood, ivory, brass, British — Clarinet in B-flat
Clementi & Co.
ca. 1805

Clarinet in C, Clementi & Co. British, Boxwood, brass, British — Clarinet in C
Clementi & Co.
ca. 1802

Keyed Bugle in E-flat, Clementi & Co. British, Copper, brass, British — Keyed Bugle in E-flat
Clementi & Co.
ca. 1830

Bentside Spinet, Charles Haward British, Wood and various materials, British — Bentside Spinet
Charles Haward
1684

Transverse Flute in C, Thomas Prowse British, Ivory, silver, brass, British — Transverse Flute in C
Thomas Prowse
Clementi & Co.
ca. 1825

Enjoy the Moment, Clémenti French, Etching — Enjoy the Moment
Clémenti
18th century

Constellations, Howardena Pindell American, Open bite etching — Constellations
Howardena Pindell
Center for Contemporary Printmaking
2015

Flight/Fields, Howardena Pindell American, Color lithograph and etching with collage — Flight/Fields
Multiple artists/makers
1988–89

View of the convent in Sintra, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of the convent in Sintra
Clementine de Brelaz
Manuel Luis
1840

View of the Quinta dos Pizões, Sintra, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of the Quinta dos Pizões, Sintra
Clementine de Brelaz
Manuel Luis
1840

View of the cross on the road entering Cintra, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of the cross on the road entering Cintra
Clementine de Brelaz
Manuel Luis
1840

View of a bridge over the Colares river near Sintra, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of a bridge over the Colares river near Sintra
Clementine de Brelaz
Manuel Luis
1840

View of the Convento de Pena, the castle of the Moors in the background, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of the Convento de Pena, the castle of the Moors in the background
Clementine de Brelaz
Manuel Luis
1840

Close up view of the Castle of the Moors near Sintra, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — Close up view of the Castle of the Moors near Sintra
Clementine de Brelaz
Manuel Luis
1840

View of the entrance to the Palacio de Seteais, Sintra, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of the entrance to the Palacio de Seteais, Sintra
Clementine de Brelaz
Manuel Luis
1840

View of Rio de Porto in Sintra with the Castle of the Moors in the background, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of Rio de Porto in Sintra with the Castle of the Moors in the background
Clementine de Brelaz
Manuel Luis
1840

View of Sintra with what is now the National Palace in the background, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of Sintra with what is now the National Palace in the background
Clementine de Brelaz
Manuel Luis
1840

View of the Sintra from the garden of the Comte de Povoa, National Palace in the background, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of the Sintra from the garden of the Comte de Povoa, National Palace in the background
Clementine de Brelaz
Manuel Luis
1840

View of Sintra with the Castanheiros hills in the background, Clementine de Brelaz Portuguese, Lithograph on chinecollé on a larger support sheet — View of Sintra with the Castanheiros hills in the background
Clementine de Brelaz
Manuel Luis
1840

View of Sinta near the Colares river, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of Sinta near the Colares river
Clementine de Brelaz
Manuel Luis
1840

View of Sintra with what is now the National Palace in the background, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of Sintra with what is now the National Palace in the background
Clementine de Brelaz
Manuel Luis
1840

View of Sintra, the area near the clock-tower, Clementine de Brelaz Portuguese, Lithograph on chine collé on a larger support sheet — View of Sintra, the area near the clock-tower
Clementine de Brelaz
Manuel Luis
1840

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye), Thomas Girtin British, Soft-ground etching and aquatint — The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)
Multiple artists/makers
1803

His Royal Highness George, Prince of Wales

Multiple artists/makers

January 18, 1793

Richard Harden

1979

Rainy Street Corner

Richard Harden

1977

James Ferguson, F.R.S.

Multiple artists/makers

1776

Cantabrigia Depicta: A Series of Engravings, Representing the Most Picturesque and Interesting Edifices in the University of Cambridge, with an Historical and Descriptive Account of Each

Multiple artists/makers

1809 [1811]

Carriage Transfer Ornaments

B. J. Warden

19th century (?)

Drawing from Life at the Royal Academy, Somerset House, Thomas Rowlandson British, Hand-colored etching and aquatint; early state — Drawing from Life at the Royal Academy, Somerset House
Multiple artists/makers
January 1, 1808

View of the Pont St. Michel, taken from Pont Neuf (Vue du Pont St. Michel, prise du Pont Neuf)

Multiple artists/makers

1803

On the Banks of the Marne below the Bridge, at Chareton (Sur les Bords de la Marne au dessous du pont, de Charenton)

Multiple artists/makers

1803