Memory Test: Free, White & Plastic (#114)
In this work, Pindell adhered hundreds of dots punched out of brightly painted sheets of paper to painted supports, adding scraps of punched paper, painted nails, and even a plastic toy monkey. Not even the underlying grids, created with string, succeed in disciplining the chaotic, riotous sprawl.
Pindell was encouraged in her use of aggregation after traveling in 1973 and 1977 to Kenya, Ghana, Nigeria, Côte d’Ivoire, and Senegal, where the technique was associated with both ritual and empowerment. She took the 1973 trip with Lowery Stokes Sims, then an assistant curator at The Met, who purchased this work for its collection.
Pindell was encouraged in her use of aggregation after traveling in 1973 and 1977 to Kenya, Ghana, Nigeria, Côte d’Ivoire, and Senegal, where the technique was associated with both ritual and empowerment. She took the 1973 trip with Lowery Stokes Sims, then an assistant curator at The Met, who purchased this work for its collection.
Artwork Details
- Title: Memory Test: Free, White & Plastic (#114)
- Artist: Howardena Pindell (American, born Philadelphia, Pennsylvania, 1943)
- Date: 1979–80
- Medium: Punched painted paper, cut and pasted painted paper, nails, watercolor, acrylic paint, opaque watercolor, thread, and plastic on matboard on board mounted on matboard
- Dimensions: 20 7/8 in. × 21 in. (53.1 × 53.4 cm)
- Classification: Drawings
- Credit Line: Arthur Hoppock Hearn Fund, 1980
- Object Number: 1980.150
- Rights and Reproduction: © Howardena Pindell
- Curatorial Department: Modern and Contemporary Art
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