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1-42 of 1,237 results for Copley Fielding
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Lakeland Landscape, Copley Fielding British, Watercolor over graphite
Lakeland Landscape
Copley Fielding
early 19th century
A Description of the River Wye
Multiple artists/makers
1821–22
Daniel Crommelin Verplanck, John Singleton Copley American, Oil on canvas, American
Daniel Crommelin Verplanck
John Singleton Copley
1771
Self-portrait, John Singleton Copley American, Watercolor on ivory, American
Self-portrait
John Singleton Copley
1769
Joseph Sherburne, John Singleton Copley American, Oil on canvas, American
Joseph Sherburne
John Singleton Copley
ca. 1767–70
Midshipman Augustus Brine, John Singleton Copley American, Oil on canvas, American
Midshipman Augustus Brine
John Singleton Copley
1782
Mrs. Jerathmael Bowers, John Singleton Copley American, Oil on canvas, American
Mrs. Jerathmael Bowers
John Singleton Copley
ca. 1763
Mrs. John Winthrop, John Singleton Copley American, Oil on canvas, American
Mrs. John Winthrop
John Singleton Copley
1773
Mrs. Sylvanus Bourne, John Singleton Copley American, Oil on canvas, American
Mrs. Sylvanus Bourne
John Singleton Copley
1766
Samuel Verplanck, John Singleton Copley American, Oil on canvas, American
Samuel Verplanck
John Singleton Copley
1771
Watson and the Shark, John Singleton Copley American, Oil on canvas, American
Watson and the Shark
John Singleton Copley
ca. 1778
On Painting in Oil and Water Colours, Landscape and Portraits . . ., Theodore Henry Adolphus Fielding British, Illustrated book
On Painting in Oil and Water Colours, Landscape and Portraits . . .
Theodore Henry Adolphus Fielding
1839
Mug, George Fielding American, Silver, American
Mug
George Fielding
ca. 1740
Tankard, George Fielding American, Silver, American
Tankard
George Fielding
ca. 1740–60
Sarnen, Thales Fielding British, Oil on light brown paper
Sarnen
Thales Fielding
1824
John St. Clair, John Singleton Copley American, Oil on copper, American
John St. Clair
John Singleton Copley
1758
Elizabeth Green (Mrs. Ebenezer Storer II), John Singleton Copley American, Pastel on paper mounted on canvas, American
Elizabeth Green (Mrs. Ebenezer Storer II)
John Singleton Copley
ca. 1767
Ebenezer Storer II, John Singleton Copley American, Pastel on paper mounted on canvas, American
Ebenezer Storer II
John Singleton Copley
ca. 1767
Elizabeth Greenleaf, John Singleton Copley American, Oil on canvas, American
Elizabeth Greenleaf
John Singleton Copley
1753–54
John Greenleaf, John Singleton Copley American, Oil on canvas, American
John Greenleaf
John Singleton Copley
1753–54
Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors, John Singleton Copley American, Black chalk and white-chalk heightening on light blue laid paper, American
Study for "The Siege of Gibraltar": Figure Reaching; Sprawling Figures; Cheering Group; Dying Sailors
John Singleton Copley
1785–86
Gulian Verplanck, John Singleton Copley American, Oil on canvas, American
Gulian Verplanck
John Singleton Copley
1771
Jeremiah Lee, John Singleton Copley American, Watercolor on ivory, American
Jeremiah Lee
John Singleton Copley
ca. 1769
Ebenezer Storer, John Singleton Copley American, Pastel on laid paper mounted on canvas, American
Ebenezer Storer
John Singleton Copley
ca. 1767–69
Mrs. Ebenezer Storer (Mary Edwards), John Singleton Copley American, Pastel on laid paper, mounted on canvas, American
Mrs. Ebenezer Storer (Mary Edwards)
John Singleton Copley
1767–69
Mrs. Edward Green (Mary Storer), John Singleton Copley American, Pastel on laid paper, mounted on canvas, American
Mrs. Edward Green (Mary Storer)
John Singleton Copley
1765
The Return of Neptune, John Singleton Copley American, Oil on canvas, American
The Return of Neptune
John Singleton Copley
ca. 1754
Richard Dana, John Singleton Copley American, Oil on canvas, American
Richard Dana
John Singleton Copley
ca. 1770
Sailors Maneuvering a Cannon, Possibly a Study for "The Death of Sir John More at Corunna", John Singleton Copley American, Black chalk and white-chalk heightening on blue laid paper, American
Sailors Maneuvering a Cannon, Possibly a Study for "The Death of Sir John More at Corunna"
John Singleton Copley
ca. 1810
Study for "The Siege of Gibraltar": Three Officers, Two Standing and One Kneeling, John Singleton Copley American, Black chalk and white-chalk heightening on blue laid paper, American
Study for "The Siege of Gibraltar": Three Officers, Two Standing and One Kneeling
John Singleton Copley
1785–86
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Two Studies of a Man with a Sail or Flag, John Singleton Copley American, Black and red chalk, white-chalk heightening, and graphite on blue laid paper, American
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Two Studies of a Man with a Sail or Flag
John Singleton Copley
1798
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors, John Singleton Copley American, Black chalk, white-chalk heightening, and gouche on blue laid paper, American
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Admiral De Winter Raising the Colors
John Singleton Copley
1798
Two Equestrian Figures, Possibly a Study for "George IV, Prince of Wales", John Singleton Copley American, Black chalk and white-chalk heightening on blue wove paper, American
Two Equestrian Figures, Possibly a Study for "George IV, Prince of Wales"
John Singleton Copley
ca. 1803–13
Study for "John Adams", John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on blue laid paper, American
Study for "John Adams"
John Singleton Copley
1783
Study for "The Ascension", John Singleton Copley American, Ink ("Bistre") washes, pen and ink, black chalk, and graphite on off-white laid paper, watercolor, American
Study for "The Ascension"
John Singleton Copley
1774
Study for "The Knatchbull Family": Norton Joseph Knatchbull, John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on dark blue laid paper, American
Study for "The Knatchbull Family": Norton Joseph Knatchbull
John Singleton Copley
1800–1802
Study for "The Knatchbull Family": Sir Edward Knatchbull, John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on dark blue laid paper, American
Study for "The Knatchbull Family": Sir Edward Knatchbull
John Singleton Copley
1800–1802
Study for "The Siege of Gibraltar": Figure Astride Cannon Pulling Down Spanish Colors, John Singleton Copley American, Black chalk, white-chalk heightening, and graphite on blue laid paper, American
Study for "The Siege of Gibraltar": Figure Astride Cannon Pulling Down Spanish Colors
John Singleton Copley
1785–86
Study for "The Siege of Gibraltar": The Wrecked Longboat, John Singleton Copley American, Pen and brown ink and black chalk on off-white laid paper, American
Study for "The Siege of Gibraltar": The Wrecked Longboat
John Singleton Copley
1785–86
Study for "The Siege of Gibraltar": Figures Astride Spar, John Singleton Copley American, Black and red chalk and white-chalk heightening on dark blue laid paper, American
Study for "The Siege of Gibraltar": Figures Astride Spar
John Singleton Copley
1785–86
Study for "The Siege of Gibraltar": Figures Scaling Floating Battery; Cannon, John Singleton Copley American, Black and red chalk on blue laid paper, American
Study for "The Siege of Gibraltar": Figures Scaling Floating Battery; Cannon
John Singleton Copley
1785–86
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Three Figures Raising the Colors, John Singleton Copley American, Black and red chalk and white-chalk heightening on blue laid paper, American
Study for "The Surrender of the Dutch Admiral De Winter to Admiral Duncan, October 11, 1797": Three Figures Raising the Colors
John Singleton Copley
1798