チケット
日本語
寄付するメンバーシップ
チケット
私たちはこのページをできるだけ早く翻訳するために取り組んでいます。ご理解いただきありがとうございます。

Search for Art

1-42 of 59 results for Diego de Atienza
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
Monstrance, Diego de Atienza Spanish, Silver gilt with enamel, cast, chased, and engraved, Peruvian, probably Lima
Monstrance
Attributed to Diego de Atienza
1646/9
The Holy Family with Saints Anne and Joachim, Diego de Pesquera Spanish, Wood, painted and gilt, Spanish, Granada
The Holy Family with Saints Anne and Joachim
Diego de Pesquera
1567–68
Saint Agnes (one of a pair), Diego de Tiedra Spanish, Alabaster, painted and gilt, Spanish, possibly Aragon
Saint Agnes (one of a pair)
Possibly by Diego de Tiedra
mid-16th century
Mace Made for Henry II of France, Diego de Caias Spanish, Steel, gold, silver, French
Mace Made for Henry II of France
Damascener Diego de Caias
ca. 1540
Juan de Pareja (ca. 1608–1670), Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
Juan de Pareja (ca. 1608–1670)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1650
Eared Dagger
Diego de Caias
ca. 1530
Madonna and Child, Diego de Siloé or, Alabaster, traces of polychromy, Spanish, Burgos
Madonna and Child
Possibly after a model by Diego de Siloé
After a model by Felipe Vigarni
1520–30
María Teresa (1638–1683), Infanta of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
María Teresa (1638–1683), Infanta of Spain
Velázquez (Diego Rodríguez de Silva y Velázquez)
1651–54
The Supper at Emmaus, Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
The Supper at Emmaus
Velázquez (Diego Rodríguez de Silva y Velázquez)
1622–23
Philip IV (1605–1665), King of Spain, Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
Philip IV (1605–1665), King of Spain
Velázquez (Diego Rodríguez de Silva y Velázquez)
probably 1624
Portrait of a Man, Possibly a Self-Portrait, Velázquez (Diego Rodríguez de Silva y Velázquez) Spanish, Oil on canvas
Portrait of a Man, Possibly a Self-Portrait
Velázquez (Diego Rodríguez de Silva y Velázquez)
ca. 1635
Candlestick, Diego Gonzales de la Cueva, Silver, Mexican
Candlestick
Diego Gonzales de la Cueva
1700–1800
María Teresa, Infanta of Spain, Diego Rodríguez de Silva y Velázquez Spanish, Oil on canvas
María Teresa, Infanta of Spain
Workshop of Diego Rodríguez de Silva y Velázquez
mid-17th century
The adoration of the shepherds, Diego de Astor Spanish, Engraving
The adoration of the shepherds
Diego de Astor
After El Greco (Domenikos Theotokopoulos)
1605
Medidas del Romano o Vitruvio nuevamente impressas y añadidas de muchas pieçes y figuras muy necessarias a los officiales que quieren seguir las formaciones de las basas, columnas, capitales y otras pieças de los edificios antiguos
Multiple artists/makers
1564
The Adoration of the Magi (Cartoon for an Embroidery), Diego Lopez de Escuriaz Spanish, Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue-green paper; outlines finely pricked for transfer
The Adoration of the Magi (Cartoon for an Embroidery)
Attributed to Diego Lopez de Escuriaz
1587–89
The Crucified Christ, Diego Lopez de Escuriaz Spanish, Pen and brown ink with brush and blue wash on blue paper
The Crucified Christ
(Attributed to) Diego Lopez de Escuriaz
1587–97
Raison d'architecture antique extraicte de Victruve, et aultres anciens architecteurs, nouvellemet traduit Despaignol en Francoys a lutilite de ceulx q. se delectet en edifices.
Author Diego de Sagredo
Publisher Simon de Colines
Dedicatee Alonso de Fonseca y Acebedo
[1536]
Medidas del Romano agora nuevamente impressas y añadidas de muchas pieçes y figuras muy necessarias a los officiales que quieren seguir las formaciones de las basas, columnas, capitales y otras pieças de los edificios antiguos
Author Diego de Sagredo
Publisher Luis Rodriguez
Dedicatee Alonso de Fonseca y Acebedo
1541
Raison d'architecture antique, extraicte de Vitruve, & autres anciens architecteurs, nouvellement traducite d'Espaignol en François, à l'utilité de ceux qui se delectent en edifices
Multiple artists/makers
1555
Bullfight, Eugenio Lucas y Padilla Spanish, Brush and black ink with wash, Spanish
Bullfight
Eugenio Lucas y Padilla
Former Attribution Velázquez (Diego Rodríguez de Silva y Velázquez)
19th century
The writing manual: 'Primera parte del arte de escribir todas formas de letras', José de Casanova Spanish, Plates: engraving
The writing manual: 'Primera parte del arte de escribir todas formas de letras'
Multiple artists/makers
1650
Isabel de Bourbon on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Isabel de Bourbon on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
A False Bacchus Crowning Drunkards, Goya (Francisco de Goya y Lucientes) Spanish, Etching
A False Bacchus Crowning Drunkards
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Philip IV on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Philip IV on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf known as el Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Aesop, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Aesop, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Menippus, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Menippus, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Portrait of the court dwarf El Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching
Portrait of the court dwarf El Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1778
Don Baltasar Carlos on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint
Don Baltasar Carlos on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Baltazar Carlos
1778
Baltasar Carlos on horseback, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint printed in black ink
Baltasar Carlos on horseback
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Balthasar Carlos, Prince of Asturias
1778
Lady with a fan, after Velázquez
After Velázquez (Diego Rodríguez de Silva y Velázquez)
ca. 1850–1900
Margaret of Austria on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Margaret of Austria on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Margaret of Austria, Queen of Spain
1778
The Infanta Marguerita, Edouard Manet French, Etching on blue laid paper; only state
The Infanta Marguerita
Edouard Manet
After Velázquez (Diego Rodríguez de Silva y Velázquez)
ca. 1861–62; 1905 edition
Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background, Pierre Audouin French, Engraving
Las Meninas: the family of Philip IV in the foreground with the Infanta Margarita in the centre, Velázquez standing painting at left, the King and Queen reflected in the mirror in the background
Pierre Audouin
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1799
The Infanta Margarita, after Velázquez, Edgar Degas French, Etching and drypoint; second state of two (only known impression)
The Infanta Margarita, after Velázquez
Edgar Degas
After Velázquez (Diego Rodríguez de Silva y Velázquez)
ca. 1861–62
The Fable of Aracne, or 'The Spinners', after Velázquez, Bartolomé Maura Spanish, Etching on wove paper
The Fable of Aracne, or 'The Spinners', after Velázquez
Bartolomé Maura
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1870
The Surrender at Breda or 'Las Lanzas' (The Lances), after Velázquez, Bartolomé Maura Spanish, Etching on wove paper
The Surrender at Breda or 'Las Lanzas' (The Lances), after Velázquez
Bartolomé Maura
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1876
Philip III, King of Spain on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching and drypoint
Philip III, King of Spain on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
After Velázquez (Diego Rodríguez de Silva y Velázquez)
Sitter Philip III (Felipe III), King of Spain
1778
The forge of Vulcan, from the series 'Colección lithográphica de cuadros del Rey de España el Señor Don Fernando VII'
Multiple artists/makers
1826–32
The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez, Bartolomé Vázquez Spanish, Engraving on wove paper
The dwarf Francisco Lezcano, called 'El Niño de Vallecas', after Velázquez
Bartolomé Vázquez
Intermediary draughtsman Antonio Vázquez
After Velázquez (Diego Rodríguez de Silva y Velázquez)
1792