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1-42 of 86 results for Edward Powis Jones
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The Dancers, Edward Powis Jones American, Silver dye bleach print with applied color
The Dancers
Edward Powis Jones
1980
Mirror, No. 9, Edward Powis Jones American, Photocopy
Mirror, No. 9
Edward Powis Jones
1984
[Study for Mirror, No. 9, from a Slide of Gwen John's Self-Portrait in the Tate Gallery, London], Edward Powis Jones American, Photocopy
[Study for Mirror, No. 9, from a Slide of Gwen John's Self-Portrait in the Tate Gallery, London]
Edward Powis Jones
1984
[Study for Mirror, No. 9, from a Xerox of a Slide of Gwen John's Self-Portrait, Tate Gallery, London], Edward Powis Jones American, Photocopy
[Study for Mirror, No. 9, from a Xerox of a Slide of Gwen John's Self-Portrait, Tate Gallery, London]
Edward Powis Jones
1984
[Lehman Pavillion, Metropolitan Museum of Art]
Edward Powis Jones
ca. 1982
The Curtain Falls. No. 7
Edward Powis Jones
1984
The Love Song, Sir Edward Burne-Jones British, Oil on canvas
The Love Song
Sir Edward Burne-Jones
1868–77
Angels Praising (Angeli Laudantes), Sir Edward Burne-Jones (figures) British, Dyed wool and silk on undyed cotton warp (15 warps per inch; 5-6 per cm.), British, Merton Abbey
Angels Praising (Angeli Laudantes)
Multiple artists/makers
1898
The Backgammon Players, Philip Webb British, Painted pine, oil paint on leather, brass, copper, British
The Backgammon Players
Designer Philip Webb
Manufacturer Morris, Marshall, Faulkner & Co.
Painted by Sir Edward Burne-Jones
1861
The Entombment, Sir Edward Burne-Jones British, Green, blue, brown and touches of reddish bodycolor, heightened with white gouache (bodycolor)
The Entombment
Sir Edward Burne-Jones
1879
King David the Poet, Sir Edward Burne-Jones British, Stained glass, British, London
King David the Poet
Designer Figure designed by Sir Edward Burne-Jones
Designer Background designed by William Morris
Manufactory Morris, Marshall, Faulkner & Co.
1863
Head of a Woman, Sir Edward Burne-Jones British, Wool (15 warps per inch, 6 per cm.), British, Merton Abbey
Head of a Woman
Designer Designed by Sir Edward Burne-Jones
Manufactory Manufactured by Morris & Company
Weaving workshop at Merton Abbey Tapestry Works
designed 1877–98; woven before 1923
Brooch in the form of a dove on an olive branch, Sir Edward Burne-Jones British, Gold, coral, turquoise, seed pearls, ruby, red and green translucent enamel, British
Brooch in the form of a dove on an olive branch
Designer Sir Edward Burne-Jones
Carlo (II) Giuliano
and Arthur Giuliano
ca. 1895
The Summons: Study for the Head of Gawaine, Sir Edward Burne-Jones British, Fabricated black crayon on paper
The Summons: Study for the Head of Gawaine
Sir Edward Burne-Jones
1893
Design for the Figure of "Flora", Sir Edward Burne-Jones British, Graphite on paper, British
Design for the Figure of "Flora"
Sir Edward Burne-Jones
19th century
Study of a Female Head, Sir Edward Burne-Jones British, Yellow, red, and green pastel with fabricated black crayon on red paper
Study of a Female Head
Sir Edward Burne-Jones
1890
Silhouette of an unknown lady
Edward Jones
1790–1821
Silhouette of an unknown lady
Edward Jones
1790–1821
Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman?), Sir Edward Burne-Jones British, Process print
Adam and Eve (Labour: Whan Adam Delved and Eve Span, Who Was Then the Gentleman?)
After Sir Edward Burne-Jones
Carl Hentschel
1895 or later
The Mirror of Venus, Sir Edward Burne-Jones British, Etching on imitation vellum; proof
The Mirror of Venus
Multiple artists/makers
1896
The Parable of the Burning Pot, from "Dalziels' Bible Gallery", Sir Edward Burne-Jones British, Wood engraving on India paper, mounted on thin card
The Parable of the Burning Pot, from "Dalziels' Bible Gallery"
Multiple artists/makers
1865–81
King Sigurd the Crusader (in "Good Words for 1862," p. 248), Sir Edward Burne-Jones British, Wood engraving
King Sigurd the Crusader (in "Good Words for 1862," p. 248)
After Sir Edward Burne-Jones
Engraver Dalziel Brothers
Author Related author William Forsyth
April 1862
The Legend of the Briar Rose - The Prince Enters the Briar Wood, Sir Edward Burne-Jones British, Photogravure; proof
The Legend of the Briar Rose - The Prince Enters the Briar Wood
After Sir Edward Burne-Jones
Publisher Thomas Agnew & Sons, Ltd.
1892
A seated couple, embracing, Sir Edward Burne-Jones British, White chalk with touches of graphite on brown paper
A seated couple, embracing
Sir Edward Burne-Jones
ca. 1865
Bath of Venus, Sir Edward Burne-Jones British, Metallic paint over graphite
Bath of Venus
Sir Edward Burne-Jones
1890s
The Month of March, Sir Edward Burne-Jones British, Graphite
The Month of March
Sir Edward Burne-Jones
ca. 1866
Armed Men, Sir Edward Burne-Jones British, Graphite, heightened with white chalk, on brown paper
Armed Men
Sir Edward Burne-Jones
1855–98
Ascension of Christ (Acts I, 1–9): study for stained-glass window, Sir Edward Burne-Jones British, Watercolor and gouache (bodycolor), gold paint, and graphite
Ascension of Christ (Acts I, 1–9): study for stained-glass window
Sir Edward Burne-Jones
ca. 1875–84
Noah, Sir Edward Burne-Jones British, Charcoal
Noah
Sir Edward Burne-Jones
Morris & Company
February 1, 1874
Seated Woman, Sir Edward Burne-Jones British, Graphite
Seated Woman
Sir Edward Burne-Jones
1864
The Cumaean Sibyl, Sir Edward Burne-Jones British, Etching and drypoint; proof before edition of 250
The Cumaean Sibyl
Multiple artists/makers
November 1, 1882
The Passing of Venus, Sir Edward Burne-Jones British, Gouache (bodycolor) and metallic paint on cardboard
The Passing of Venus
Sir Edward Burne-Jones
1898
Portrait of a young girl, Sir Edward Burne-Jones British, Graphite
Portrait of a young girl
Sir Edward Burne-Jones
1866–80
Caricature of two men (one of them possibly Edward Burne-Jones), Sir Edward Burne-Jones British, Pen and black ink, on writing paper
Caricature of two men (one of them possibly Edward Burne-Jones)
Attributed to Sir Edward Burne-Jones
1850–90
A seated fat lady, Sir Edward Burne-Jones British, Pen and ink on lined blue paper
A seated fat lady
Sir Edward Burne-Jones
ca. 1866
Caricature of a windblown woman on the beach at Rottingdean, Sussex, Sir Edward Burne-Jones British, Black chalk
Caricature of a windblown woman on the beach at Rottingdean, Sussex
Sir Edward Burne-Jones
August 1893
Alice, la Belle Pèlerine, Sir Edward Burne-Jones British, Graphite and black ink, heightened with white, on vellum; the head and shoulders on a subsidiary piece of vellum
Alice, la Belle Pèlerine
Sir Edward Burne-Jones
1858–59
Putto Study, for the lid of the Graham Family Piano, Sir Edward Burne-Jones British, White and reddish brown synthetic crayons on brown paper
Putto Study, for the lid of the Graham Family Piano
Sir Edward Burne-Jones
ca. 1879
The Vision of St. Francis, Sir Edward Burne-Jones British, Gouache, watercolor, earth pigments and gold
The Vision of St. Francis
Sir Edward Burne-Jones
1887
Cupid and Psyche
After Sir Edward Burne-Jones
Engraver William Morris
ca. 1866
Woodengraved Printing Block for "The Wine of Circe"
After Sir Edward Burne-Jones
after 1869
Summer Snow (in "Good Words for 1863," opp. p. 380)
After Sir Edward Burne-Jones
Engraver Dalziel Brothers
1863