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1-42 of 166 results for Elias Ashmole
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Windsor Castle, St. George's Chapel: Prospect of the Choir, from the West (from Elias Ashmole's "The Order of the Garter," 1672), Wenceslaus Hollar Bohemian, Etching; first state of two
Windsor Castle, St. George's Chapel: Prospect of the Choir, from the West (from Elias Ashmole's "The Order of the Garter," 1672)
Wenceslaus Hollar
Elias Ashmole
1663
Prospect and bird's eye view of Windsor Castle (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London, 1672)
Wenceslaus Hollar
Elias Ashmole
1672
Three prospects of Windsor Castle (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London, 1672)
Wenceslaus Hollar
Elias Ashmole
1672
Prospect of Windsor Castle, from the North (from Elias Ashmole's "The Institution, Laws & Ceremonies of the most Noble Order of the Garter," London, 1667 or 1672)
Multiple artists/makers
1667
Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts
Wine cooler (one of a pair)
Elias Adam
ca. 1735–36
Wine cooler (one of a pair), Elias Adam German, Hard-paste porcelain; silver, Chinese porcelain with German, Augsburg mounts
Wine cooler (one of a pair)
Elias Adam
ca. 1735–36
Sauceboat, Elias Boudinot American, Silver, American
Sauceboat
Elias Boudinot
1740–50
"Four Seasons" enamel liqueur service, Elias Adam German, Silver gilt, enamel, copper, German, Augsburg
"Four Seasons" enamel liqueur service
Multiple artists/makers
ca. 1710
Glastonbury (from William Dugdale's and Roger Dodsworth's "Monasticon Anglicanum," Vol. I, London, 1655)
Multiple artists/makers
1655
Life after death, Elias Not Afraid, Beadwork on hide, Apsáalooke (Crow)
Life after death
Elias Not Afraid
2022
Strainer spoon, Elias Cachart British, Silver, British
Strainer spoon
Elias Cachart
18th century
Cup, Elias Adam German, Silver gilt, German, Augsburg
Cup
Elias Adam
early 18th century
Strainer spoon, Elias Cachart British, Silver, British
Strainer spoon
Elias Cachart
18th century
Box, Elias Pelletreau American, Silver, American
Box
Elias Pelletreau
1753–76
Creampot, Elias Davis American, Silver, American
Creampot
Elias Davis
ca. 1782
Selecha, Elias Sime Ethiopian, Goat hide, synthetic fibers, straw
Selecha
Elias Sime
2008
Selecha, Elias Sime Ethiopian, Goat hide, synthetic fibers, straw
Selecha
Elias Sime
2008
Tightrope 5.1, Elias Sime Ethiopian, Telephone wire nailed to fiberboard (telephone wire, nails on fiberboard)
Tightrope 5.1
Elias Sime
2009–14
Ants & Ceramicists 4, Elias Sime Ethiopian, Cotton, metal, synthetic fiber, paint, dye
Ants & Ceramicists 4
Elias Sime
2009–2011
Wheellock Rifle, Caspar Spät German, Steel, gold, wood (ebony), staghorn, bone, German, Munich and Augsburg
Wheellock Rifle
Caspar Spät
Elias Becker
dated 1668
Coffeepot (part of a service), Meissen Manufactory German, Hard-paste porcelain and silver-gilt, German, Meissen with German, Augsburg mounts
Coffeepot (part of a service)
Meissen Manufactory
Elias Adam
1723–26
Wheellock Rifle, Caspar Spät German, Steel, gold, fruitwood, staghorn, bone, German, Munich and Augsburg
Wheellock Rifle
Caspar Spät
Elias Becker
ca. 1640–50
Asia and Africa, Friedrich Elias Meyer German, Soft-paste porcelain, French
Asia and Africa
Friedrich Elias Meyer
ca. 1750–60
Strainer spoon
Elias Cachart
18th century
Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora
Matthieu Elias
Reverend Jean de la Barrière
1706
Jean de La Barrière blessing a cardinal, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Jean de La Barrière blessing a cardinal
Matthieu Elias
Reverend Jean de la Barrière
1706
Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 25: Fatally wounded, King Henry III informs the Blessed Abbot of his condition and recommends himself to his prayers
Multiple artists/makers
1706–07
View of Uppsala cathedral from the North, Elias Martin Swedish, Pen and black ink, watercolour
View of Uppsala cathedral from the North
Elias Martin
18th–early 19th century
Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 36: Reception of the heart and head of the Blessed Father Dom Jean de la Barrière, brought from Rome to his Abbey of Feuillants in 1626, where they are carefully preserved along with other relics of the Holy Abbot
Matthieu Elias
Reverend Jean de la Barrière
1706–07
Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 32: Supporters of the league pursue the Blessed Abbot to Rome; despite their calumnies his innocence is recognized by the pope himself, who order Cardinal Bellarmine to restore all his posts and honors
Matthieu Elias
Reverend Jean de la Barrière
1707
Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 28: The Blessed Abbot having retired to the Château de Montaigu, soldiers of the league arrive to capture him as he leaves. A piece of wood falls from on high and scatters the soldiers and wounds the Holy Abbot, whom they leave for dead; he is miraculously cured and escapes
Matthieu Elias
Reverend Jean de la Barrière
1706
Feuillant monks carry the bier with the body of Jean de la Barrière, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Feuillant monks carry the bier with the body of Jean de la Barrière
Matthieu Elias
Reverend Jean de la Barrière
1706–07
Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 33: The Blessed Abbot, near death, receives the blessing of the pope, who sends for this purpose Cardinal d'Ossat, a close friend of the saint, whose teacher he had been; he dies in the odor of sanctity, 25 April 1600
Matthieu Elias
Reverend Jean de la Barrière
1706
The arrest of Jean de La Barrière by the League at Lombez, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
The arrest of Jean de La Barrière by the League at Lombez
Matthieu Elias
Reverend Jean de la Barrière
1706–07
Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed, Matthieu Elias French, Red chalk, pen and brown ink, brush and brown wash, heightened with white, over graphite
Scene 34: To satisfy the devotion of the people, they are forced to leave the Blessed Abbot's body on display for three days; many miracles are performed
Matthieu Elias
Reverend Jean de la Barrière
1706–07
Portrait of Matthias Buchinger Surrounded by Thirteen Vignettes, Elias Baeck German, Etching
Portrait of Matthias Buchinger Surrounded by Thirteen Vignettes
Elias Baeck
Matthias Buchinger
1710
Neptune and Amphitrite, Elias Wolff, the Elder (?) Austrian, Pen and black ink, brush and gray wash, over a sketch in red and black chalk
Neptune and Amphitrite
Elias Wolff, the Elder
Elias Wolff the Younger
1616
Ollio pot with cover and stand, Vienna, Hard-paste porcelain, Austrian, Vienna
Ollio pot with cover and stand
Vienna
Elias Baeck
ca. 1725
Dancing Woman, Meissen Manufactory German, Hard-paste porcelain, gilt-bronze, German, Meissen
Dancing Woman
Multiple artists/makers
ca. 1748
Allegory of Christian Virtues, Johann Elias Ridinger German, Black chalk, brush and gray wash, white bodycolor
Allegory of Christian Virtues
Johann Elias Ridinger
1746
The Arrival of the Princely Carriage at the Starting Point of the Hunt, Johann Elias Ridinger German, Pen and brown ink, brush and gray wash, over a sketch in graphite or black chalk; framing lines in pen and brown ink (lower and right edge) and graphite (upper edge)
The Arrival of the Princely Carriage at the Starting Point of the Hunt
Johann Elias Ridinger
ca. 1756
Stags in a Landscape, Johann Elias Ridinger German, Pen and brown ink, brush and brown wash
Stags in a Landscape
Johann Elias Ridinger
early to mid-18th century