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Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,036 results for Enrique Gómez-Correa

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Mandrágora, Braulio Arenas Chilean — Mandrágora
Multiple artists/makers
1941

A partir de cero, Enrique Molina Argentine — A partir de cero
Enrique Molina
1952–56

Escape from Fantasylandia : an illegal alien's survival guide, Enrique Chagoya American — Escape from Fantasylandia : an illegal alien's survival guide
Enrique Chagoya
2011

Jar, Enrique Luis Ventosa, Tin-glazed earthenware, Mexican — Jar
Enrique Luis Ventosa
1900–1912

Lego, Monika Correa Indian, Unbleached Cotton, handspun dyed wool and wood — Lego
Monika Correa
1968

Sound of Silence, Monika Correa Indian, Cotton — Sound of Silence
Monika Correa
2011

Woman and Child (Maternity), from "Eight Studies by Mexican Masters of Graphic Arts" (1952), Andrea Gómez Mexican, Linocut — Woman and Child (Maternity), from "Eight Studies by Mexican Masters of Graphic Arts" (1952)
Andrea Gómez
Latin American Research Bureau, New York
ca. 1952

Rescate de un Automovil Accidentado, Enrique Metinides Mexican, Gelatin silver print — Rescate de un Automovil Accidentado
Enrique Metinides
1966

Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso), Vicente Salvador Gómez Spanish, Pen and brown ink on off-white paper (recto); black chalk (verso); squared in black chalk; framing lines in pen and brown ink — Madonna and Child Seated on Clouds (recto); Madonna and Child in Reverse (verso)
Vicente Salvador Gómez
1637–1700

The Vision of Saint Anthony of Padua, Vicente Salvador Gómez Spanish, Pen and brown ink over traces of leadpoint (?) — The Vision of Saint Anthony of Padua
Vicente Salvador Gómez
n.d.

Look (Sebastián), Enrique Martinez Celaya American, born Cuba, Tar, oil, watercolor, graphite, cut and pasted paper on Japanese paper — Look (Sebastián)
Enrique Martinez Celaya
2003

Untitled, Enrique Castro-Cid Chilean, Colored pencil, graphite and matte opaque paint on board — Untitled
Enrique Castro-Cid
1967

L.W., Enrique Martinez Celaya American, born Cuba, Watercolor and opaque watercolor on paper — L.W.
Enrique Martinez Celaya
2003

Where am I?, Enrique Martinez Celaya American, born Cuba, Watercolor and opaque watercolor on paper — Where am I?
Enrique Martinez Celaya
2003

Elvis Meets the Virgin of Guadalupe, Enrique Chagoya American, Monotype with Xerox transfer — Elvis Meets the Virgin of Guadalupe
Enrique Chagoya
1994

The Headache, A Print after George Cruikshank, Enrique Chagoya American, Etching with digitally printed color on gampi paper chine collé; printer's proof; 5/10 — The Headache, A Print after George Cruikshank
Multiple artists/makers
2010

Hand of Power, Enrique Chagoya American, Lithograph, litho-engraving and woodcut — Hand of Power
Enrique Chagoya
1997

Poster celebrating the twentieth anniversary of Taller de Gráfica Popular, Anonymous, Mexican, Color screenprint — Poster celebrating the twentieth anniversary of Taller de Gráfica Popular
Anonymous, Mexican
F. L. Gómez Workshop
1957

Return to Goya's "Caprichos"

Enrique Chagoya

Segura Publishing Company, Inc.

1999

Enrique Climent

ca 1950–60

Return to Goya's Caprichos No. 9

Enrique Chagoya

Universal Limited Art Editions

2011

UtopianCannibal.Org

Enrique Chagoya

2000

View of the cloister of the Church of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — View of the cloister of the Church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The main staircase of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — The main staircase of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The main façade of the monastery of El Escorial, from "Views of El Escorial", Tomás López Enguidanos Spanish, Etching and engraving — The main façade of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

View of the Patio of the Evangelists in the centre of the main cloister of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — View of the Patio of the Evangelists in the centre of the main cloister of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

Bird's-eye view of the monastery of El Escorial, from "Views of El Escorial", Tomás López Enguidanos Spanish, Etching and engraving — Bird's-eye view of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

View of the side of the monastery of El Escorial with the garden in the foreground, from "Views of El Escorial", Tomás López Enguidanos Spanish, Etching and engraving — View of the side of the monastery of El Escorial with the garden in the foreground, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The procession of Corpus Christi in the nave of the Church of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — The procession of Corpus Christi in the nave of the Church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from "Views of El Escorial", Manuel Alegre Spanish, Etching and engraving — The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

View of an interior corridor of the monastery of El Escorial, from "Views of El Escorial", Tomás López Enguidanos Spanish, Etching and engraving — View of an interior corridor of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

View of the Patio of the Kings in the monastery of El Escorial, from "Views of El Escorial", Tomás López Enguidanos Spanish, Etching and engraving — View of the Patio of the Kings in the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from a series of Views of El Escorial, Manuel Alegre Spanish, Etching and engraving — The monument raised for Holy Week (Semana Santa) in the Church of the monastery of El Escorial, from a series of Views of El Escorial
Multiple artists/makers
ca. 1790–1800

View of the Choir inside the church of the monastery of El Escorial, from "Views of El Escorial", Tomás López Enguidanos Spanish, Etching and engraving — View of the Choir inside the church of the monastery of El Escorial, from "Views of El Escorial"
Multiple artists/makers
ca. 1790–1800

Viajes al Siglo XIX: señales y simpatias en la vida de Mexico

Multiple artists/makers

1933

El diletante y eclectico desastre Africa

Enrique de Pedro

Borja de Pedro

ca. 1986

The Childhood of Sebastián Gómez, Auguste Hadamard French, Hand-colored lithograph with printed tone — The Childhood of Sebastián Gómez
Multiple artists/makers
1856–63

Sebastian Gomez Discovered by His Master Murillo, At Work, from "Illustrated London News", Walter George Mason British, Wood engraving — Sebastian Gomez Discovered by His Master Murillo, At Work, from "Illustrated London News"
Multiple artists/makers
April 29, 1848

Untitled image for Le Grande Passage, Yves Tanguy American, born France, Color etching — Untitled image for Le Grande Passage
Multiple artists/makers
1954

Untitled image for Le Grande Passage, Yves Tanguy American, born France, Color etching — Untitled image for Le Grande Passage
Multiple artists/makers
1954