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Showing 970 results for Fernando Sanchez

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Evening ensemble, Fernando Sanchez, cotton, silk, American — Evening ensemble
Fernando Sanchez
spring/summer 1993

Evening bodysuit, Fernando Sanchez, cotton, American — Evening bodysuit
Fernando Sanchez
spring/summer 1993

Robe, Fernando Sanchez, synthetic, silk, American — Robe
Fernando Sanchez
late 20th century

Dancing in Colombia, Fernando Botero Colombian, Oil on canvas — Dancing in Colombia
Fernando Botero
1980

The Marriage of the Virgin, José Sánchez Mexican, Oil on canvas, Mexican — The Marriage of the Virgin
José Sánchez
ca. 1690

Man on Horseback, Fernando Botero Colombian, Bronze — Man on Horseback
Fernando Botero
1984

Head of Christ, Fernando Yáñez de la Almedina Spanish, Oil on poplar — Head of Christ
Fernando Yáñez de la Almedina
ca. 1506

Landscape at Barrio Nuevo, Samuel Sánchez Puerto Rican, Oil on Masonite — Landscape at Barrio Nuevo
Samuel Sánchez
1964

Coastal View from Barrio Nuevo, Samuel Sánchez Puerto Rican, Oil on Masonite — Coastal View from Barrio Nuevo
Samuel Sánchez
1963

Dajaus Mountain at Barrio Nuevo, Bayamón, Samuel Sánchez Puerto Rican, Oil on Masonite — Dajaus Mountain at Barrio Nuevo, Bayamón
Samuel Sánchez
1965

Dress, Oscar de la Renta, LLC. American, silk, synthetic — Dress
Multiple artists/makers
fall/winter 2021–22

Purse, Rafael Sanchez, synthetic, silk, wood, onyx, plastic, American — Purse
Rafael Sanchez
Geoffrey Beene
ca. 1986

"It is the roots of who I am that remains - suppression notwithstanding", Juan Sanchez American, Oil, cut and pasted photographs and wax crayons on canvas — "It is the roots of who I am that remains - suppression notwithstanding"
Juan Sanchez
1987–88

Cries & Pain, Juan Sanchez American, Photo screenprint and monoprint on shaped handmade paper with pulp painting — Cries & Pain
Multiple artists/makers
2000

Zaragoza à Pamplona y Barcelona—Puente de Zuera, José Martinez Sánchez Spanish, Albumen silver print from glass negative — Zaragoza à Pamplona y Barcelona—Puente de Zuera
José Martinez Sánchez
Juan Laurent
1867

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain, Fernando Brambila Spanish, Etching and aquatint — View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain
Fernando Brambila
Juan Galvez
1808–14

Portrait of Jéronimo Antonio Gil set within an oval, Fernando Selma Spanish, Engraving — Portrait of Jéronimo Antonio Gil set within an oval
Multiple artists/makers
ca. 1790 [reprinted 1938]

View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war, Fernando Brambila Spanish, Etching and aquatint — View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war
Fernando Brambila
Juan Galvez
1808–14

Guitar, Benito Sanchez de Aguilera Spanish, Spruce or fir top, cypress back and ribs, mahogany neck, rosewood fingerboard and frets, ebony nut, gut strings, Spanish — Guitar
Benito Sanchez de Aguilera
1797

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960