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Showing 1,941 results for Fernando Tartini

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Memoria Sulla Litografia di C. Ridolfi, e F. Tartini.

Multiple artists/makers

1819

Dancing in Colombia, Fernando Botero Colombian, Oil on canvas — Dancing in Colombia
Fernando Botero
1980

Evening ensemble, Fernando Sanchez, cotton, silk, American — Evening ensemble
Fernando Sanchez
spring/summer 1993

Evening bodysuit, Fernando Sanchez, cotton, American — Evening bodysuit
Fernando Sanchez
spring/summer 1993

Robe, Fernando Sanchez, synthetic, silk, American — Robe
Fernando Sanchez
late 20th century

Man on Horseback, Fernando Botero Colombian, Bronze — Man on Horseback
Fernando Botero
1984

Head of Christ, Fernando Yáñez de la Almedina Spanish, Oil on poplar — Head of Christ
Fernando Yáñez de la Almedina
ca. 1506

Dress, Oscar de la Renta, LLC. American, silk, synthetic — Dress
Multiple artists/makers
fall/winter 2021–22

Fan, Fernando Coustellier y Vital, Hand-colored etching on paper; painted parchment (verso); ivory, silver, French, Paris — Fan
Fernando Coustellier y Vital
Between 1816 and 1830

View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain, Fernando Brambila Spanish, Etching and aquatint — View of the Convent of San José in Saragossa set alight after bombing by the invading French army during the Napoleonic war in Spain
Fernando Brambila
Juan Galvez
1808–14

View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war, Fernando Brambila Spanish, Etching and aquatint — View of the ruins of the interior of the Church of Nuestra Senora del Carmen in Saragossa bombed by the invading French army during the Napoleonic war
Fernando Brambila
Juan Galvez
1808–14

Portrait of Jéronimo Antonio Gil set within an oval, Fernando Selma Spanish, Engraving — Portrait of Jéronimo Antonio Gil set within an oval
Multiple artists/makers
ca. 1790 [reprinted 1938]

Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assasination of Serapio Rendon by Victoriano Huerta, 22 August 1913 (Asesinato el diputado Serapio Rendon por Victoriano Huerta, 22 de Agosto de 1913), Plate 77 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta abandoning the country on 20 June 1914 (Victoriano Huerta abandona el pais, 20 de Julio de 1914), Plate 89 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The strike of Rio Blanco: textile workers take up the fight, 7 January 1907 (La huelga de Rio Blanco: los obreros textiles se lanzan a la lucha. 7 de enero de 1907), Plate 41 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Epilogue to the strike of Rio Blanco, 8 January 1907 (Epilogo de la huelga de Rio Blanco. 8 de enero de 1907), Plate 42 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Aquiles Serdan and his family beginning the armed revolution, 18 November 1910 (Aquiles Serdan y su familia inician en puebla la revolucion armada, 18 de noviembre de 1910), Plate 62 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Victoriano Huerta, flag bearer of the reactionary forces (Victoriano Huerta, estandarte de la reaccion), Plate 80 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Yankee intervention, 21 April 1914 (La intervencion Yanqui, 21 de abril de 1914), Plate 83 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Carrillo Puerto, symbol of the southeastern revolution (Carrillo Puerto, símbolo de la revolución del sureste), Plate 97 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Assassination of Álvaro Obregón led by the clerical opposition. July 18, 1928 (Asesinato del general Álvaro Obregón dirigido por la reacción clerical. 18 de julio de 1928), Plate 102 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — Assassination of Álvaro Obregón led by the clerical opposition. July 18, 1928 (Asesinato del general Álvaro Obregón dirigido por la reacción clerical. 18 de julio de 1928), Plate 102 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The Cristeros against teaching in the countryside (Los cristeros contra la enseñanza en el campo), Plate 108 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The Cristeros against teaching in the countryside (Los cristeros contra la enseñanza en el campo), Plate 108 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

The demands of the people and the threat of reactionaries (Las demandas del pueblo y la amenaza de la reacción), Plate 113 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Fernando Castro Pacheco Mexican, Offset lithograph — The demands of the people and the threat of reactionaries (Las demandas del pueblo y la amenaza de la reacción), Plate 113 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1960

Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 42: allegory relating to the departure from Mexico of Victoriano Huerta, jeering, pointing figures, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 64: the assassination of General Alvaro Obregon, 18 July 1928, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 71: Cristeros against free education for the workers, one such worker being shot, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 76: the people marching with banners for the right to education, land and irrigation, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 13: Lucrezia Toriz in the foreground holding a flag leading striking textile workers on 7 January 1907 in Rio Blanco protesting against exploitation by their employees, in the upper section workers are being beaten, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 14: 8 January 1907, the day after the textile workers' strike in Rio Blanco, in the upper section the slaughtered workers carried off in a cart, in the lower section President Porfirio Díaz being toasted by his supporters, a worker beneath them cradling her colleague, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 22: Aquiles Serdán and his family in Puebla on 18 November 1910, firing the first shots and beginning the revolution, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 45: the begining of the American intervention on 21 April 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 51: Victoriano Huerta fleeing the country and carrying a pistol, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 59: Felipe Carrillo Puerto carrying a banner with the words 'Tierra y Libertad' leading many supporters, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 39: the assisination of Serapio Rendon, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Fernando Castro Pacheco Mexican, Linocut — Plate 40: Belisario Domínguez Palencia protesting against the regime of the dictator Victoriano Huerta, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Fernando Castro Pacheco
Taller de Gráfica Popular, Mexico City
1947

Favela Chair, Humberto Campana Brazilian, Wood, nails, glue — Favela Chair
Multiple artists/makers
1991

View of the courtyard of Santa Engracia in Saragossa bombed by the invading French army during the Napoleonic war in Spain

Fernando Brambila

Juan Galvez

1808–14

La Célestine ou tragi-comédie de Calixte & Mélibé

Multiple artists/makers

1922

Les Temples du Lac, St. Quentin-en-Yvelines, Paris, perspective

Ricardo Bofill

Fernando Trueba

1982

Fiestas de la S. Iglesia Metropolitana y Patriarcal de Sevilla

Multiple artists/makers

1671