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1-42 of 1,090 results for Filippo Carrocci
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Title page to "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
Domenico De Rossi
ca. 1660–70
David holding open the mouth of a lion who is attempting to devour a lamb from his flock, plate 7B from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements, plate 4 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 3 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 6 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
David slaying Goliath, plate 7A from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Burgonet, Filippo Negroli Italian, Steel, gold, textile, Italian, Milan
Burgonet
Filippo Negroli
dated 1543
Portrait of a Woman with a Man at a Casement, Fra Filippo Lippi Italian, Tempera on wood
Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi
ca. 1440
Studio d'architettura civile, Filippo Vasconi Italian
Studio d'architettura civile
Filippo Vasconi
1725
Descrizione degli' istromenti armonici d'ogni genere . . ., Filippo Buonanni Italian, Printed books, engraved plates, Presso Pietro Paolo Montignani-Mirabili
Descrizione degli' istromenti armonici d'ogni genere . . .
Filippo Buonanni
1806
Helmet all'Antica, Filippo Negroli Italian, Steel, Italian, Milan
Helmet all'Antica
Filippo Negroli
ca. 1532–35
Saint Dominic in Penitence, Filippo Tarchiani Italian, Oil on canvas
Saint Dominic in Penitence
Filippo Tarchiani
ca. 1607
Allegory of Autumn (Bacchus), Filippo Parodi and Workshop Italian, Carved poplar, varnished and gilt, Italian, Genoa
Allegory of Autumn (Bacchus)
Filippo Parodi
ca. 1670s
Sofa (part of a set), Filippo Pelagio Palagi Italian, Mahogany veneered with maplewood and mahogany, covered with modern silk brocade, Italian, Piedmont
Sofa (part of a set)
Multiple artists/makers
ca. 1835
Pair of armchairs (part of a set), Filippo Pelagio Palagi Italian, Mahogany veneered with maplewood and mahogany, covered with modern silk brocade, Italian, Piedmont
Pair of armchairs (part of a set)
Multiple artists/makers
ca. 1835
Madonna and Child Enthroned with Two Angels, Fra Filippo Lippi Italian, Tempera and gold on wood, transferred from wood
Madonna and Child Enthroned with Two Angels
Fra Filippo Lippi
ca. 1440
Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi Italian, Tempera on wood, gold ground
Saint Lawrence Enthroned with Saints and Donors
Fra Filippo Lippi
1440s
Right Pauldron (Shoulder Defense)
Filippo Negroli
ca. 1530–35
Clock movement, Filippo Polvini Italian, Brass, iron, Italian, Ancona
Clock movement
Filippo Polvini
1745
Head of Jupiter, Filippo Rega Italian, Onyx, Italian, Naples
Head of Jupiter
Filippo Rega
early 19th century
Madonna and Child with Saints and Angels, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Madonna and Child with Saints and Angels
Lippo Memmi (Filippo di Memmo)
ca. 1350
Saint Mary Magdalen, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Saint Mary Magdalen
Lippo Memmi (Filippo di Memmo)
1350s
Saint Peter, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Saint Peter
Lippo Memmi (Filippo di Memmo)
1350s
Madonna and Child, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Madonna and Child
Lippo Memmi (Filippo di Memmo)
ca. 1340
Male Saint, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Male Saint
Workshop of Fra Filippo Lippi
ca. 1447–1469
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood
Saint Bernard of Clairvaux
Workshop of Fra Filippo Lippi
ca. 1447–1469
Saints Augustine and Francis, a Bishop Saint, and Saint Benedict, Fra Filippo Lippi Italian, Tempera on paper, laid down on canvas, transferred from wood
Saints Augustine and Francis, a Bishop Saint, and Saint Benedict
Fra Filippo Lippi
The Annunciation, Fra Filippo Lippi Italian, Tempera on wood
The Annunciation
Fra Filippo Lippi
Study of Ruins, Filippo Napoletano (Filippo Angeli) Italian, Pen and dark brown ink, brush and gray wash
Study of Ruins
Filippo Napoletano (Filippo Angeli)
1548–1608
Saint Clare, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Saint Clare
Lippo Memmi (Filippo di Memmo)
ca. 1330
Saint Paul, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Saint Paul
Lippo Memmi (Filippo di Memmo)
ca. 1330
Annunciation, Filippo Bellini Italian, Pen and brown ink, brush and brown wash, over leadpoint or black chalk, on paper washed light brown; squared for transfer
Annunciation
Filippo Bellini
1560–1600
Album of Drawings, Filippo Juvarra Italian, 1) Pen and brown ink, brush and gray wash.<br/>2) Pen and brown ink, over black chalk.<br/>3)<br/>4) Black chalk.<br/>5) Pen and brown ink, over black chalk.<br/>6) Pen and brown ink, over black chalk.<br/>7) Pen and brown ink, black chalk transfer.<br/>8) Pen and brown ink, brush and gray wash, over black chalk.<br/>9) Black chalk.<br/>10) Black chalk.<br/>11) Black chalk, with pen and brown ink inscription and sketches.<br/>12)<br/>13) Pen and brown ink, over traces of black chalk.<br/>14) Pen and brown ink.<br/>15) Pen and brown ink, over black chalk.<br/>16) Black chalk.<br/>17) Pen and brown ink, over black chalk.<br/>18) <br/>19) Black chalk.<br/>20) Black chalk.<br/>21) Black chalk, with some strengthening in pen and brown ink.<br/>22) <br/>23) Black chalk. <br/>24) Black chalk.<br/>25) Black chalk.<br/>26) Black chalk.<br/>27) Black chalk.<br/>28) Black chalk.<br/>29) Black chalk.<br/>30) Black chalk.<br/>31) Black chalk.<br/>32) Black chalk.<br/>33) Black chalk.<br/>34) Black chalk.<br/>35) Black chalk.<br/>36) Black chalk.<br/>37) Black chalk.<br/>38) Black chalk.<br/>39) Black chalk.<br/>40) <br/>41)<br/>42)<br/>43)<br/>44)<br/>45)<br/>46)<br/>47)<br/>48)<br/>49)<br/>50)<br/>51) Black chalk, pen and brown ink.<br/>52) <br/>53) Black chalk, pen and brown ink.<br/>54)<br/>55) Pen and brown ink, brush and wash, over black chalk.<br/>56)<br/>57) Pen and brown ink, brush and wash, over black chalk.<br/>58) Pen and brown ink.<br/>59) Pen and brown ink, over black chalk.<br/>60) Pen and brown ink, over black chalk.<br/>61) Brush and gray wash, over black chalk on lightweight paper.<br/>62) <br/>63) Black chalk.<br/>64) <br/>65) Black chalk.<br/>66) Pen and brown ink, over black chalk.<br/>67) Pen and brown ink, brush and gray wash, over black chalk.<br/>68) Pen and brown ink, brush and two tones of gray wash, over black chalk.<br/>69) Pen and brown ink, brush and two tones of brown wash, over black chalk.<br/>70) Pen and brown ink.<br/>71) Black chalk.<br/>72)<br/>73) Pen and brown ink, over black chalk.<br/>74) <br/>75) Pen and brown ink, brush and gray wash, over black chalk.<br/>76) Black chalk, pen and brown ink.<br/>77) Pen and brown ink, brush and gray wash, over black chalk.<br/>78) Pen and brown ink.<br/>79) Pen and brown ink, over black chalk.<br/>80) <br/>81) Pen and brown ink, over black chalk.<br/>82) <br/>83) Pen and brown ink, over black chalk.<br/>84)<br/>85) Pen and brown ink, over black chalk.<br/>86)<br/>87) Pen and brown ink, over black chalk.<br/>88)<br/>89) Black chalk.<br/>90) <br/>91)<br/>92) Black chalk.<br/>93) Pen and brown ink, over black chalk.<br/>94) Pen and brown ink, over black chalk.<br/>95) Pen and brown ink, over black chalk.<br/>96) <br/>97) Pen and brown ink, over black chalk.<br/>98) Pen and brown ink, over black chalk.<br/>99) Pen and brown ink, over black chalk.<br/>100)<br/>101) Pen and brown ink, over black chalk.<br/>102) <br/>103) Black chalk.<br/>104) Pen and brown ink, over black chalk.<br/>105) Pen and brown ink, over black chalk.<br/>106) Pen and brown ink, over black chalk.<br/>107) Pen and brown ink, over black chalk.<br/>108)<br/>109) Pen and brown ink, over black chalk.<br/>110) Pen and brown ink, over black chalk.<br/>111) Pen and brown ink, over black chalk.<br/>112) <br/>113) Pen and brown ink, over black chalk.<br/>114)<br/>115) Black chalk.<br/>116) Pen and brown ink.<br/>117) Pen and brown ink, over black chalk.<br/>118) Pen and brown ink.<br/>119) Pen and brown ink, over black chalk.<br/>120) Pen and brown ink.<br/>121) Pen and brown ink.<br/>122) Pen and brown ink, over black chalk.<br/>123) Pen and brown ink, over black chalk.<br/>124) <br/>125) Pen and brown ink, brush and brown wash, over black chalk.<br/>126) Pen and brown ink.<br/>127) Pen and brown ink, over black chalk.<br/>128) 1) Pen and brown ink.<br/> 2) Black chalk.<br/>129) Pen and brown ink, over black chalk.<br/>130) <br/>131) Black chalk.<br/>132) <br/>133) Black chalk.<br/>134) Pen and brown ink, over black chalk.<br/>135) Pen and brown ink, over black chalk.<br/>136) Pen and brown ink, over black chalk.<br/>137) Pen and brown ink, brush and brown wash, over black chalk.<br/>138)<br/>139) Pen and brown ink, over black chalk.<br/>140) <br/>141) <br/>142)<br/>143) Pen and brown ink, over black chalk.<br/>144) <br/>145) Pen and brown ink, over black chalk.<br/>146) Black chalk.<br/>147) Pen and brown ink, brush and brown wash, over black chalk.<br/>148)<br/>149) Pen and brown ink, over black chalk.<br/>150)<br/>151) Pen and brown ink, over black chalk.<br/>152) <br/>153) Pen and brown ink, brush and brown wash, over black chalk.<br/>154) <br/>155) Pen and brown ink, over black chalk.<br/>156) Black chalk.<br/>157) Pen and brown ink, over black chalk.<br/>158) <br/>159) Pen and brown ink, brush and brown wash, over black chalk. <br/>160) Black chalk.<br/>161) Black chalk.<br/>162)<br/>163) Pen and brown ink.<br/>164) Pen and brown ink, over black chalk.<br/>165) Pen and brown ink, brush and brown wash, over black chalk.<br/>166) Pen and brown ink, over black chalk.<br/>167) Pen and brown ink, over black chalk.<br/>168)<br/>169) Pen and brown ink, over black chalk.<br/>170) 1) Pen and brown ink.<br/> 2) Pen and brown ink.<br/> 3) Black chalk.<br/>171) Pen and brown ink.<br/>172) 1) Pen and brown ink.<br/> 2) Pen and brown ink, brush and brown wash.<br/>173) Pen and brown ink, over black chalk.<br/>174) Pen and brown ink, over black chalk.<br/>175) Pen and brown ink, brush and brown wash, over black chalk.<br/>176) <br/>177) Pen and brown ink, over black chalk.<br/>178)<br/>179) Pen and brown ink, over black chalk.<br/>180)<br/>181) Pen and brown ink, over black chalk.<br/>182) Black chalk.<br/>183) Pen and brown ink, over black chalk.<br/>184)<br/>185) Pen and brown ink, over black chalk.<br/>186) <br/>187) Pen and brown ink, over black chalk.<br/>188)<br/>189) Pen and brown ink, over black chalk.<br/>190) Black chalk.<br/>191) Black chalk.<br/>192) Pen and brown ink, over black chalk.<br/>193) <br/>194) Pen and brown ink, over black chalk.<br/>195) Black chalk, with a small remaining portion of a sketch in pen and brown ink.<br/>196) Pen and brown ink, over black chalk.<br/>197) Pen and brown ink, over black chalk.<br/>198) Black chalk.<br/>199) Pen and brown ink, over black chalk.<br/>200) <br/>201) Black chalk.<br/>202)<br/>203) Pen and brown ink, brush and brown wash, over black chalk.<br/>204) <br/>205) Pen and brown ink, brush and brown wash, over black chalk.<br/>206) <br/>207) Pen and brown ink, over black chalk.<br/>208)<br/>209) Pen and brown ink, brush and brown wash, over black chalk.<br/>210) <br/>211) Pen and brown ink, over black chalk.<br/>212)<br/>213) Pen and brown ink, brush and brown wash, over black chalk.<br/>214) <br/>215) <br/>216) Black chalk, brush and brown wash.<br/>217) Pen and brown ink, brush and brown wash, over black chalk.<br/>218) Brush and gray wash, over black chalk.<br/>219) Pen and brown ink, brush and brown wash, over black chalk.<br/>220) Black chalk.<br/>221) Pen and brown ink, brush and brown wash, over black chalk.<br/>222) Pen and brown ink.<br/>223) Pen and brown ink, over black chalk.<br/>224) Pen and brown ink, over black chalk.<br/>225) Pen and brown ink, brush and brown wash, over black chalk.<br/>226) Black chalk.<br/>227) Pen and brown ink, over black chalk.<br/>228) Pen and brown ink, over black chalk.<br/>229) Pen and brown ink.<br/>230) Pen and brown ink, over black chalk.<br/>231) Pen and brown ink, over black chalk.<br/>232) <br/>233) Black chalk.<br/>234) Pen and brown ink.<br/>235) Pen and brown ink, over black chalk.<br/>236) <br/>237) Black chalk.<br/>238) Pen and brown ink, over black chalk.<br/>239) Pen and brown ink, over black chalk.<br/>240) Black chalk, brush and gray wash.<br/>241) Black chalk, brush and gray wash.<br/>242) Black chalk, brush and gray wash.<br/>243) Pen and brown ink, over black chalk.<br/>244) <br/>245) Pen and brown ink, brush and brown wash, over black chalk.<br/>246) Pen and brown ink, over black chalk.<br/>247) Pen and brown ink, over black chalk.<br/>248) Pen and brown ink, over black chalk.<br/>249) Pen and brown ink, brush and brown wash, over black chalk.<br/>250)
Album of Drawings
Filippo Juvarra
1678–1736
Orpheus and Eurydice, Filippo Pedrini Italian, Pen and brown ink, brush and brown wash, over black chalk; framing lines in pen and brown ink
Orpheus and Eurydice
Filippo Pedrini
1763–1856
Allegorical Figure of Chastity, Filippo Pedrini Italian, Pen and brown ink, brush and brown wash, over graphite
Allegorical Figure of Chastity
Filippo Pedrini
1792–1816
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.