The Met Fifth Avenue and The Met Cloisters are open today. Some galleries may be closed and services may be limited.

Tickets
DonateMembership
Tickets

Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,088 results for Filippo Carrocci
Sort by:
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
David slaying Goliath, plate 7A from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
David holding open the mouth of a lion who is attempting to devour a lamb from his flock, plate 7B from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Title page to "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
Domenico De Rossi
ca. 1660–70
Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 3 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 6 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements, plate 4 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Multiple artists/makers
ca. 1660–70
Burgonet, Filippo Negroli Italian, Steel, gold, textile, Italian, Milan
Burgonet
Filippo Negroli
dated 1543
Portrait of a Woman with a Man at a Casement, Fra Filippo Lippi Italian, Tempera on wood
Portrait of a Woman with a Man at a Casement
Fra Filippo Lippi
ca. 1440
Descrizione degli' istromenti armonici d'ogni genere . . ., Filippo Buonanni Italian, Printed books, engraved plates, Presso Pietro Paolo Montignani-Mirabili
Descrizione degli' istromenti armonici d'ogni genere . . .
Filippo Buonanni
1806
Studio d'architettura civile, Filippo Vasconi Italian
Studio d'architettura civile
Filippo Vasconi
1725
Helmet all'Antica, Filippo Negroli Italian, Steel, Italian, Milan
Helmet all'Antica
Filippo Negroli
ca. 1532–35
Saint Dominic in Penitence, Filippo Tarchiani Italian, Oil on canvas
Saint Dominic in Penitence
Filippo Tarchiani
ca. 1607
Allegory of Autumn (Bacchus), Filippo Parodi and Workshop Italian, Carved poplar, varnished and gilt, Italian, Genoa
Allegory of Autumn (Bacchus)
Filippo Parodi
ca. 1670s
Sofa (part of a set), Filippo Pelagio Palagi Italian, Mahogany veneered with maplewood and mahogany, covered with modern silk brocade, Italian, Piedmont
Sofa (part of a set)
Multiple artists/makers
ca. 1835
Pair of armchairs (part of a set), Filippo Pelagio Palagi Italian, Mahogany veneered with maplewood and mahogany, covered with modern silk brocade, Italian, Piedmont
Pair of armchairs (part of a set)
Multiple artists/makers
ca. 1835
Madonna and Child Enthroned with Two Angels, Fra Filippo Lippi Italian, Tempera and gold on wood, transferred from wood
Madonna and Child Enthroned with Two Angels
Fra Filippo Lippi
ca. 1440
Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi Italian, Tempera on wood, gold ground
Saint Lawrence Enthroned with Saints and Donors
Fra Filippo Lippi
1440s
Right Pauldron (Shoulder Defense)
Filippo Negroli
ca. 1530–35
Clock movement, Filippo Polvini Italian, Brass, iron, Italian, Ancona
Clock movement
Filippo Polvini
1745
Head of Jupiter, Filippo Rega Italian, Onyx, Italian, Naples
Head of Jupiter
Filippo Rega
early 19th century
Madonna and Child with Saints and Angels, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Madonna and Child with Saints and Angels
Lippo Memmi (Filippo di Memmo)
ca. 1350
Male Saint, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood, Italian, Florence
Male Saint
Workshop of Fra Filippo Lippi
ca. 1447–1469
Saint Bernard of Clairvaux, Workshop of Fra Filippo Lippi Italian, Tempera and gold on wood, Italian, Florence
Saint Bernard of Clairvaux
Workshop of Fra Filippo Lippi
ca. 1447–1469
Saints Augustine and Francis, a Bishop Saint, and Saint Benedict, Fra Filippo Lippi Italian, Tempera on paper, laid down on canvas, transferred from wood
Saints Augustine and Francis, a Bishop Saint, and Saint Benedict
Fra Filippo Lippi
The Annunciation, Fra Filippo Lippi Italian, Tempera on wood
The Annunciation
Fra Filippo Lippi
Study of Ruins, Filippo Napoletano (Filippo Angeli) Italian, Pen and dark brown ink, brush and gray wash
Study of Ruins
Filippo Napoletano (Filippo Angeli)
1548–1608
Saint Clare, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Saint Clare
Lippo Memmi (Filippo di Memmo)
ca. 1330
Saint Paul, Lippo Memmi (Filippo di Memmo) Italian, Tempera on wood, gold ground
Saint Paul
Lippo Memmi (Filippo di Memmo)
ca. 1330
Nouve Inventioni d'Ornamenti d'Architettura E d'Intagli diversi..., Filippo Passarini Italian
Nouve Inventioni d'Ornamenti d'Architettura E d'Intagli diversi...
Filippo Passarini
De Rossi
1698
Festival for Saint Placidus, Messina, August 2, 1589: Fireworks Obelisk, Filippo Gotho Italian, Etching
Festival for Saint Placidus, Messina, August 2, 1589: Fireworks Obelisk
Filippo Gotho
Fausto Bufalini
1591
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
Drawing of a Grotesque after a 16th-century Decorative Relief, Filippo Cretoni Italian, Black chalk or graphite
Drawing of a Grotesque after a 16th-century Decorative Relief
Filippo Cretoni
n.d.
View of Ancient Roman Ruins, an Arch and a Triangular-Pedimented Doorway, Filippo Mochi Italian, Pen and brown ink, brush and gray wash and some traces of leadpoint; framed outlines in black ink and blue wash
View of Ancient Roman Ruins, an Arch and a Triangular-Pedimented Doorway
Filippo Mochi
18th century