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Guarino da Verona, Humanist, Matteo de' Pasti Italian, Bronze, Italian, Verona
Guarino da Verona, Humanist
Medalist: Matteo de' Pasti
ca. 1441
Scene from a Novella, Liberale da Verona Italian, Tempera on wood
Scene from a Novella
Liberale da Verona
Saint Paul, Michele da Verona, Brush and brown, gray, and black ink, heightened with white (partly oxidized), on paper washed with brown.
Saint Paul
Michele da Verona
ca. 1510
The Descent of the Holy Spirit, Francesco Orlandini, Walnut and other woods, Italian, Verona
The Descent of the Holy Spirit
Francesco Orlandini
1547
Saint Jerome with a lion, Francesco Orlandini, Walnut and other woods, Italian, Verona
Saint Jerome with a lion
Francesco Orlandini
1547
Architectural Capriccio, Francesco Orlandini, Walnut and other woods, Italian, Verona
Architectural Capriccio
Francesco Orlandini
1547
Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence
Corbel
Follower of Giuliano da Sangallo
late 15th century
The Chess Players, Liberale da Verona Italian, Tempera on wood
The Chess Players
Liberale da Verona
ca. 1475
A Gentleman, a Young Woman, and a Dog, Michele da Verona (?), Brush and gray and brown ink, heightened with white, on light brown paper.
A Gentleman, a Young Woman, and a Dog
Michele da Verona
early 16th century
Madonna and Child with Saints Roch and Sebastian, Michele da Verona, Tip of the brush and brown ink, brown and some blue wash, heightened with white, on paper tinted brown.
Madonna and Child with Saints Roch and Sebastian
Michele da Verona
early 16th century
Seated Female Figure with Upraised Arms, Facing Right, Veronese School, Pen and brown ink, over traces of black chalk, Italian, Verona
Seated Female Figure with Upraised Arms, Facing Right
Veronese School
mid-15th century
Madonna and Child with the Infant Saint John the Baptist, Michele da Verona (Michele di Zenone) Italian, Tempera and oil on wood
Madonna and Child with the Infant Saint John the Baptist
Michele da Verona (Michele di Zenone)
probably late 1490s
Saint Francis Before the Bishop, Niccolò Solimani (Niccolò da Verona), Pen and light and dark brown ink, brown wash, over traces of black chalk.
Saint Francis Before the Bishop
Attributed to Niccolò Solimani (Niccolò da Verona)
ca. 1469
The Madonna and Child with a Female Martyr Saint, a Bishop Saint, and a Female Donor, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and dark brown ink, brush and gray ink.
The Madonna and Child with a Female Martyr Saint, a Bishop Saint, and a Female Donor
Veronese School, workshop of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
first half 15th century
Simone Michieli, Canon of Verona (1498–1535), Fra Antonio da Brescia, Bronze, olive-brown patina, cast, Northern Italian
Simone Michieli, Canon of Verona (1498–1535)
Medalist: Fra Antonio da Brescia
probably ca. 1515–25
The Crucifixion, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Tempera on wood, gold ground
The Crucifixion
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
ca. 1400
A Man Asleep Alongside a Dog and a Horse, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink on brownish paper.
A Man Asleep Alongside a Dog and a Horse
Veronese School, workshop or follower of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
early 15th century
Seated Man with a Book and a Scroll, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink.
Seated Man with a Book and a Scroll
Veronese School, Workshop of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
first half 15th century
Medal: Girolamo Savorgnan or Savorniano, Fra Antonio da Brescia, Bronze, Italian, Venice
Medal: Girolamo Savorgnan or Savorniano
Fra Antonio da Brescia
model before 1514 (cast 19th century)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Chair (Sgabello), Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497), Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint, Italian, Florence
Chair (Sgabello)
Attributed to the Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497)
ca. 1489–91
Bearded Nude Male Figure Running Toward the Right, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink.
Bearded Nude Male Figure Running Toward the Right
Veronese School, possibly a follower of Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
mid-15th century
De Arithmetica, Filippo Calandri Italian, Printed book with woodcut illustrations
De Arithmetica
Author Filippo Calandri
Publisher Lorenzo da Morgiani and Giovanni Thedesco da Maganza
Dedicatee Lorenzo de' Medici
January 1, 1491
Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse), Pisanello (Antonio Pisano) Italian, Bronze (yellowish copper alloy with brown patina and traces of black lacquer or wax)
Portrait medal of Vittorino Rambaldoni da Feltre (obverse); A Pelican (reverse)
Pisanello (Antonio Pisano)
model 1446–47 (possibly cast 15th or 16th century)
Madonna and Child, Master of the Pellegrini Chapel, Terracotta, Italian, Tuscany
Madonna and Child
Master of the Pellegrini Chapel
1400–1450
Angelo de Paulis da Argigliano, Franciscan Friar
Filippo Vasconi
After Pier Leone Ghezzi
ca. 1720
Title plate from 'The collection of the most notable things seen by John Wilkins, erudite English bishop, on his famous trip from the Earth to the Moon... (Raccolta delle cose più notabili Vedute da Giovanni Wilkins erudito Vescove Inglese nel suo famoso viaggio dalla Terra alla Luna...), Filippo Morghen Italian, Etching; third state
Title plate from 'The collection of the most notable things seen by John Wilkins, erudite English bishop, on his famous trip from the Earth to the Moon... (Raccolta delle cose più notabili Vedute da Giovanni Wilkins erudito Vescove Inglese nel suo famoso viaggio dalla Terra alla Luna...)
Filippo Morghen
after 1783
Studies of a Stag, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink
Studies of a Stag
Attributed to Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1430s
Studies of a Stag, Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia) Italian, Pen and brown ink
Studies of a Stag
Attributed to Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1430s
Plate 7 from 'The collection of the most notable things seen by John Wilkins, erudite English bishop, on his famous trip from the Earth to the Moon... (Raccolta delle cose più notabili Vedute da Giovanni Wilkins erudito Vescove Inglese nel suo famoso viaggio dalla Terra alla Luna...): 'Pumpkins used as dwellings to secure against wild beasts' (Zucche che servono d'abitazioni per garantirsi dalle fiere), Filippo Morghen Italian, Etching and aquatint
Plate 7 from 'The collection of the most notable things seen by John Wilkins, erudite English bishop, on his famous trip from the Earth to the Moon... (Raccolta delle cose più notabili Vedute da Giovanni Wilkins erudito Vescove Inglese nel suo famoso viaggio dalla Terra alla Luna...): 'Pumpkins used as dwellings to secure against wild beasts' (Zucche che servono d'abitazioni per garantirsi dalle fiere)
Filippo Morghen
after 1783
Raccolta Di Varie Targhe, Fatte Da Professori Primari in Roma
Artist and engraver Filippo Juvarra
Publisher Published by Giovanni Maria Salvioni
Dedicatee Dedicated to Cardinal Alessandro Albani
1715
De Re Militari (On the Military Arts), Roberto Valturio Italian, Printed book with 82 woodcut illustrations impressed by hand; illuminated initials and descriptive captions also added by hand
De Re Militari (On the Military Arts)
Author Roberto Valturio
Matteo de' Pasti
Publisher Johannes ex Verona
1472
David slaying Goliath, plate 7A from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
Portrait medal of Niccolò Piccinino (obverse); A Griffin (reverse), Pisanello (Antonio Pisano) Italian, Bronze (copper alloy with reddish brown patina and traces of dark wax)
Portrait medal of Niccolò Piccinino (obverse); A Griffin (reverse)
Pisanello (Antonio Pisano)
model 1440–41 (possibly cast 16th century)
King Saul seated at center watching David walk away holding his sling, set inside an architectural frame, plate 2 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
David holding open the mouth of a lion who is attempting to devour a lamb from his flock, plate 7B from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
Aesopi Fabulas, Aesop Greek, Woodcuts, some hand colored
Aesopi Fabulas
Multiple artists/makers
June 26, 1479
Triumphal procession with three men at center carrying Goliath's severed head on a spike, David follows behind, scene set inside an architectural frame, plate 5 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti play with a hare, all framed by grotesque friezes and architectural elements, plate 1 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
Composition with a large vase of flowers framed by two male nudes at left, to the right two putti wrestle over a hare as a third watches, all framed by grotesque friezes and architectural elements, plate 4 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
Composition with two putti playing with a small bird on a string, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 6 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70
Composition with a putto seated next to a basket filled with fruit and a peacock perched on top, to the right a large vase of flowers framed by two male nudes; all framed by grotesque friezes and architectural elements, plate 3 from "David trionfante di Golia e de' filistei", after the frescoes by Pietro da Cortona in the Palazzo del Pigneto, Rome
Filippo Carrocci
After Pietro da Cortona (Pietro Berrettini)
Publisher Domenico De Rossi
ca. 1660–70