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  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 4,367 results for François Collignon
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Plate 1: a cartouche with a lion head with wings at top center, a putto holding a blank escutcheon to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 2: a cartouche with a child seen from the back to left and a child seen from the front to right, each playing with the head of a sheep crowned with flowers, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 3: a cartouche with a woman with wings ending in a serpent's tail to left, seen from the front, a similar woman seen from the back to right, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 4: a cartouche with the head of a cherub at top center, leaves and flowers to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 5: a cartouche with a blank escutcheon at top center, a chimera to either side, their bodies ending in scrollwork and dragon tails, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 6: a cartouche with a ram skull at top center, grapes and other fruits to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 7: a cartouche with the mask of an ogre at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 8: a cartouche with the head of an old man at top center, scrollwork to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 9: a cartouche with the head of a ram at top center, flowers at top left and right, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 10: a cartouche with the heads of two lions in profile to left and right in the center, two chimera heads to either side below with their mouths around empty escutcheons, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 11: a cartouche with fruits, flowers, and leaves at top, a mask of a faun in profile to either side with a festoon of fruits and flowers in each of their mouths, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Plate 12: a cartouche with an empty escutcheon at top center, a head of a lion in profile to either side, from "Twelve cartouches" (Recueil de douze cartouches), François Collignon  French, Etching; second state of four
Multiple artists/makers
ca. 1640–45
Title Page Designed for the Sale of the Series of Paysages Gravés pour Jean de Médicis, from "Paysages Gravés pour Jean de Médicis appelées aussi Paysages Dessinés a Florence, Vues de Florence, Paysages d'Italie, et Paysages Définitifs" (Landscapes Engraved for Giovanni de'Medici, Landscapes Designed in Florence, Views of Florence, Landscapes of Italy, and Definitive Landscapes), François Collignon  French, Etching and engraving; second state of two (Lieure)
Multiple artists/makers
ca. 1618
Festa Fatta in Roma Alli 25 Febraio MDCXXXIV, François Collignon  French, Etchings
Multiple artists/makers
February 25, 1649
The Queen of Sheba before Solomon, François Collignon  French, Engraving
François Collignon
Johann Matthias Kager
1631
Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background, François Collignon  French, Etching
François Collignon
Israël Henriet
1636–61
An allegory with Innocent X who is seated on horsback on the right, figures represting Rome in the lowe left, François Collignon  French, Etching
François Collignon
Pietro Testa
ca.1645–55
An allegory of painting, François Collignon  French, Etching
François Collignon
Pietro Testa
17th century
Saint Peter standing in the centre surrounded by Apostles distraught at the death of Christ who is shown ascending from the tomb in the upper section, François Collignon  French, Etching
François Collignon
Pietro Testa
1650–1700
The Martyrs of Gorchum, François Collignon  French, Engraving
François Collignon
Abraham van Diepenbeeck
1630–87
Multiple artists/makers
ca. 1643–46
Multiple artists/makers
ca. 1643–46
Multiple artists/makers
ca. 1643–46
Multiple artists/makers
ca. 1643–46
François Collignon
Stefano della Bella
ca. 1640s (?)
François Collignon
Stefano della Bella
ca. 1640s
François Collignon
Stefano della Bella
ca. 1640s (?)
Plate 4: five grotesque heads, from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques), Stefano della Bella  Italian, Etching
Stefano della Bella
François Collignon
ca. 1642–43
Plate 6: Two studies of children, from "Collection of various doodles and etching proofs" (Recueil de divers griffonnements et preuves d'eauforte), Stefano della Bella  Italian, Etching
Stefano della Bella
François Collignon
ca. 1646
An eagle walking towards the right, a bust of a woman to right turned in profile towards the left, plate 1 from "Friezes, foliage, and grotesques" (Frises, feuillages et grotesques), Stefano della Bella  Italian, Etching
Stefano della Bella
François Collignon
ca. 1638–43
St. Carlo Borromeo surrounded by angels, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
1650–70
Self-Portrait, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
ca. 1645
An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, Pietro Testa  Italian, Etching
Pietro Testa
François Collignon
1650–1700
Frontispiece, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin), Abraham Bosse  French, Etching
Multiple artists/makers
ca. 1631
The Holy Trinity; Christ on the cross flanked by two angels, the Holy Spirit as a dove and God in heaven above the cross, a rectangular composition with half-circle at the top, after Reni, Robert van Audenaerde  Flemish, Etching
Multiple artists/makers
1683–87
Crucifixion, Robert van Audenaerde  Flemish, Etching and engraving
Multiple artists/makers
1670–90
The death of Saint Anne with various family members surrounding her and angels overhead, Cesare Fantetti  Italian, Etching and engraving
Multiple artists/makers
1670–80
Callot figures; two children carrying a cartouche to left, a dwarf in a plumed hat carrying a standard at right, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II  Italian, Etching
Multiple artists/makers
1684
Callot figures; a dwarf man with a spear at left walking towards the right, another dwarf man with a pegleg firing a musket at right, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II  Italian, Etching
Multiple artists/makers
1684
Callot figures; an old dwarf woman dancing with a young dwarf man to left, an old dwarf man touching the shoulder of a young, smiling dwarf woman, from "Six grotesques" (Six pièces de figures grotesques), Agostino Mitelli II  Italian, Etching
Multiple artists/makers
1684