Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques)
Agostino Mitelli, the son of the well-known printmaker Giuseppe Maria Mitelli, had a brief career as a printmaker in Bologna. This prints is part of set of six etchings after Stefano della Bella that represent a type of caricature that was very popular in the seventeenth century. Here, several dwarf-like figures play musical instruments while striking exaggerated poses. Captions running along the bottom of the prints add to the humor of the works by identifying the figures and their relationships. In the uppermost print, the scene of a man playing a guitar to a woman holding a hearing horn is described as “beauties unheard.” In the lower print, the man standing confidently in the middle is described as the “great bandy-legged corporal.” Such characters also appeared in Italian theater and would have been recognized by those who bought these prints.
Artwork Details
- Title: Callot figures; a well-dressed dwarf man to left declaring his love to an old dwarf woman to left, a dwarf man playing the guitar and a dwarf woman dancing with a tambourine to right, from Six grotesques (Six pièces de figures grotesques)
- Series/Portfolio: Six grotesques (Six pièces de figures grotesques)
- Artist: Agostino Mitelli II (Italian, 1671–1696)
- Artist: After François Collignon (French, Nancy ca. 1610–1687 Rome)
- Artist: After Stefano della Bella (Italian, Florence 1610–1664 Florence)
- Date: 1684
- Medium: Etching
- Dimensions: plate: 5 5/16 x 7 9/16 in. (13.5 x 19.2 cm)
sheet: 6 7/8 x 10 1/16 in. (17.4 x 25.5 cm) - Classification: Prints
- Credit Line: Bequest of Phyllis Massar, 2011
- Object Number: 2012.136.272.5
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.