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Showing 7,798 results for Francisco Camilo

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The Martyrdom of St. Peter Martyr, Francisco Camilo Spanish, Pen and brown ink, brown wash over black chalk, highlighted with white on off-white paper. Squared in red chalk and traces of construction lines in black chalk, close to borders — The Martyrdom of St. Peter Martyr
Francisco Camilo
1615–73

The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas — The Young Virgin
Francisco de Zurbarán
ca. 1632–33

Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian — Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633

Grill, Francisco Gonzales, Gilded wrought iron, bronze, Spanish — Grill
Francisco Gonzales
17th century

Pair of Miquelet Pistols, Francisco Pintan Spanish or Mexican, Steel, wood (family leguminosae), silver, Colonial Spanish, probably Mexico — Pair of Miquelet Pistols
Francisco Pintan
dated 1757

Two Seated Musicians (Recto); A Group of Figures Squared with Diagonal Lines (Verso), Camilo Innocenti Italian, Black chalk and graphite on heavy wove paper — Two Seated Musicians (Recto); A Group of Figures Squared with Diagonal Lines (Verso)
Camilo Innocenti
n.d.

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas — Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39

Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas — Saint Benedict
Francisco de Zurbarán
ca. 1640–45

Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University — Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
San Francisco State University
1994

The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican — The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Juan Francisco de Aguilera
ca. 1720

Virgin and Child with Young Saint John the Baptist, Francisco Beccerril Spanish, Silver, partially gilded, Spanish, Cuenca — Virgin and Child with Young Saint John the Baptist
Francisco Beccerril
16th century

Magus, Francisco Giralte, Wood, carved, painted and gilded, Spanish, Castilian — Magus
Francisco Giralte
mid-16th century

Untitled (Lion and Hunter), Francisco Toledo Mexican, Graphite on paper — Untitled (Lion and Hunter)
Francisco Toledo
1959

Zoologico, Francisco Toledo Mexican, Graphite on paper — Zoologico
Francisco Toledo
1959

Portrait of Josefa OrtÍz de Dominguez, José Francisco Rodríguez Mexican, Colored wax, paper, gold, Mexican — Portrait of Josefa OrtÍz de Dominguez
José Francisco Rodríguez
1795

The Crucifixion, Francisco de Zurbarán Spanish, Oil on canvas — The Crucifixion
Francisco de Zurbarán

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Portrait of an Old Man, Francisco Domingo y Marqués Spanish, Oil on wood — Portrait of an Old Man
Francisco Domingo y Marqués
1882

Round dish with moss and fish, José Francisco de Sousa Portuguese, Glazed earthenware, Portugal, Caldas de Rainha — Round dish with moss and fish
José Francisco de Sousa
1860–93

The Fifteen Mysteries and the Virgin of the Rosary (Modern Impression), Francisco Doménech Spanish, Metalcut (modern impression) — The Fifteen Mysteries and the Virgin of the Rosary (Modern Impression)
Francisco Doménech
1488

Design for a Frontispiece: Mercury and Fame, Francisco Rizi Spanish, Pen and brown ink with pen and black ink and brush and gray wash. Composition outlined in pen and brown ink. Contours incised and verso blackened with carbon dust for transfer — Design for a Frontispiece: Mercury and Fame
Francisco Rizi
1650

Head of a Bearded Man, Francisco Pacheco Spanish, Black chalk and traces of white chalk on blue paper — Head of a Bearded Man
Francisco Pacheco
1564–1644

Novae coelestium, terrestriumque rerum observationes, Francisco Fontana Italian — Novae coelestium, terrestriumque rerum observationes
Francisco Fontana
Gaffarum
February 1646

Deers (venados), Francisco Toledo Mexican, Color etching and aquatint — Deers (venados)
Francisco Toledo
ca.1975–85

Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 46: Venustiano Carranza protesting against the American invasion of 1914, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Poster celebrating the 63rd anniversary of Joseph Stalin's birth, Francisco Mora Mexican, Lithograph in black and red on yellow paper backed with linen — Poster celebrating the 63rd anniversary of Joseph Stalin's birth
Francisco Mora
Taller de Gráfica Popular, Mexico City
1942

Plate 1: Indigenous Mexicans being forced from their land, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 1: Indigenous Mexicans being forced from their land, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 35: Abraham González Casavantes who was assasinated on 7 March 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 35: Abraham González Casavantes who was assasinated on 7 March 1913, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 24: Emiliano Zapata, leader the revolution, on horseback, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 24: Emiliano Zapata, leader the revolution, on horseback, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947

Plate 70: a worker approaching a school of agriculture, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution), Francisco Mora Mexican, Linocut — Plate 70: a worker approaching a school of agriculture, from the portfolio 'Estampas de la revolución Mexicana' (prints of the Mexican Revolution)
Francisco Mora
Taller de Gráfica Popular, Mexico City
1947