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1-42 of 1,074 results for Francisco de Zurbarán
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The Young Virgin, Francisco de Zurbarán Spanish, Oil on canvas
The Young Virgin
Francisco de Zurbarán
ca. 1632–33
Saint Benedict, Francisco de Zurbarán Spanish, Oil on canvas
Saint Benedict
Francisco de Zurbarán
ca. 1640–45
Battle between Christians and Muslims at El Sotillo, Francisco de Zurbarán Spanish, Oil on canvas
Battle between Christians and Muslims at El Sotillo
Francisco de Zurbarán
ca. 1637–39
The Crucifixion, Francisco de Zurbarán Spanish, Oil on canvas
The Crucifixion
Workshop of Francisco de Zurbarán
Agnus Dei, Francisco de Zurbarán Spanish, Oil on canvas
On loan to The Met
Agnus Dei
Francisco de Zurbarán
ca. 1635–40
A Knight of Alcántara or Calatrava, Bartolomé Estebán Murillo Spanish, Oil on canvas
A Knight of Alcántara or Calatrava
Bartolomé Estebán Murillo
ca. 1650–55
Equilibrio, Carmen Herrera Cuban, Acrylic on canvas
Equilibrio
Carmen Herrera
2012
The defence of Cadiz against the English (November 1, 1625), Fernando Giron seated at the left giving instructions to his officers, from the series 'Colección lithográphica de cuadros del Rey de España el Señor Don Fernando VII'
Multiple artists/makers
1826–32
Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88
Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88
A Vision, volume 3, plate 235 from "Monuments des Arts du Dessin"
Multiple artists/makers
1829
Virgin and Child, Bartolomé Estebán Murillo Spanish, Oil on canvas
Virgin and Child
Bartolomé Estebán Murillo
1670s
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah, Juan Francisco de Aguilera Mexican, Oil and gold on copper; Frame: ebony, tortoise shell, and silver, Mexican
The Virgin of Carmen and the Souls of Purgatory with St. Joseph and the Prophet Elijah
Juan Francisco de Aguilera
ca. 1720
Saint Michael the Archangel, Ignacio de Ries Spanish, Oil on canvas
Saint Michael the Archangel
Ignacio de Ries
1640s
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804
Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805
Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier American, born France, Oil on canvas, American
Dance in a Subterranean Roundhouse at Clear Lake, California
Jules Tavernier
1878
Round dish with moss and fish, José Francisco de Sousa Portuguese, Glazed earthenware, Portugal, Caldas de Rainha
Round dish with moss and fish
José Francisco de Sousa
1860–93
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s, San Francisco State University
Black power, black art ... and the struggle continues : political imagery from the Black Arts Movement of the 1960s and 1970s
Publisher San Francisco State University
1994
José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias, Vicente Carducho Italian
Dialogos de la pintvra : sv defensa, origen, essecia, definicion, modos y diferencias
Multiple artists/makers
1633
Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Bullfight in a Divided Ring
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1810
Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804
Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas
Majas on a Balcony
Attributed to Goya (Francisco de Goya y Lucientes)
ca. 1800–1810
Francisco de Moncada, Duke of Montalto, Pompeo Leoni Italian, Bronze, brown patina, cast, Italian
Francisco de Moncada, Duke of Montalto
Medalist: probably Pompeo Leoni
1585
Portrait of Josefa OrtÍz de Dominguez, José Francisco Rodríguez Mexican, Colored wax, paper, gold, Mexican
Portrait of Josefa OrtÍz de Dominguez
José Francisco Rodríguez
1795
[Painting of Marie-Louise-Ferdinande de Bourbon, duchesse de Montpensier by Franz Xaver Winterhalter]
Francisco de Leygonier
ca. 1848
Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 31: Francisco I. Madera surrounded by those from the nefarious Porfirano regime, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Publisher Taller de Gráfica Popular, Mexico City
1947
[Portrait of a Matador]
Francisco de Leygonier
ca. 1848
Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink
Self-Portrait
Draftsman Goya (Francisco de Goya y Lucientes)
Sitter Goya (Francisco de Goya y Lucientes)
ca. 1796
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20
Plate 1: Indigenous Mexicans being forced from their land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Francisco Mora Mexican, Linocut
Plate 1: Indigenous Mexicans being forced from their land, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Francisco Mora
Publisher Taller de Gráfica Popular, Mexico City
1947
Old Spanish Masters, Engraved by Timothy Cole, with Historical Notes by Charles H. Caffin and Comments by the Engraver
Multiple artists/makers
1907
[Mural: "Puentes de San Francisco Y San Anton" by A. Galvez, Havana], Walker Evans American, Film negative
[Mural: "Puentes de San Francisco Y San Anton" by A. Galvez, Havana]
Walker Evans
1933
Poster advertising an exhibition of children's art at the exhibition rooms of the Secretaria de Educación Publica; an image of two children in the centre, Francisco Díaz de León Mexican, Woodcut, letterpress, backed with linen
Poster advertising an exhibition of children's art at the exhibition rooms of the Secretaria de Educación Publica; an image of two children in the centre
Attributed to Francisco Díaz de León
ca. 1930
Paradise 23, Sao Francisco de Xavier, Brazil
Thomas Struth
2001
Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French
Fan with leaves imitative of Goya and Watteau
Imitator of Goya (Francisco de Goya y Lucientes)
Imitator of Antoine Watteau
late 19th century
Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper
Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790
Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper
Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19