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Battle Scene: Arabs Making a Detour, Adolf Schreyer German, Oil on canvas
Battle Scene: Arabs Making a Detour
Adolf Schreyer
The Actors Mimasu Daigorō IV as Umako Daijin (right), Ichikawa Ebizō V as Umaya Daijin (center), and Jitsukawa Ensaburō as Prince Shōtoku (left), Gosōtei Hirosada 五粽亭広貞 Japanese, Triptych of woodblock prints (nishiki-e); ink and color on paper, with metallic printing and embossing (karazuri); vertical chūban, Japan
The Actors Mimasu Daigorō IV as Umako Daijin (right), Ichikawa Ebizō V as Umaya Daijin (center), and Jitsukawa Ensaburō as Prince Shōtoku (left)
Gosōtei Hirosada 五粽亭広貞
1849
The Flatiron Building, Samuel Halpert American, born former Russian Empire, now Poland, Oil on canvas
The Flatiron Building
Samuel Halpert
1919
Pintura Constructiva, Joaquín Torres-García Uruguayan, Oil on canvas
Pintura Constructiva
Joaquín Torres-García
1931
Stele commissioned by Helian Ziyue (赫蓮子悅), Stone, China
Stele commissioned by Helian Ziyue (赫蓮子悅)
China
dated 544 (completed 2nd year of Wuding reign)
Stele Commissioned by Helian Ziyue (赫蓮子悅) and a Devotional Society of Five Hundred Individuals, Limestone, China
Stele Commissioned by Helian Ziyue (赫蓮子悅) and a Devotional Society of Five Hundred Individuals
China
dated 533–43
The Visit of Manjushri to Vimalakirti (base of stele), Limestone, China
The Visit of Manjushri to Vimalakirti (base of stele)
China
inscription dated 533–43
Paper Med No.18, Su Xianzhong Chinese, White porcelain, kiln brick, China
Paper Med No.18
Su Xianzhong
2020
Bombardment, Nancy Davenport Canadian, Chromogenic print
Bombardment
Nancy Davenport
2001
Sniper, Nancy Davenport Canadian, Chromogenic print
Sniper
Nancy Davenport
2001
The American Fleet Defeating Rais Hamdu off Cape Gata, Ink and watercolor on paper
The American Fleet Defeating Rais Hamdu off Cape Gata
19th century
Night, Sarah Sze American, Lithograph in colors with screenprint
Night
Sarah Sze
Publisher LeRoy Neiman Center for Print Studies, Columbia University
2003
Rothschild lamp, Andrea Briosco, called Riccio Italian, Bronze, on a later wood base, Italian, Padua
Rothschild lamp
Andrea Briosco, called Riccio
ca. 1510–20
Ode to the Valley of Wonderment, Raqib Shaw Kashmir, Acrylic liner and enamel on Birch wood
Ode to the Valley of Wonderment
Raqib Shaw
2017–19
Ọ́bà with Sacrificial Animals from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand), Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, Brass, Edo peoples
Ọ́bà with Sacrificial Animals from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
19th century
Base from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand), Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists, Brass, Edo peoples
Base from the Ézọ́mọ's Ikẹ̀gòbọ̀ (Altar to the Hand)
Ìgùn Ẹ́rọ̀nwwọ̀n (brass-casting guild) artists
19th century
Nguzunguzu (canoe prow ornament), Wood, paint, shell, New Georgia Island people(?)
Nguzunguzu (canoe prow ornament)
New Georgia Island people(?)
late 19th–early 20th century
Design for Drop Center Cabriolet Sleigh, no. 3738, Brewster & Co. American, Pen and black ink, watercolor and gouache with gum arabic
Design for Drop Center Cabriolet Sleigh, no. 3738
Manufacturer Brewster & Co.
1882
Design for Drop Center Vis-à-vis (unnumbered), Brewster & Co. American, Graphite, pen and black ink, watercolor and gouache with gum arabic
Design for Drop Center Vis-à-vis (unnumbered)
Manufacturer Brewster & Co.
ca. 1870
Design for Drop Center Vis-à-Vis (French?), Pen and black ink, watercolor and gouache
Design for Drop Center Vis-à-Vis (French?)
ca. 1880
Design for Drop Center Vis-à-vis (unnumbered), Brewster & Co. American, Pen and black ink, watercolor and gouache with gum arabic
Design for Drop Center Vis-à-vis (unnumbered)
Manufacturer Brewster & Co.
ca. 1870
Double-chambered vessel with dog, Chimú artist(s), Silver, gold, Chimú
Double-chambered vessel with dog
Chimú artist(s)
1350–1470 CE
The Fury of Monk Raigō, Kobayashi Kiyochika Japanese, Hanging scroll; ink, color, and gold paint on silk, Japan
The Fury of Monk Raigō
Kobayashi Kiyochika
ca. 1900
Untitled
Cecily Brown
August 2003
Eight Faces
Hatakeyama Kōji
2023
Four-Cornered Hat, Camelid hair, cotton, Wari
Four-Cornered Hat
Wari
7th–9th century
Four-Cornered Hat, Camelid fiber, Wari
Four-Cornered Hat
Wari
500–900 CE
Four-Cornered Hat, Camelid hair, Tiwanaku
Four-Cornered Hat
Tiwanaku
7th–9th century
Four-Cornered Hat, Camelid hair, Tiwanaku
Four-Cornered Hat
Tiwanaku
4th–8th century
Four-Cornered Hat, Camelid hair, Wari
Four-Cornered Hat
Wari
7th–9th century
Selecha, Elias Sime Ethiopian, Goat hide, synthetic fibers, straw
Selecha
Elias Sime
2008
Selecha, Elias Sime Ethiopian, Goat hide, synthetic fibers, straw
Selecha
Elias Sime
2008
Four-Cornered Hat, Camelid fiber, Tiwanaku or Wari
Four-Cornered Hat
Tiwanaku or Wari
500–900 CE
Deity figure, Maya artist(s), Pyroxene jadeite, Maya
Deity figure
Maya artist(s)
200–600 CE
Ear Spool, Gold, Greater Coclé
Ear Spool
Greater Coclé
450–1000 CE
Double Saddle Bag (Khorjin), Wool (warp, weft, and sumak weft) and goat(?) hair (sumak weft); sumak extra-weft wrapping, weft-faced plain weave, and slit tapestry (kilim) closure (front); weft-faced plain weave and braided loop closures (back)
Double Saddle Bag (Khorjin)
ca. 1875
Two Palettes (Sears, Roebuck; Francis Picabia), Jim Dine American, Oil, acrylic, enamel, and charcoal on primed canvas
Two Palettes (Sears, Roebuck; Francis Picabia)
Jim Dine
1963
Jar, Earthenware; unglazed
Jar
7th–9th century
Jar, Earthenware; unglazed
Jar
8th century
Jar, Earthenware; glazed
Jar
8th–9th century
Bowl, Earthenware; glazed
Bowl
8th–9th century
Bowl, Earthenware; glazed
Bowl
8th–9th century