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Showing 8,546 results for Gan Ku (Kishi Ganku)

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Jurōjin, Gan Ku (Kishi Ganku) Japanese, Hanging scroll; ink and color on silk, Japan — Jurōjin
Gan Ku (Kishi Ganku)
1838

Tiger, Gan Ku Japanese, Hanging scroll; ink and color on silk, Japan — Tiger
Gan Ku
dated 1790

Tiger, Gan Ku Japanese, Hanging scroll; ink and color on silk, Japan — Tiger
Gan Ku
early 19th century

Birds on a PlumTree, Gan Ku Japanese, Hanging scroll; ink and color on silk, Japan — Birds on a PlumTree
Gan Ku
late 1770s–early 1780s

Night-Shining White, Han Gan Chinese, Handscroll; ink on paper, China — Night-Shining White
Han Gan
ca. 750

Watermill in the Mountains, Kishi Ganryo Japanese, Hanging scroll; ink and color on silk, Japan — Watermill in the Mountains
Kishi Ganryo
19th century

Tiger, Tigress and Cub, Kishi Chikudō Japanese, Pair of six-panel folding screens; ink and color on silk, Japan — Tiger, Tigress and Cub
Kishi Chikudō
1892

KE-5 (Recollected Vistas in Clay), Kishi Eiko Japanese, Shigaraki stoneware with colored clay chamotte, Japan — KE-5 (Recollected Vistas in Clay)
Kishi Eiko
2011

Tiered box “Green Gold”, Gan Erke Chinese, Wood with layers of colored lacquer and gold leaf, China — Tiered box “Green Gold”
Gan Erke
2011

Bowl “Red Gold”, Gan Erke Chinese, Marbled lacquer (xipi) with gold foils, gold rim, China — Bowl “Red Gold”
Gan Erke
2011

Bowl “Deer-Antler Sand”, Gan Erke Chinese, Marbled lacquer (xipi) with gold foils, gold rim, China — Bowl “Deer-Antler Sand”
Gan Erke
2011

Box with lid “Black and Red”, Gan Erke Chinese, Marbled lacquer (xipi) with gold foils, China — Box with lid “Black and Red”
Gan Erke
2013

Vase “Tang Flow”, Gan Erke Chinese, Marbled lacquer (xipi) with gold foils, China — Vase “Tang Flow”
Gan Erke
2011

Desert Terraces, Wang Hong Gan Chinese, Stoneware — Desert Terraces
Wang Hong Gan
1993

Essentials of Painting (Ehon hitsuyō), Nakaji Sadatoshi Japanese, Woodblock-printed book; ink and color on paper, Japan — Essentials of Painting (Ehon hitsuyō)
Nakaji Sadatoshi
Kishi Tengaku
1751

Head of a Male Figure, Stucco with color, Thailand (Ratchaburi Province, Ku Bua) — Head of a Male Figure
Thailand (Ratchaburi Province, Ku Bua)
8th–9th century

Travellers, Unidentified artist, Hanging scroll; on silk, China — Travellers
Unidentified artist
Zhao Gan

Gan Zigormas Kolski

ca. 1929

Gan Zigormas Kolski

ca. 1931

The Great White Way

Gan Zigormas Kolski

ca. 1931

Cabinet on stand, Jan van Mekeren Dutch, Oak veneered with rosewood, olivewood, ebony, holly, tulipwood, barberry and other partly green-stained marquetry woods, Dutch, Amsterdam — Cabinet on stand
Jan van Mekeren
ca. 1700–1710

The Crucifixion; The Last Judgment, Jan van Eyck Netherlandish, Oil on canvas, transferred from wood — The Crucifixion; The Last Judgment
Jan van Eyck
ca. 1436–38

Real Figures of the King of Mountains (Sannō shinkei) 山王真形, Ōishi Shūga 大石周我, Ink and color on paper, Japan — Real Figures of the King of Mountains (Sannō shinkei) 山王真形
Ōishi Shūga 大石周我
Spring 1822

Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編, Ōishi Matora 大石真虎 Japanese, Woodblock printed book; ink and color on paper, Japan — Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編
Ōishi Matora 大石真虎
1829, (Bunsei 12)

Su Shi (Dongpo) in a Bamboo Hat and Clogs, Zuigan Ryūsei Japanese, Hanging scroll; ink on paper, Japan — Su Shi (Dongpo) in a Bamboo Hat and Clogs
Multiple artists/makers
before 1460

Wunkirmian or wakemia feasting spoon, Dan artist, Wood, pigment, Dan — Wunkirmian or wakemia feasting spoon
Dan artist
19th–mid-20th century

Wunkirmian or wakemia feasting spoon, Dan artist, Wood, metal, Dan — Wunkirmian or wakemia feasting spoon
Dan artist
ca. 1900

View of Haarlem and the Haarlemmer Meer, Jan van Goyen Dutch, Oil on wood — View of Haarlem and the Haarlemmer Meer
Jan van Goyen
1646

Virgin and Child in a Niche, Jan van Eyck Netherlandish, Oil on wood — Virgin and Child in a Niche
Jan van Eyck
ca. 1440–50

Currency, Iron, Kissi peoples — Currency
Kissi peoples
20th century

Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969, Jan van der Marck — Art by telephone : an exhibition organized by the Museum of Contemporary Art under the sponsorship of the American National Bank and Trust Company of Chicago, November 1 to December 14, 1969
Jan van der Marck
Museum of Contemporary Art, Chicago
1969

Knife Handle (Kozuka), Akichika Oishi Japanese, Copper-silver alloy (shibuichi), copper-gold alloy (shakudō), gold, copper, Japanese — Knife Handle (Kozuka)
Akichika Oishi
late 18th–early 19th century

Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei), Chōbunsai Eishi Japanese, Diptych of woodblock prints; ink and color on paper, Japan — Spirit Summoner; Wild Geese Returning Home (Maboroshi; Rakugan) (right) and A Thin Veil of Clouds; Clearing Weather (Usugumo; Seiran) (left), from the series Eight Views of The Tale of Genji in the Floating World (Ukiyo Genji hakkei)
Chōbunsai Eishi
1797–99

Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons), Chōbunsai Eishi Japanese, Triptych of hanging scrolls; ink, color, and gold on silk, Japan — Snow, Moon, and Cherry Blossoms (Yoshiwara in Three Seasons)
Chōbunsai Eishi
early 19th century

Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Ono no Komachi: Number Two (Sono ni), from the series Stylish Parodies of the Six Poetic Immortals (Fūryū yatsushi rokkasen)
Chōbunsai Eishi
1790s

Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase), Chōbunsai Eishi Japanese, Woodblock print; ink and color on paper, Japan — Takigawa of the Ōgiya Brothel: The First Reception Room Appointment of the New Year (Hatsu-uri zashiki no zu: Ōgiya Takigawa), from the series A Comparison of Selected Beauties of the Pleasure Quarters (Seirō bisen awase)
Chōbunsai Eishi
ca. 1794–95

Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi), Chōbunsai Eishi Japanese, Polychrome woodblock ōban print; ink and color on paper, Japan — Matching Shells (Kai-awase), “Kisen Hōshi,” from the series Modern Parodies of the Six Poetic Immortals (Yatsushi rokkasen: Kisen Hōshi)
Chōbunsai Eishi
ca. 1796–98

Three Beauties Viewing Cherry Blossoms, Chōbunsai Eishi Japanese, Hanging scroll; ink and color on silk, Japan — Three Beauties Viewing Cherry Blossoms
Chōbunsai Eishi
late 18th–19th century

Ono no Komachi Praying for Rain, Chōbunsai Eishi Japanese, Monochrome woodblock print; ink on paper, Japan — Ono no Komachi Praying for Rain
Chōbunsai Eishi
ca. 1791

Karakoto of Chojiya on Parade, Chōbunsai Eishi Japanese, One sheet of a triptych of woodblock prints; ink and color on paper, Japan — Karakoto of Chojiya on Parade
Chōbunsai Eishi
ca. 1790