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1-42 of 7,129 results for Giacomo Antonio Moro
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Pope Paul V (Camillo Borghese), 1552–1621, Giacomo Antonio Moro, Bronze, Italian
Pope Paul V (Camillo Borghese), 1552–1621
Giacomo Antonio Moro
1617
Paul V (Pope, 1605–21), Giacomo Antonio Moro, Bronze, Italian, Rome
Paul V (Pope, 1605–21)
Giacomo Antonio Moro
1617
Urban VIII (Pope, 1623–44), Giacomo Antonio Moro, Bronze, Italian, Rome
Urban VIII (Pope, 1623–44)
Giacomo Antonio Moro
1623
Paul V (Pope, 1605–21), Giacomo Antonio Moro, Bronze, Italian, Rome
Paul V (Pope, 1605–21)
Giacomo Antonio Moro
1617
Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Guitar
Giacomo (Jacob) Ertel
late 17th century
Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60
"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Antonius" Violin
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
"Francesca" Violin
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona)
"Gould" Violin
Antonio Stradivari
1693
Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome
Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6
Lute, Antonio Giacomo Zanna Italian, Wood, brass, various materials, Italian
Lute
Antonio Giacomo Zanna
17th (?) and 19th century (?)
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Multiple artists/makers
ca. 1565–73
Shield, Wood, polychromy, Philippine, Moro
Shield
Philippine, Moro
18th–19th century
A Woman with a Dog, Giacomo Ceruti Italian, Oil on canvas
A Woman with a Dog
Giacomo Ceruti
1740s
Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas
Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan
Close Helmet
Gian Giacomo Negroli
ca. 1510–20
Vase, Antonio Prieto American, born Spain, Stoneware, American
Vase
Antonio Prieto
ca. 1950–55
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808), Antonio Guisasola Spanish, Steel, gold, silver, wood (walnut), Spanish, Eibar
Miquelet Gun Made for Charles IV of Spain (reigned 1788–1808)
Antonio Guisasola
Juan Navaro
dated 1796
Head and wings of an angel and forehead of another, Antonio Rossellino Italian, Marble, Italian, Florence
Head and wings of an angel and forehead of another
Antonio Rossellino
ca. 1475–90
Accellino di Meliaduce Salvago (ca. 1420–before 1506), Antonio Tamagnini Italian, Marble, Italian, Genoa
Accellino di Meliaduce Salvago (ca. 1420–before 1506)
Antonio Tamagnini
late 15th century
Cupid and Psyche, Antonio Canova Italian, Plaster, Italian, Rome
Cupid and Psyche
Antonio Canova
1794
Saint John the Baptist, Antonio Pollaiuolo Italian, Partly enameled gold set with diamonds and pearls, Italian, Florence
Saint John the Baptist
Antonio Pollaiuolo
probably ca. 1460–80
Adonis, Antonio Corradini Italian, Carrara marble, Italian, Venice
Adonis
Antonio Corradini
ca. 1723–25
Empress Maria (1520–1603), Antonio Abondio Italian, Silver, Italian
Empress Maria (1520–1603)
Antonio Abondio
1575
Saint Jerome in the Wilderness, Antonio Rossellino Italian, Marble, Italian, Florence
Saint Jerome in the Wilderness
Antonio Rossellino
ca. 1470
Venus Italica, Antonio Canova Italian, Carrara marble, Italian, Rome
Venus Italica
Antonio Canova
probably ca. 1822–23, variant of marble first executed 1810
Paris, Antonio Canova Italian, Marble, Italian, Rome
Paris
Antonio Canova
ca. 1822–23, original marble version completed November 1812
Reclining Naiad, Antonio Canova , and his studio Italian, Carrara marble, Italian, Rome
Reclining Naiad
Antonio Canova
John Bligh, 4th Earl of Darnley
1819–24
Madonna and Child with Angels, Antonio Rossellino Italian, Painted and gilt stucco; wood frame (not original to relief), Italian, Florence
Madonna and Child with Angels
Antonio Rossellino
third quarter 15th century
Tomb of Antonio Canova, Antonio Fabris Italian, Bronze, Italian, Venice
Tomb of Antonio Canova
Antonio Fabris
1827
Saint John, Antonio Susini Italian, Bronze, Italian, Florence
Saint John
Antonio Susini
Giambologna
1596
Saint Matthew, Antonio Susini Italian, Bronze, Italian, Florence
Saint Matthew
Antonio Susini
Giambologna
1596
Meleager, Antonio Gai Italian, Marble, Italian, Venice
Meleager
Antonio Gai
1735
The risen Christ, Antonio Susini Italian, Bronze, Italian, Florence
The risen Christ
Antonio Susini
Giambologna
1596
The crucified Christ, Antonio Susini Italian, Bronze, Italian, Florence
The crucified Christ
Antonio Susini
Giambologna
Model: early 17th century; cast: 18th or 19th century
Maximillian II, Holy Roman Emperor (1527–1576), Antonio Abondio Italian, Silver, Italian
Maximillian II, Holy Roman Emperor (1527–1576)
Antonio Abondio
1575
Capriccio with St. Paul's and Old London Bridge, Antonio Joli Italian, Oil on canvas
Capriccio with St. Paul's and Old London Bridge
Antonio Joli
ca. 1745
Cruet and Stopper, Antonio Salviati Italian, Transparent topaz-tinted and dark amethyst nonlead glass. Blown, pattern molded, trailed, applied and impressed parts.
Cruet and Stopper
Antonio Salviati
late 19th century
Footed vessel (saltcellar?), Antonio Salviati Italian, Topaz-tinted nonlead glass. Blown, pattern molded, applied and impressed parts, gilt.
Footed vessel (saltcellar?)
Antonio Salviati
late 19th century
Vase, Antonio Salviati Italian, Transparent topaz-tinted and opaque brownish white nonlead glass. Blown, pattern molded, "vetro a fili", trailed.
Vase
Antonio Salviati
probably late 19th century
Footed vase, Antonio Salviati Italian, Colorless, opaque turquoise blue, copper flecked (goldstone or aventurine), and opalescent white nonlead glass. Blown, mold blown, trailed, "vetro a retorti", gilt.
Footed vase
Antonio Salviati
late 19th–early 20th century