Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,212 results for Giacomo Cavedone

Sort by:

Study of an Old Man, Giacomo Cavedone Italian, Charcoal, highlighted with white chalk, on blue-gray paper — Study of an Old Man
Giacomo Cavedone
Carracci School
1577–1660

Profile Head of a Youth Looking to Upper Left, and Study of Clasped Hands

Giacomo Cavedone

1577–1660

The Virgin and Child with Two Male Saints, Giacomo Cavedone Italian, Charcoal, brush and brown wash, white oil paint, on brown paper — The Virgin and Child with Two Male Saints
Giacomo Cavedone
1577–1660

Kneeling Youth Facing Left, Giacomo Cavedone Italian, Black chalk highlighted with white on blue paper — Kneeling Youth Facing Left
Giacomo Cavedone
1577–1660

Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso), Giacomo Cavedone Italian, Black chalk (recto and verso) — Head of a Bearded Man Looking to Upper Right (recto); Head of an Old Man and a Drapery Study (verso)
Giacomo Cavedone
1577–1660

Head of a Bearded Man (Nicodemus), Giacomo Cavedone Italian, Oil paint on paper — Head of a Bearded Man (Nicodemus)
Giacomo Cavedone
1577–1660

Virgin and Child, with Saints Anthony and Catherine, Giacomo Cavedone Italian, Etching — Virgin and Child, with Saints Anthony and Catherine
Giacomo Cavedone
1600–60

Head of beared man (recto), Study of an apostle (verso), Giacomo Cavedone Italian, Black chalk (or charcoal?) and highlighted with traces of white chalk on brown paper — Head of beared man (recto), Study of an apostle (verso)
Giacomo Cavedone
ca.1620–60

The Death of Saint Anne, Andrea Scacciati Italian, Etching with brown wash — The Death of Saint Anne
Andrea Scacciati
Giacomo Cavedone
1766

The Holy Family with the infant Saint John the Baptist, Andrea Scacciati Italian, Etching with brown wash — The Holy Family with the infant Saint John the Baptist
Andrea Scacciati
Giacomo Cavedone
1760–70

The Virgin and Child above, with Saints Eloi and Petronius below

Giuliano Traballesi

Giacomo Cavedone

ca. 1750–1812

Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada., Guido Reni Italian, Etching — Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Painting and Poetry mourning the death of Agostino Carracci, painted by Francesco Brizio; 2. Painting with a lyre and Apollo pointing to stars on Carracci's grave, design by Giacomo Cavedone; 3. The head of Christ, painted by Agostino Carracci; 4. Prometheus with a torch and Athena behind him, painted by Alessandro Albini; 5. Aurora abducting Cephalus, painted by Leonello Spada.
Multiple artists/makers
1603

Guitar, Giacomo (Jacob) Ertel German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian — Guitar
Giacomo (Jacob) Ertel
late 17th century

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

A Woman with a Dog, Giacomo Ceruti Italian, Oil on canvas — A Woman with a Dog
Giacomo Ceruti
1740s

Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan — Close Helmet
Gian Giacomo Negroli
ca. 1510–20

Sallet, Pietro Giacomo da Castello Italian, Steel, Italian — Sallet
Pietro Giacomo da Castello
ca. 1510–20

[Roman Ruins], Giacomo Caneva Italian, Albumen silver print — [Roman Ruins]
Giacomo Caneva
1860s

Dragon, Giacomo Laurenziani Italian, Bronze, Italian, Rome — Dragon
Giacomo Laurenziani
early 17th century

The Blessed Catherine, Giacomo Serpotta, Silver, Italian, Palermo — The Blessed Catherine
Giacomo Serpotta
1762

Doves of Pliny, Giacomo Raffaelli Italian, Glass mosaic on bronze, Italian, Rome — Doves of Pliny
Giacomo Raffaelli
1783

Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo — Saint Felicity
Giacomo Serpotta
1762

[Carlotta Cortudino], Giacomo Caneva Italian, Salted paper print from paper negative — [Carlotta Cortudino]
Giacomo Caneva
ca. 1852

[Tree in Formal Garden Outside Palazzo], Giacomo Caneva Italian, Albumen silver print from glass negative — [Tree in Formal Garden Outside Palazzo]
Giacomo Caneva
1860s–70s

[Stairs], Giacomo Caneva Italian, Salted paper print from paper negative — [Stairs]
Giacomo Caneva
1850s

View from the French Academy at the Villa Medici, Giacomo Caneva Italian, Salted paper print from paper negative — View from the French Academy at the Villa Medici
Giacomo Caneva
ca. 1852

[Vesuvius from Mergellina], Giacomo Caneva Italian, Salted paper print from paper negative — [Vesuvius from Mergellina]
Giacomo Caneva
ca. 1855

Jérôme Bonaparte (1784–1860), King of Westphalia, Giacomo Andreoli Italian, Ivory — Jérôme Bonaparte (1784–1860), King of Westphalia
Giacomo Andreoli

The Courtyard of the Doges' Palace, Giacomo Guardi Italian, Pen and brown ink, brown wash — The Courtyard of the Doges' Palace
Giacomo Guardi
ca. 1784–1835

Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon, Giacomo Guardi Italian, Pen and brown ink, gray wash — Capriccio with a Statue of a Warrior and a Ruined Castle on the Shore of the Lagoon
Giacomo Guardi
ca. 1780–90

Piazza San Marco, Looking toward the Basilica, Giacomo Guardi Italian, Pen and brown ink, gray wash — Piazza San Marco, Looking toward the Basilica
Giacomo Guardi
ca. 1804–28

Piazza San Marco, Looking toward the Church of San Gemignano, Giacomo Guardi Italian, Pen and brown ink, gray wash — Piazza San Marco, Looking toward the Church of San Gemignano
Giacomo Guardi
ca. 1804–28

The Clock Tower of San Marco, from the Front of the Basilica, Giacomo Guardi Italian, Pen and brown ink, brown-gray wash — The Clock Tower of San Marco, from the Front of the Basilica
Giacomo Guardi
after 1793

Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco, Giacomo Guardi Italian, Pen and brown ink, brown-gray wash — Campo Santi Giovanni e Paolo, Looking Toward the Scuola di San Marco
Giacomo Guardi
ca. 1804–28

The Rio dei Greci, with the Ponte della Pieta in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Rio dei Greci, with the Ponte della Pieta in the Distance
Giacomo Guardi
ca. 1804–28

The Porto di Lido, with the Fortezza Sant'Andrea on the Left, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Porto di Lido, with the Fortezza Sant'Andrea on the Left
Giacomo Guardi
ca. 1804–28

The Church and Convent of San Mattia di Murano, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Church and Convent of San Mattia di Murano
Giacomo Guardi
ca. 1804–28

The Punta di San Giobbe, with the Island of San Secondo in the Distance, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Punta di San Giobbe, with the Island of San Secondo in the Distance
Giacomo Guardi
ca. 1804–28

The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta
Giacomo Guardi
ca. 1804–28

The Rio dei Mendicanti, Giacomo Guardi Italian, Pen and brown ink, gray wash — The Rio dei Mendicanti
Giacomo Guardi
ca. 1804–25