Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 1,058 results for Giacomo Piccini
Sort by:
Entombment of Christ, two men lifting Christ into a tomb, with a shroud underneath the body, three crosses on Golgotha beyond, Giacomo Piccini  Italian, Engraving
Giacomo Piccini
Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis)
ca. 1656
David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni, Giacomo Piccini  Italian, Engraving
Multiple artists/makers
ca. 1635–1670
Giacomo Piccini
Peter Paul Rubens
17th century
Multiple artists/makers
1658
Guitar, Giacomo (Jacob) Ertel  German, Spruce, ebony, fruitwood, bone, ivory, mother-of-pearl, parchment, Italian
Giacomo (Jacob) Ertel
late 17th century
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola  Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
Multiple artists/makers
ca. 1565–73
A Woman with a Dog, Giacomo Ceruti  Italian, Oil on canvas
Giacomo Ceruti
1740s
Close Helmet, Gian Giacomo Negroli, Steel, gold, Italian, Milan
Gian Giacomo Negroli
ca. 1510–20
Two Beasts and a Human Mask within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Human Mask Looking to the Left within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Grotesque Winged and Bearded Head Looking to the Left within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Putto's Head Looking to the Right with a Shell Beneath the Chin within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Two Grotesque Heads Facing One Another within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Two Grotesque Heads Facing One Another and Touching Tongues Within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Grotesque Head With a Large Ear and an Open Mouth Looking to the Right Within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Small Grotesque Head Looking to the Left Within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Large Grotesque Head With an Open Mouth Looking to the Left Within a Frame, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Large Grotesque Head Being Strangled by its Own Hair, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Grotesque Head With a Bulging Forehead Looking to the Right Within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Grotesque Head With a Large Eyebrow Looking to the Left Within a Circle, Gaetano Piccini  Italian, Pen and brown ink
Gaetano Piccini
1727
Sallet, Pietro Giacomo da Castello  Italian, Steel, Italian
Pietro Giacomo da Castello
ca. 1510–20
[Stairs], Giacomo Caneva  Italian, Salted paper print from paper negative
Giacomo Caneva
1850s
View from the French Academy at the Villa Medici, Giacomo Caneva  Italian, Salted paper print from paper negative
Giacomo Caneva
ca. 1852
Saint Felicity, Giacomo Serpotta, Silver, Italian, Palermo
Giacomo Serpotta
1762
Doves of Pliny, Giacomo Raffaelli  Italian, Glass mosaic on bronze, Italian, Rome
Giacomo Raffaelli
1783
[Tree in Formal Garden Outside Palazzo], Giacomo Caneva  Italian, Albumen silver print from glass negative
Giacomo Caneva
1860s–70s
[Roman Ruins], Giacomo Caneva  Italian, Albumen silver print
Giacomo Caneva
1860s
[Vesuvius from Mergellina], Giacomo Caneva  Italian, Salted paper print from paper negative
Giacomo Caneva
ca. 1855
[Carlotta Cortudino], Giacomo Caneva  Italian, Salted paper print from paper negative
Giacomo Caneva
ca. 1852
The Clock Tower of San Marco, from the Front of the Basilica, Giacomo Guardi  Italian, Pen and brown ink, brown-gray wash
Giacomo Guardi
after 1793
The Rio dei Greci, with the Ponte della Pieta in the Distance, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Punta di Santa Marta, Opposite the Giudecca, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Island of San Giorgio Maggiore, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
View of Murano, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
Still Life, Giacomo Manzù  Italian, Bronze with gold patina
Giacomo Manzù
ca. 1978
The Courtyard of the Doges' Palace, Giacomo Guardi  Italian, Pen and brown ink, brown wash
Giacomo Guardi
ca. 1784–1835
The Island of L'Anconetta, on the Way to Mestre, with the Church of La Madonnetta, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Rio dei Mendicanti, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–25
The Island of the Beata Vergine del Rosario, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28
The Island of San Francesco del Deserto, Giacomo Guardi  Italian, Pen and brown ink, gray wash
Giacomo Guardi
ca. 1804–28