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Showing 6,254 results for Gilles-Marie Oppenord

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Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink, brush and gray wash; framing lines in pen and brown ink — Study for a Cartouche
Gilles-Marie Oppenord

Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink with brush and gray wash. Framing lines in pen and black ink. — Study for a Cartouche
Gilles-Marie Oppenord

Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink. — Study for a Cartouche
Gilles-Marie Oppenord

Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink, brush and gray wash; framing lines in pen and brown ink — Study for a Cartouche
Gilles-Marie Oppenord

Study for a Cartouche, Gilles-Marie Oppenord French, Pen and black ink with brush and gray wash. Framing lines in pen and brown ink. — Study for a Cartouche
Gilles-Marie Oppenord

Study for a Decorated Initial A with the Annunciation, Gilles-Marie Oppenord French, Pen and brown ink, heightened with white. Framing lines in pen and brown ink with some gold. — Study for a Decorated Initial A with the Annunciation
Gilles-Marie Oppenord

Design for a Vase, Gilles-Marie Oppenord French, Black chalk, stumped — Design for a Vase
Gilles-Marie Oppenord

Study for a Garden Capriccio, Gilles-Marie Oppenord French, Red chalk over black chalk underdrawing. — Study for a Garden Capriccio
Gilles-Marie Oppenord

Brackets, Caryatids and other Architectural Details (recto and verso), Gilles-Marie Oppenord French, Pen and black and dark brown ink, brush and dark brown and gray wash, over traces of graphite underdrawing — Brackets, Caryatids and other Architectural Details (recto and verso)
Gilles-Marie Oppenord
ca. 1690–1710

Design for Stucco Decorations with a Cartouche at Left, Gilles-Marie Oppenord French, Red chalk and red chalk wash over graphite underdrawing — Design for Stucco Decorations with a Cartouche at Left
Gilles-Marie Oppenord
ca. 1725–40

Design for a Decorative Panel with a Flutist (recto); Design for molding (verso), Gilles-Marie Oppenord French, Red chalk (recto); black chalk (verso) — Design for a Decorative Panel with a Flutist (recto); Design for molding (verso)
Gilles-Marie Oppenord
Claude Gillot
ca. 1700–20

Design for the Wrought-Iron Entrance Grille of a Chapel, Gilles-Marie Oppenord French, Pen and gray ink, brush and gray, brown, red, and blue wash — Design for the Wrought-Iron Entrance Grille of a Chapel
Gilles-Marie Oppenord
ca. 1700–1720

Classical Scene with a Tomb and Flaming Brazier, Gilles-Marie Oppenord French, Pen and black and gray ink, brush and black and gray wash, over traces of graphite underdrawing; framing lines in pen and black ink — Classical Scene with a Tomb and Flaming Brazier
Gilles-Marie Oppenord
Anonymous, French, 18th century
ca. 1700–10

Design for a Monument to a Military Leader, Gilles-Marie Oppenord French, Pen and dark brown ink, brush and gray wash. Framing lines in pen and gray and brown ink — Design for a Monument to a Military Leader
Gilles-Marie Oppenord
ca. 1690–1740

Designs for a Picture Frame, Gilles-Marie Oppenord French, Pen and brown ink over traces of black chalk — Designs for a Picture Frame
Gilles-Marie Oppenord
ca. 1730–40

Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over traces of graphite; framing lines in pen and black ink — Study for a Garden Capriccio
Gilles-Marie Oppenord
n.d.

Design for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, with graphite underdrawing; framing lines in pen and black ink — Design for a Garden Capriccio
Gilles-Marie Oppenord
n.d.

Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over traces of graphite underdrawing; framing lines in pen and black ink — Study for a Garden Capriccio
Gilles-Marie Oppenord
n.d.

Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over graphite underdrawing; framing lines in pen and black ink — Study for a Garden Capriccio
Gilles-Marie Oppenord
n.d.

Study for a Garden Capriccio, Gilles-Marie Oppenord French, Pen and black ink, over traces of graphite; framing lines in pen and black ink — Study for a Garden Capriccio
Gilles-Marie Oppenord
n.d.

Works by Gille Marie Oppenord

Multiple artists/makers

n.d. [after 1748]

Works by Gille Marie Oppenord

Multiple artists/makers

Title Page, from Receuil de Différents Caractères de Testes Dessinées d'Apres la Colonne Trajane (Study of Different Types of Heads Designed after the Column of Trajan)

Gabriel Huquier

Gilles-Marie Oppenord

18th century

Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament), Jacques Callot French, Etching — Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament)
Multiple artists/makers
printed 18th century

Book of New Trophies, Jacques Dumont, called le Romain French, Engraving — Book of New Trophies
Multiple artists/makers
1720–74

Receuil de Différents Caractères de Testes Dessinées d'Apres la Colonne Trajane (Study of Different Types of Heads Designed after the Column of Trajan)

Multiple artists/makers

18th century

Writing table (bureau plat), Gilles Joubert French, Lacquered oak, gilt-bronze mounts, lined with modern leather, French, Paris — Writing table (bureau plat)
Gilles Joubert
1759

Bowl and Stand, Marie Zimmermann American, Copper, wrought iron, enamel paint, American — Bowl and Stand
Marie Zimmermann
ca. 1922

Petri Gyllii De Bosporo thracio libri III ; Petri Gyllii De topographia Constantinopoleos, Pierre Gilles — Petri Gyllii De Bosporo thracio libri III ; Petri Gyllii De topographia Constantinopoleos
Pierre Gilles
Apvd Gvlielmvm, svb scvto veneto
1562

Galoubet, Gilles Lot French, Ivory, leather, French — Galoubet
Gilles Lot
ca. 1770

[Plans of Portals, Altars, etc.]

Multiple artists/makers

n.d. [after 1738]

Box, Marie Zimmermann American, Wood, ivory, patinated silver, nickel-plated brass, steel, amethyst, and semi-precious quartz, American — Box
Marie Zimmermann
ca. 1910–20

Candelabrum, Marie Zimmermann American, Gold plated brass — Candelabrum
Marie Zimmermann
ca. 1915

Covered dish, Marie Zimmermann American, Gilt silver, ivory, jade, and cinnabar, American — Covered dish
Marie Zimmermann
ca. 1930

Box and Cover, Marie Zimmermann American, silver-gilt and stones, American — Box and Cover
Marie Zimmermann
ca. 1930s

Bowl, Marie Zimmermann American, Silver, American — Bowl
Marie Zimmermann
1920s

Bowl, Marie Zimmermann American, Copper, American — Bowl
Marie Zimmermann
1920s

Box with Cover, Marie Zimmermann American, Silver, turquoise, and freshwater pearls, American — Box with Cover
Marie Zimmermann
1920s–30s

Box and cover, Marie Zimmermann American, Silver, enamel, stone cameo, malachite, lapis lazuli, and citrines, American — Box and cover
Marie Zimmermann
1920s—30s

Victory Alighting on Earth, Gilles-Lambert Godecharle, Terracotta, Belgian, Brussels — Victory Alighting on Earth
Gilles-Lambert Godecharle
1809