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1-42 of 92 results for Giorgio Vasari
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Tabernacle mirror frame, Giorgio Vasari and Workshop Italian, Walnut, Italian, Florence
Tabernacle mirror frame
Designer Giorgio Vasari
ca. 1572
The Lives of the Painters Sculptors and Architects, Volume One
Author Giorgio Vasari
1927
The Lives of the Painters Sculptors and Architects, Volume Two
Author Giorgio Vasari
1927
The Lives of the Painters Sculptors and Architects, Volume Three
Author Giorgio Vasari
1927
The Lives of the Painters Sculptors and Architects, Volume Four
Author Giorgio Vasari
1927
Female Allegorical Figure of Benignitas (Goodness), with Attributes of Abundance Standing in a Niche (recto); Architectural Sketches (verso), Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, over an underdrawing done with traces of black chalk, ruling, and compass-work in pen and brown ink (recto); black chalk (verso)
Female Allegorical Figure of Benignitas (Goodness), with Attributes of Abundance Standing in a Niche (recto); Architectural Sketches (verso)
Circle of Giorgio Vasari
1550–70
The First Fruits of the Earth Offered to Saturn, Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, over traces of red chalk
The First Fruits of the Earth Offered to Saturn
Giorgio Vasari
1555–56
Allegory of Forgetfulness, Giorgio Vasari Italian, Pen and brown ink, brush and pale gray wash, over traces of black chalk, on beige paper
Allegory of Forgetfulness
Giorgio Vasari
ca. 1570
Allegory of Sleep, Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, over traces of red chalk
Allegory of Sleep
Giorgio Vasari
ca. 1570
Le Vite de' Piv Eccellenti Pittori Scultori et Architettori..., Giorgio Vasari Italian, Woodcut illlustrations
Le Vite de' Piv Eccellenti Pittori Scultori et Architettori...
Author Giorgio Vasari
Publisher Heirs of Filippo da Giunta
1568
Design for the Ceiling Decoration in Vasari's House in Arezzo, Giorgio Vasari Italian, Pen and brown ink, brush and rose-brown wash, over black chalk, and compass and ruled construction
Design for the Ceiling Decoration in Vasari's House in Arezzo
Giorgio Vasari
1531–74
Grand Duke Cosimo I of Tuscany Surrounded by his Artists., Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of black chalk or graphite, on gray-green paper
Grand Duke Cosimo I of Tuscany Surrounded by his Artists.
Workshop of Giorgio Vasari
Attributed to Jacopo Zucchi
ca. 1556–62
Design for a Fountain with Rivergods and Nymphs, Giorgio Vasari , workshop of Italian, Pen with medium and dark brown ink, brush and gray wash, highlighted with white gouache, over graphite. Traces of framing outlines in pen with brown and black ink
Design for a Fountain with Rivergods and Nymphs
Giorgio Vasari
1511–74
Design for a Fountain with River Gods and Nymphs, Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, over traces of leadpoint
Design for a Fountain with River Gods and Nymphs
Giorgio Vasari
1511–74
Saint Paul Speaking before King Agrippa (Acts 26), Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, over traces of black chalk
Saint Paul Speaking before King Agrippa (Acts 26)
Giorgio Vasari
1573
Judith Decapitating Holofernes, Giorgio Vasari (?) Italian, Pen and brown ink, brown wash
Judith Decapitating Holofernes
Giorgio Vasari
1511–74
The Abduction of Ganymede, Giorgio Vasari Italian, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk on blue paper; squared in black chalk
The Abduction of Ganymede
Giorgio Vasari
1511–74
Giorgio Vasari
Engraver Pier Antonio Pazzi
After intermediary draftsman Giuseppe Menabuoni
Sitter Giorgio Vasari
1765
Le vite de pittori de Giorgio Vasari (The Lives of the Painters Sculptors and Architects), Bologna 1681
Author Giorgio Vasari
Frontispiece engraved by Cornelis Bloemaert
1681
Vite di pittori, scultori et architettori
Author Written by Giorgio Vasari
1681
Christ Carrying the Cross
After Giorgio Vasari
Anonymous, 18th century
18th century
Saint Matthew and the Angel, Giovanni Gerolamo Savoldo Italian, Oil on canvas
Saint Matthew and the Angel
Giovanni Gerolamo Savoldo
Portrait of a Man, Andrea del Sarto (Andrea d'Agnolo) Italian, Oil on canvas, transferred from wood
Portrait of a Man
Andrea del Sarto (Andrea d'Agnolo)
1528–29
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess, Marcantonio Raimondi Italian, Engraving
The Judgment of Paris: he is sitting at left with Venus, Juno and Pallas Athena, a winged victory above. In the upper section the Sun in his chariot preceeded by Castor and Pollux on horseback, at lower right two river gods and a naiad above whom Jupiter, an eagle, Ganymede, Diana and another goddess
Marcantonio Raimondi
After Raphael (Raffaello Sanzio or Santi)
ca. 1510–20
Madonna and Child with Saint John the Evangelist, Rosso Fiorentino Italian, Oil on canvas, laid down on wood
Madonna and Child with Saint John the Evangelist
Rosso Fiorentino
1512/13
Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s
Madonna and Child with Saints, Girolamo dai Libri Italian, Tempera and oil on canvas
Madonna and Child with Saints
Girolamo dai Libri
ca. 1520
One of a pair of pilaster panels, A single piece of poplar. Gilt; red-brown bole., Florentine
One of a pair of pilaster panels
Florentine
1385
One of a pair of pilaster panels, Poplar, Florentine
One of a pair of pilaster panels
Florentine
1385
The Virgin Adoring the Child with the Infant Saint John the Baptist, Jacopo di Arcangelo (called Jacopo del Sellaio) Italian, Tempera and gold on wood
The Virgin Adoring the Child with the Infant Saint John the Baptist
Jacopo di Arcangelo (called Jacopo del Sellaio)
late 1480s
Two Pilgrims by a Spring
Attributed to Alessandro Gandini
After Giorgio Vasari
ca. 1545–65
The Pentecost, Cornelis Cort Netherlandish, Engraving
The Pentecost
Cornelis Cort
After Giorgio Vasari
Publisher Antonio Lafreri
1574
The Pentecost, Claes Jansz. Visscher Dutch, Engraving
The Pentecost
Artist and publisher Claes Jansz. Visscher
After Cornelis Cort
After Giorgio Vasari
1574
The Last Judgment, Circle of Ottaviano Nelli, Brush and brown ink, brown wash, heightened with white, on greenish blue paper., Italian, Gubbio
The Last Judgment
Circle of Ottaviano Nelli
early 15th century
Two Pilgrims in a Landscape
Enea Vico
After Giorgio Vasari
1542
The Deposition
Enea Vico
After Giorgio Vasari
1540–50
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man, Lorenzo Monaco (Piero di Giovanni) Italian, Metalpoint, touches of brush and brown wash, heightened with white (partially oxidized in the figure at the lower left), on reddish violet prepared paper. Some lines retraced in pen and brown ink at a later date., Italian, Florence
Three Virtues (Temperance, Hope, and Fortitude or Justice) and Studies of a Seated Man
Circle of Lorenzo Monaco (Piero di Giovanni)
ca. 1420
Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso), Fra Bartolomeo (Bartolomeo di Paolo del Fattorino) Italian, Pen and brown ink, touches of brown wash, heightened with white (partly oxidized), over traces of black chalk, on tinted paper; partial tracing of figures from the verso (recto); Pen and brown ink over black chalk (verso)
Madonna and Child with the Infant Saint John the Baptist and Two Putti (recto); Madonna and Child with the Infant Saint John the Baptist and a Putto (verso)
Fra Bartolomeo (Bartolomeo di Paolo del Fattorino)
1505–6(?)
The Pentecost, Giovanni Battista Mazza Italian, Engraving
The Pentecost
Multiple artists/makers
1574
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels, Philippe Thomassin French, Engraving
Allegory of the Immaculate Conception, with Adam, Eve, kings, priest, soldier and Moses tied at the bottom of a fig tree, and the Virgin sitting on cloud overhead, surrounded by angels
Philippe Thomassin
After Giorgio Vasari
Publisher Giovanni Giacomo De Rossi
1611–12
The Virgin and Saint John the Evangelist, Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli) Italian, Pen and light and dark brown ink, brush and brown wash, heightened with white, over black chalk underdrawing.
The Virgin and Saint John the Evangelist
Attributed to Raffaellino del Garbo (also known as Raffaelle de' Capponi and Raffaelle de' Carli)
about 1500
The Pentecost
Cornelis Cort
After Giorgio Vasari
Publisher Giovanni Orlandi
1574