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More than 10,000 results for Giovanni Antonio Antolini

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Design for the facade of the baths, Foro Bonaparte, Milan

Filippo Antolini di Faenza

Giovanni Antonio Antolini

1806

Section view of the design for the baths, Foro Bonaparte, Milan

Luigi Rados

Giovanni Antonio Antolini

1806

Design for the baths, Foro Bonaparte, Milan

Ferdinando Albertolli

Giovanni Antonio Antolini

1806

Piazza San Marco, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Piazza San Marco
Canaletto (Giovanni Antonio Canal)
late 1720s

Design for Foro Bonaparte, Milan

Multiple artists/makers

1806

Perseus with the Head of Medusa, Antonio Canova Italian, Marble, Italian, Rome — Perseus with the Head of Medusa
Antonio Canova
Count Jan and Countess Valeria Tarnowski
1804–6

Madonna and Child with Angels, Antonio Rossellino Italian, Marble with gilt details on halo and dress, Italian, Florence — Madonna and Child with Angels
Antonio Rossellino
ca. 1455–60

"Antonius" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Antonius" Violin
Antonio Stradivari
1711

"Francesca" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona) — "Francesca" Violin
Antonio Stradivari
1694

"Gould" Violin, Antonio Stradivari Italian, Maple, spruce, ebony, Italian (Cremona) — "Gould" Violin
Antonio Stradivari
1693

Study for the Equestrian Monument to Francesco Sforza, Antonio Pollaiuolo Italian, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer. — Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
early to mid 1480s

Warwick Castle: The East Front, Canaletto (Giovanni Antonio Canal) Italian, Pen and brown ink, gray wash — Warwick Castle: The East Front
Canaletto (Giovanni Antonio Canal)
1752

Campo Santa Maria Zobenigo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Campo Santa Maria Zobenigo, Venice
Canaletto (Giovanni Antonio Canal)
1730s

The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — The Grand Canal, Venice, Looking Southeast, with the Campo della Carità to the Right
Canaletto (Giovanni Antonio Canal)
1730s

The Grand Canal, Venice, Looking South toward the Rialto Bridge, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — The Grand Canal, Venice, Looking South toward the Rialto Bridge
Canaletto (Giovanni Antonio Canal)
1730s

Campo Sant'Angelo, Venice, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Campo Sant'Angelo, Venice
Canaletto (Giovanni Antonio Canal)
1730s

A Lock, a Column, and a Church beside a Lagoon, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — A Lock, a Column, and a Church beside a Lagoon
Canaletto (Giovanni Antonio Canal)

Warwick Castle, Canaletto (Giovanni Antonio Canal) Italian, Oil on canvas — Warwick Castle
Canaletto (Giovanni Antonio Canal)
1748

Madonna and Child, Giovanni Bellini Italian, Oil on wood — Madonna and Child
Giovanni Bellini
late 1480s

The Feast of Herod and the Beheading of the Baptist, Giovanni Baronzio Italian, Tempera on wood, gold ground, and silver, Italian, Rimini — The Feast of Herod and the Beheading of the Baptist
Giovanni Baronzio
ca. 1330–35

Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist, Giovanni Pisano Italian, Marble, Italian — Lectern for the Reading of the Gospels with the Eagle of Saint John the Evangelist
Giovanni Pisano
ca. 1301, with later additions

Marie Louise (1791–1847), Empress of the French, Second Wife of Napoleon Bonaparte, Giovanni Antonio Santarelli Italian, Pink wax on glass backed by dark blue wax; frame: moulded gilt plaster, Italian, Florence — Marie Louise (1791–1847), Empress of the French, Second Wife of Napoleon Bonaparte
Giovanni Antonio Santarelli
early 19th century

Napoleon I (1769–1821), Emperor of the French, Giovanni Antonio Santarelli Italian, Pink wax on glass backed by dark blue wax; frame: moulded gilt plaster, Italian, Florence — Napoleon I (1769–1821), Emperor of the French
Giovanni Antonio Santarelli
early 19th century

Dancing Amorini with Bacchic symbols, Giovanni Antonio Santarelli Italian, Onyx and gold, Italian, Florence — Dancing Amorini with Bacchic symbols
Giovanni Antonio Santarelli
late 18th–early 19th century

Judith, Giovanni Antonio Amadeo Italian, Marble, Italian, Lombardy — Judith
Giovanni Antonio Amadeo
late 15th–early 16th century

Felix Baciocchi, Prince of Lucca and Piombino, Giovanni Antonio Santarelli Italian, Pink wax on glass painted dark blue; frame: moulded gilt plaster, Italian, Florence — Felix Baciocchi, Prince of Lucca and Piombino
Giovanni Antonio Santarelli
ca. 1809

Elisa Baciocchi, Princess of Lucca and Piombino, Grand Duchess of Tuscany, Giovanni Antonio Santarelli Italian, Pink wax on glass painted dark blue; frame: moulded gilt plaster, Italian, Florence — Elisa Baciocchi, Princess of Lucca and Piombino, Grand Duchess of Tuscany
Giovanni Antonio Santarelli
ca. 1809

Amorino with a Garland, Giovanni Antonio Girardet, Onyx and gold, Italian, Rome — Amorino with a Garland
Giovanni Antonio Girardet
ca. 1860–70

Bacchus and Ariadne, Giovanni Antonio Pellegrini Italian, Oil on canvas — Bacchus and Ariadne
Giovanni Antonio Pellegrini
1720s

Dulcimer, Giovanni Antonio Berera Italian, Wood and various materials, Italian — Dulcimer
Giovanni Antonio Berera
1749

Medal: Pope Marcellus II, Giovanni Antonio Rossi, Bronze (Copper alloy with brown patina). — Medal: Pope Marcellus II
Giovanni Antonio Rossi
model 1555 (possibly cast 17th or 18th century)

The Last Supper, Giovanni Antonio Pellegrini Italian, Pen and brown ink, wash — The Last Supper
Giovanni Antonio Pellegrini
ca. 1705

Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas — Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752

Madonna and Child, Benvenuto di Giovanni Italian, Tempera on wood, gold ground — Madonna and Child
Benvenuto di Giovanni
ca. 1470

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi (called Scheggia) Italian, Tempera, silver, and gold on wood — The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
Giovanni di ser Giovanni Guidi (called Scheggia)
ca. 1449

Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal) Italian, Etching; undivided plate, only state — Imaginary View of Venice, houses at left with figures on terraces, a domed church at center in the background, boats and boat-sheds below, and a seated man observing from a wall at right in the foreground, from "Views" (Vedute altre prese da i luoghi altre ideate da Antonio Canal)
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1741

The Creation of the World and the Expulsion from Paradise, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Creation of the World and the Expulsion from Paradise
Giovanni di Paolo (Giovanni di Paolo di Grazia)
1445

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera and gold on wood — The Annunciation to Zacharias; (verso) The Angel of the Annunciation
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455–60

Coronation of the Virgin, Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian, Tempera on wood, gold ground — Coronation of the Virgin
Giovanni di Paolo (Giovanni di Paolo di Grazia)
ca. 1455