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Showing 7,910 results for Giovanni Battista Foggini

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Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence — Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82

The suicide of Ajax, Giovanni Battista Foggini Italian, Bronze, Italian, Florence — The suicide of Ajax
Giovanni Battista Foggini
ca. 1690

Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723, Giovanni Battista Foggini Italian, Terracotta, Italian, Florence — Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723
Giovanni Battista Foggini
ca. 1676–84

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk or graphite — Design for a Sculpture consisting of a Satyr and Satyress holding a Vase
Giovanni Battista Foggini
1672–1725

Satyr and Satyress Seated on a Pedestal Supporting a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk — Satyr and Satyress Seated on a Pedestal Supporting a Vase
Giovanni Battista Foggini
1672–1725

Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown and gray wash, over black chalk (recto); pen and brown ink (verso) — Design for a Ewer with Neptune on his Chariot
Giovanni Battista Foggini
1672–1725

Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over graphite or black chalk (recto); pen and brown ink, over graphite (verso) — Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso)
Giovanni Battista Foggini
1672–1725

Sheet with Various Designs for Tables and a Funerary Monument, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk — Sheet with Various Designs for Tables and a Funerary Monument
Giovanni Battista Foggini
1672–1725

Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk or graphite (recto and verso) — Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso)
Giovanni Battista Foggini
1672–1725

Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso), Giovanni Battista Foggini Italian, Pen and light brown ink, brush and gray wash over traces of black chalk (recto and verso) — Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso)
Giovanni Battista Foggini
1652–1725

The Sabine Women Pleading for Peace, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — The Sabine Women Pleading for Peace
Giovanni Battista Foggini
1672–1725

Apollo and Coronis, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — Apollo and Coronis
Giovanni Battista Foggini
1672–1725

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)
Giovanni Battista Foggini
1672–1725

Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over graphite — Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above
Giovanni Battista Foggini
1672–1725

Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray, brown-pink and yellow wash over traces of graphite; framing lines at lower edge in pen and brown ink — Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals
Giovanni Battista Foggini
1652–1725

Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso) — Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso)
Giovanni Battista Foggini
1652–1725

Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence, Giovanni Battista Foggini (family and workshop) Italian, Pen and brown ink, brush and gray wash over black chalk or graphite — Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence
Giovanni Battista Foggini
1652–1725

Design for a Helmet with a Dragon Presented in Frontal View, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk — Design for a Helmet with a Dragon Presented in Frontal View
Giovanni Battista Foggini
1672–1725

Design for a Term shaped like a Winged Female Figure, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Term shaped like a Winged Female Figure
Giovanni Battista Foggini
1672–1725

View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash over black chalk — View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume
Giovanni Battista Foggini
1672–1725

Design for a Term Shaped like a Winged Female Figure, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Term Shaped like a Winged Female Figure
Giovanni Battista Foggini
1672–1725

Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); pen and brown ink, over black chalk (verso) — Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso)
Giovanni Battista Foggini
1672–1725

Design for a Console or Capital with a Cherub, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Console or Capital with a Cherub
Giovanni Battista Foggini
1672–1725

Outline of Design for a Two-Handled Vase, Giovanni Battista Foggini Italian, Pen and brown ink over black chalk; glued onto secondary paper support — Outline of Design for a Two-Handled Vase
Giovanni Battista Foggini
1672–1725

Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso), Giovanni Battista Foggini Italian, Pen and light brown ink, brush and brown wash over black chalk (recto); black chalk (verso) — Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso)
Giovanni Battista Foggini
1672–1725

Design for a Chalice (recto); Design for the Base of a Vase (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk (recto); graphite (verso) — Design for a Chalice (recto); Design for the Base of a Vase (verso)
Giovanni Battista Foggini
1672–1725

Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash over graphite — Design for a Vessel with Two Tritons Blowing Horns and a Winged Putto on Top
Giovanni Battista Foggini
1672–1725

Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Cartouche with an Annunication above and a Kneeling Figure with Staff Below
Giovanni Battista Foggini
1672–1725

Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); pen and brown ink over black chalk (verso) — Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso)
Giovanni Battista Foggini
1672–1725

Design for a Coat of Arms Partially Covered in Drapery, Giovanni Battista Foggini Italian, Black chalk and graphite — Design for a Coat of Arms Partially Covered in Drapery
Giovanni Battista Foggini
1672–1725

Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); pen and brown ink (verso) — Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso)
Giovanni Battista Foggini
1672–1725

Design for a Statue consisting of a Satyr and Satyress Lifting a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for a Statue consisting of a Satyr and Satyress Lifting a Vase
Giovanni Battista Foggini
1672–1725

Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); pen and brown ink (verso) — Designs for the Decoration of a Frieze and Corner Motifs (recto); Design for Two Frames Decorated with Volutes, Garlands and the Head of a Putto (verso)
Giovanni Battista Foggini
1672–1725

Designs for a Palmette Motif with Tendrils (recto); Studies for a Male Figure and Decorative Sculpture (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over graphite (recto); pen and brown ink, brush and gray wash, over graphite (verso) — Designs for a Palmette Motif with Tendrils (recto); Studies for a Male Figure and Decorative Sculpture (verso)
Giovanni Battista Foggini
1672–1725

Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)
, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)
Giovanni Battista Foggini
1672–1725

Design for a Vase with Handles, Decorated with a Festoon, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over graphite — Design for a Vase with Handles, Decorated with a Festoon
Giovanni Battista Foggini
1672–1725

Design for a Two-Handled Urn with Acanthus, Shell, and Egg-and-Tongue Motif, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk or graphite — Design for a Two-Handled Urn with Acanthus, Shell, and Egg-and-Tongue Motif
Giovanni Battista Foggini
1672–1725

Left Side of a Panel Decorated with Acanthus Scrolls and an Oval Medallion, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — Left Side of a Panel Decorated with Acanthus Scrolls and an Oval Medallion
Giovanni Battista Foggini
1672–1725

Design for Suspended Censer, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — Design for Suspended Censer
Giovanni Battista Foggini
1672–1725