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Showing 7,911 results for Giovanni Battista Foggini

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Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence — Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini Italian, Marble with base of gray marble, Italian, Florence — Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany
Giovanni Battista Foggini
ca. 1680–82

Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723, Giovanni Battista Foggini Italian, Terracotta, Italian, Florence — Cosimo III de' Medici, b. 1642, Grand Duke of Tuscany 1670–1723
Giovanni Battista Foggini
ca. 1676–84

The suicide of Ajax, Giovanni Battista Foggini Italian, Bronze, Italian, Florence — The suicide of Ajax
Giovanni Battista Foggini
ca. 1690

Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over graphite or black chalk (recto); pen and brown ink, over graphite (verso) — Designs for a Funerary Monument with Stairs (recto); Various Funerary Monument Designs (verso)
Giovanni Battista Foggini
1672–1725

Design for a Cartouche, Giovanni Battista Foggini Italian, Black chalk — Design for a Cartouche
Giovanni Battista Foggini
1672–1725

Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over graphite — Design for an Casket heavily decorated Foliate Scrolls, Garlands and a Satyr Mask
Giovanni Battista Foggini
1672–1725

Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over graphite — Design for an Altar with a Painting of the Adoration of the Shepherds and God the Father Above
Giovanni Battista Foggini
1672–1725

Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray, brown-pink and yellow wash over traces of graphite; framing lines at lower edge in pen and brown ink — Design for an Alcove with a Coat of Arms Flanked by Putti Bearing a Crown, Supported by Pilasters with Human Heads in Capitals
Giovanni Battista Foggini
1652–1725

Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over black chalk (recto); pen and brown ink, brush and gray wash, black chalk (verso) — Sheet with sketches and designs for two vases, three classical heads en profil and two slave figures (recto); Design for a Vase and a Nude Male Figure (verso)
Giovanni Battista Foggini
1672–1725

Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash over black chalk (recto); pen and brown ink over black chalk (verso) — Design for the Top of an Arch, Decorated with a Cherub (recto); Design for the Frame of a Frieze (verso)
Giovanni Battista Foggini
1672–1725

Design for a Lidded Gadrooned Vase with Satyr Heads Holding Garlands, Giovanni Battista Foggini Italian, Pen and brown ink over black chalk — Design for a Lidded Gadrooned Vase with Satyr Heads Holding Garlands
Giovanni Battista Foggini
1672–1725

Design for a Proscenium or Monumental Alcove, Giovanni Battista Foggini Italian, Pen and dark brown ink, over black chalk — Design for a Proscenium or Monumental Alcove
Giovanni Battista Foggini
1672–1725

Design for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso), Giovanni Battista Foggini Italian, Pen and brown ink over black and brown chalk (recto); pen and brown ink, over black chalk (verso) — Design for a Decorative Oval Frame (recto); Half sketch for a Decorative Oval Frame (verso)
Giovanni Battista Foggini
1672–1725

Design for the Upper Half of a Wall Elevation with a Semicircular Window, Giovanni Battista Foggini Italian, Pen and brown and black ink, brush and brown wash, over black chalk — Design for the Upper Half of a Wall Elevation with a Semicircular Window
Giovanni Battista Foggini
1672–1725

Design for a Frame Decorated with a Shell Motif, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Frame Decorated with a Shell Motif
Giovanni Battista Foggini
1672–1725

Design for a Proscenium or Alcove, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Proscenium or Alcove
Giovanni Battista Foggini
1672–1725

Design for a Term shaped like a Winged Female Figure, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Term shaped like a Winged Female Figure
Giovanni Battista Foggini
1672–1725

Medici Coat of Arms on top of a Window of Door Frame, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Medici Coat of Arms on top of a Window of Door Frame
Giovanni Battista Foggini
1672–1725

Two Views of a Design for a Shallow (Drinking?) Bowl wih Handles, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash, over black chalk — Two Views of a Design for a Shallow (Drinking?) Bowl wih Handles
Giovanni Battista Foggini
1672–1725

Design for an Entrance Portal, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for an Entrance Portal
Giovanni Battista Foggini
1672–1725

View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume, Giovanni Battista Foggini Italian, Pen and brown ink, brush and light brown wash over black chalk — View in 3/4 of a Design for a Headpiece Decorated with a Shell and Large Plume
Giovanni Battista Foggini
1672–1725

Design for a Term Shaped like a Winged Female Figure, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Term Shaped like a Winged Female Figure
Giovanni Battista Foggini
1672–1725

Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); pen and brown ink, over black chalk (verso) — Design for an Equestrian Statue in a Cartouche (recto); Sketches for a Frieze with Sea-Shells and Floral Ornament (verso)
Giovanni Battista Foggini
1672–1725

Design for Vase with Eagles, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk; a vertical line in leadpoint through the center to create the symmetry of the drawing — Design for Vase with Eagles
Giovanni Battista Foggini
1672–1725

Design for a Console or Capital with a Cherub, Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk — Design for a Console or Capital with a Cherub
Giovanni Battista Foggini
1672–1725

Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk — Design for an Overdoor or the Top of a Niche with a Bust and Garland-bearing Putti
Giovanni Battista Foggini
1672–1725

Design for the Right Half of an Overdoor Decoration with a Bust, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash; a vertical graphite line through the center of the design — Design for the Right Half of an Overdoor Decoration with a Bust
Giovanni Battista Foggini
1672–1725

Design for a Sculptural Ornament With an Eagle, Volutes and Leaves, Giovanni Battista Foggini Italian, Pen and brown ink, with brush and gray and yellow wash — Design for a Sculptural Ornament With an Eagle, Volutes and Leaves
Giovanni Battista Foggini
1652–1725

Design for a Ewer with Neptune on his Chariot, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown and gray wash, over black chalk (recto); pen and brown ink (verso) — Design for a Ewer with Neptune on his Chariot
Giovanni Battista Foggini
1672–1725

Sheet with Various Designs for Tables and a Funerary Monument, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk — Sheet with Various Designs for Tables and a Funerary Monument
Giovanni Battista Foggini
1672–1725

Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk or graphite (recto and verso) — Designs for Archways and Baldachins with Caryatids and Coats of Arms (recto); Design for a Monument with Statues of Prudence and Fortitude (verso)
Giovanni Battista Foggini
1672–1725

Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso), Giovanni Battista Foggini Italian, Pen and light brown ink, brush and gray wash over traces of black chalk (recto and verso) — Studies for Coffee Urns, Arched-top Altars, and an Altar Project for the Baptistery of Florence Cathedral (recto); Studies for Chapels and Portals (verso)
Giovanni Battista Foggini
1652–1725

Design for a Sculpture consisting of a Satyr and Satyress holding a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk or graphite — Design for a Sculpture consisting of a Satyr and Satyress holding a Vase
Giovanni Battista Foggini
1672–1725

Satyr and Satyress Seated on a Pedestal Supporting a Vase, Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray-brown wash, over black chalk — Satyr and Satyress Seated on a Pedestal Supporting a Vase
Giovanni Battista Foggini
1672–1725

The Sabine Women Pleading for Peace, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — The Sabine Women Pleading for Peace
Giovanni Battista Foggini
1672–1725

Apollo and Coronis, Giovanni Battista Foggini Italian, Pen and brown ink, brush and brown wash, over black chalk — Apollo and Coronis
Giovanni Battista Foggini
1672–1725

A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso), Giovanni Battista Foggini Italian, Pen and brown ink, over black chalk (recto); black chalk (verso) — A Sheet of Studies with Architectural Motifs and Two Sketches for a Visitation (recto); Sketch for a Funerary Monument (verso)
Giovanni Battista Foggini
1672–1725

Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash, over black chalk (recto and verso) — Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (recto); Studies for Figural Ornament (verso)
Giovanni Battista Foggini
1672–1725

Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso), Giovanni Battista Foggini Italian, Pen and brown ink, brush and gray wash over traces of black chalk (recto and verso) — Designs for Bed Alcoves (recto); Studies for a figure of St. John the Baptist and a Bed Alcove (verso)
Giovanni Battista Foggini
1652–1725