Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany

Giovanni Battista Foggini Italian

On view at The Met Fifth Avenue in Gallery 550

These meltingly carved busts of father and son (see also 1993.332.2) are surely the finest examples of the portrait style of G. B. Foggini, the leading sculptor of the Florentine Baroque. While strong echoes of Bernini date the creation of the pair to shortly after the younger artist's return from Rome, they already exhibit Foggini's talent for the depiction of material opulence that earned him the post of Medici court sculptor. Dynamic contrasts abound: the fragile lace cravats and lavish mantles (emulating modes of the contemporary French court) set off the realistically depicted faces. They in turn provide their own study in contrasts: the commanding pose and classic Habsburg physiognomy of the balding father serve as counterpoint to the sweet, somewhat unformed face of the youth, overwhelmed by a delirious cascade of curls. Foggini's artistic genius inaugurated the final flourish of Medici patronage. These busts, modeled from life, were followed by a series portraying other family members, all intended to promote the political aspirations of the fading dynasty. Their acquisition served to link our major series of Roman Baroque portrait busts to a growing collection of stunning small-scale Florentine sculptures of that period.

Cosimo III de' Medici (1642–1723), Grand Duke of Tuscany, Giovanni Battista Foggini (Italian, Florence 1652–1725 Florence), Marble with base of gray marble, Italian, Florence

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.


Public domain data for this object can also be accessed using the Met's Open Access API.

View 1