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1-42 of 7,901 results for Giovanni Battista Piazzetta
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Saint Christopher Carrying the Infant Christ, Giovanni Battista Piazzetta Italian, Oil on canvas
Saint Christopher Carrying the Infant Christ
Giovanni Battista Piazzetta
1730s
Bust of a Man (Saint Matthias?), Giovanni Battista Piazzetta Italian, Oil on canvas
Bust of a Man (Saint Matthias?)
Giovanni Battista Piazzetta
ca. 1715–20
Boy with an Egg, Girl with a Hen, and a Watching Woman, Giovanni Battista Piazzetta Italian, Charcoal (?) and black chalk, highlighted with white chalk, on blue-gray paper faded to brown
Boy with an Egg, Girl with a Hen, and a Watching Woman
Giovanni Battista Piazzetta
1682–1754
David With the Head of Goliath (recto); Study of Lower Leg and Right Foot (verso), Giovanni Battista Piazzetta Italian, Charcoal, highlighted with white, on gray-blue paper faded to gray-brown (recto); black chalk (verso)
David With the Head of Goliath (recto); Study of Lower Leg and Right Foot (verso)
Giovanni Battista Piazzetta
1682–1754
Boy With a Staff, Giovanni Battista Piazzetta Italian, Charcoal or black chalk, highlighted with white chalk, on blue-gray paper faded to light brown
Boy With a Staff
Giovanni Battista Piazzetta
1682–1754
Girl with a Hen, Giovanni Battista Piazzetta Italian, Charcoal, highlighted with white chalk, on blue-gray paper faded to light brown
Girl with a Hen
Giovanni Battista Piazzetta
1682–1754
Executioner Holding Up a Severed Head, Giovanni Battista Piazzetta Italian, Charcoal, highlighted with white chalk, on gray-blue paper
Executioner Holding Up a Severed Head
Giovanni Battista Piazzetta
1682–1754
Vignette Illustrating Torquato Tasso's "Gerusalemme Liberata" (X:78), Giovanni Battista Piazzetta Italian, Red chalk over traces of graphite
Vignette Illustrating Torquato Tasso's "Gerusalemme Liberata" (X:78)
Giovanni Battista Piazzetta
1745
Feeding the Dog, Giovanni Battista Piazzetta Italian, Black chalk, highlighted with white chalk, on blue-gray paper faded to brown
Feeding the Dog
Giovanni Battista Piazzetta
1682–1754
Nude Figure, Giovanni Battista Piazzetta Italian, Black chalk
Nude Figure
Giovanni Battista Piazzetta
1720
Bust of a Young Man, Possibly a Self-Portrait
Giovanni Battista Piazzetta
1738 (?)
Beatae Mariae Virginis Officium
Multiple artists/makers
1740
Allegory
Giovanni Battista Piazzetta
Male and Female Heads (Piazzetta and Pittura)
Giovanni Battista Piazzetta
18th–19th century
Illustration to Canto XVII of Tasso's La Gerusaleme Liberata
Giovanni Battista Piazzetta
Giambattista Albrizzi
1745
Plate 10: Old woman with a rosary and a boy counting coins, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 10: Old woman with a rosary and a boy counting coins, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 3: Boy with a hat touching the face of a girl, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 9: A youth playing the recorder while a man to the left holds up a music book, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 4: Boy with a lace collar holding a piece of fruit in his hands; from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 12: A young man leaning on a staff looking outward, with an old man behind to his right, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 8: Man in a hat reading a book with a magnifying glass; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Giovanni Cattini Italian, Etching
Plate 8: Man in a hat reading a book with a magnifying glass; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 7: A woman with a basket of pears; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Giovanni Cattini Italian, Etching
Plate 7: A woman with a basket of pears; from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 4: Boy with a lace collar holding a piece of fruit in his hands, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 4: Boy with a lace collar holding a piece of fruit in his hands, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 1: Pensive man resting his head on his hand, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae", Giovanni Cattini Italian, Etching
Plate 6: A young man embracing a girl, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743
The Annunciation, Giovanni Battista Piazzetta Italian, Oil on canvas
The Annunciation
Giovanni Battista Piazzetta
ca. 1720
Saint Philip, head and shoulders, holding a cross and a book; after Giovanni Battista Piazzetta (copy in reverse), Marco Alvise Pitteri Italian, Engraving
Saint Philip, head and shoulders, holding a cross and a book; after Giovanni Battista Piazzetta (copy in reverse)
Marco Alvise Pitteri
Giovanni Battista Piazzetta
ca. 1740–80
Copy in reverse of an old woman with a rosary and a boy counting coins; plate 10 from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta, Niccolò Cavalli Italian, Etching
Copy in reverse of an old woman with a rosary and a boy counting coins; plate 10 from 'Icones ad vivum expressae' after Giovanni Battista Piazzetta
Niccolò Cavalli
Giovanni Battista Piazzetta
ca. 1750–90
Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta, James Bretherton British, Etching
Man in a fur hat holding a musket, looking upwards; after Giovanni Battista Piazzetta
James Bretherton
Giovanni Battista Piazzetta
1770–80
Head of a young man looking upwards; after Giovanni Battista Piazzetta, Teodoro Viero Italian, Engraving, printed in brown ink
Head of a young man looking upwards; after Giovanni Battista Piazzetta
Teodoro Viero
Giovanni Battista Piazzetta
1774
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista Piazzetta, Giuliano Giampiccoli Italian, Engraving and etching
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista Piazzetta
Giuliano Giampiccoli
Giovanni Battista Piazzetta
ca. 1725–59
Plate 14: a huntsman holding a bag of coins at left, a young girl in the middle, an old woman at right holding her hand, from 'Icones ad vivum expressae'
Giovanni Cattini
Giovanni Battista Piazzetta
1743–63
Plate 5: an old man leaning on a staff, from 'Icones ad vivum expressae'
Giovanni Cattini
Giovanni Battista Piazzetta
1743–63
Plate 11: a mathematician with long hair, using a pair of dividers to draw on a block, from "Icones ad vivum expressae"
Giovanni Cattini
Giovanni Battista Piazzetta
1743–63
Plate 13: a hunter and two young women with a bird in a cage, from 'Icones ad vivum expressae'
Giovanni Cattini
Giovanni Battista Piazzetta
1743–63
Self-Portrait of Giovanni Battista Piazzetta
Giovanni Cattini
Giovanni Battista Piazzetta
ca. 1770
Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta, Pietro Monaco Italian, Etching and engraving
Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta
Multiple artists/makers
1743–63
S. Isidorus, S. Vincentius, S. Hyacinthus, Francesco Bartolozzi Italian, Engraving
S. Isidorus, S. Vincentius, S. Hyacinthus
Multiple artists/makers
1760
Ferdinando de' Medici, Grand Prince of Tuscany, Giovanni Battista Foggini Italian, Marble, gray marble, Italian, Florence
Ferdinando de' Medici, Grand Prince of Tuscany
Giovanni Battista Foggini
ca. 1680–82
Allegory of the Planets and Continents, Giovanni Battista Tiepolo Italian, Oil on canvas
Allegory of the Planets and Continents
Giovanni Battista Tiepolo
1752
La Felicità, Poema Pubblicato in occasione de Gloriosi Sponsali dell'Eccellenze Loro Il Sig.: Alvise Pisani e La Nobile Donna Giustiniana Pisani
Clemente Bondi
Giovanni Battista Piazzetta
ca. 1780
Plate 3: Saint James Major, head and shoulders with a staff in his right hand; from the series of Apostles
Marco Alvise Pitteri
Giovanni Battista Piazzetta
1742