O Templo de Dendur estará fechado de domingo, 26 de abril, até sexta-feira, 8 de maio. O Met Quinta Avenida estará fechado na segunda-feira, 4 de maio.

Planeje sua visita
Bilhetes
Português
DoarAssinatura
Bilhetes
Estamos a trabalhar para traduzir esta página o mais rapidamente possível. Obrigado pela vossa compreensão.

Search for Art

1-42 of 8,170 results for Giovanni Battista Piranesi
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Veduta del Tempio di Giove Tonante, Giovanni Battista Piranesi Italian, Engraving
Veduta del Tempio di Giove Tonante
Giovanni Battista Piranesi
1740s–60s
View through the Herculaneum Gate, Pompeii, Giovanni Battista Piranesi Italian, Pen and brown ink over black chalk
View through the Herculaneum Gate, Pompeii
Giovanni Battista Piranesi
1778
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. I (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
Francesco Piranesi
1778–80
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi), Giovanni Battista Piranesi Italian, Etching
Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Batt. Piranesi, Vol. II (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ornaments designed and etched by Cavalieri Giovanni Battista Piranesi)
Giovanni Battista Piranesi
Francesco Piranesi
1778–80
Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto , Giovanni Battista Piranesi Italian, Etching

Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto

Giovanni Battista Piranesi
Francesco Piranesi
1761–1809
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of four (Hind)
Interior view of St. Peter's Basilica in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of seven (Hind)
View of St. Peter's Basilica and Piazza in the Vatican, from "Vedute di Roma" (Roman Views)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Triumphal Arch, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, burnishing; first state of five (Robison)
The Triumphal Arch, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching; first state of six (Robison)
The Drawbridge, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy), Giovanni Battista Piranesi Italian, Etching
Plate 19: Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte de quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Pier with a Lamp, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, sulphur tint or open bite, drypoint; first state of seven (Robison)
The Arch with a Shell Ornament, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison)
The Well, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Prisoners on a Projecting Platform, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Monumental Tablet, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of four (Robison)
The Monumental Tablet, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint; second state of seven (Robison)
Plan of a spacious and magnificent College designed after the ancient gymnasia of the Greeks and the baths of the Romans..., from "Opere Varie di Architettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi
Giovanni Bouchard
1750
The Tomb of Nero, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching, engraving, drypoint, scratching; second state of six (Robison)
The Tomb of Nero, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; second state of eight (Robison)
The Giant Wheel, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving; first state of six (Robison)
The Staircase with Trophies, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Grand Piazza, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of seven (Robison)
The Smoking Fire, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, scratching
The Sawhorse, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Skeletons, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi Italian, Etching with engraving, drypoint, and burnishing; second state of five (Robison)
The Skeletons, from "Grotteschi" (Grotesques)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Title Page, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite; first state of nine (Robison)
Title Page, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six Robison)
The Gothic Arch, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of six (Robison)
The Pier with Chains, from "Carceri d'invenzione" (Imaginary Prisons)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres), Giovanni Battista Piranesi Italian, etching
The Pantheon exterior (Veduta del Pantheon d'Agrippa oggi Chiesa di S. Maria ad Martyres)
Giovanni Battista Piranesi
1720–78
Altra V. del Tempio della Sibilla in Tivoli (Another view of the Temple of the Sibyl in Tivoli), Giovanni Battista Piranesi Italian, Etching
Altra V. del Tempio della Sibilla in Tivoli (Another view of the Temple of the Sibyl in Tivoli)
Giovanni Battista Piranesi
18th century
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of four (Hind)
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian ouside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1750
Plan of Rome..., from "Le Antichità Romane" (Roman Antiquities), Giovanni Battista Piranesi Italian, Etching
Plan of Rome..., from "Le Antichità Romane" (Roman Antiquities)
Giovanni Battista Piranesi
ca. 1756
View of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of five (Hind)
View of the Temple of the Temple of the Sibyl at Tivoli, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1761
Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome..., from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; second state of four (Hind)
Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome..., from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1750
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of four (Hind)
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1750
View of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of five (Hind)
View of the Fountainhead of the Acqua Felice...., from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1751
Remains of a covered portico, or a cryptoportiucus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; second state of four (Hind)
Remains of a covered portico, or a cryptoportiucus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1766
View of the rear entrance of the Basilica of S. Maria Maggiore, from Veduta di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of five (Hind)
View of the rear entrance of the Basilica of S. Maria Maggiore, from Veduta di Roma (Roman Views)
Giovanni Battista Piranesi
Bouchard & Gravier
ca. 1742
View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania), Giovanni Battista Piranesi Italian, Etching
View showing the remains of a large enclosure of columns..., from Différentes vues de quelques Restes de trois grands Edifices qui subsistent encore dans le milieu de l'ancienne Ville de Pesto autrement Posidonia qui est située dans la Lucanie (Different views of some of the remains of three great edifces that still exist at teh center of the ancient city of Pesto, or Posidonia [Paestum], which is siutated in Lucania)
Giovanni Battista Piranesi
ca. 1748
View of the Piazza di monte Cavallo, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of four (Hind)
View of the Piazza di monte Cavallo, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1773
View of the Port of Ripa Grande, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; first state of six (Hind)
View of the Port of Ripa Grande, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1753
View of St. Peter's Basilica and Piazza in the Vatican, from Vedute di Roma (Roman Views), Giovanni Battista Piranesi Italian, Etching; fourth state of seven (Hind)
View of St. Peter's Basilica and Piazza in the Vatican, from Vedute di Roma (Roman Views)
Giovanni Battista Piranesi
ca. 1748