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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 1,325 results for Girolamo Mazzola Bedoli

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The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood — The Annunciation
Girolamo Mazzola Bedoli

Head of Bearded Man (recto); Head of a Girl (verso), Girolamo Mazzola Bedoli Italian, Red and black chalk (recto); red and black chalk, with pen and gray-brown ink (verso) — Head of Bearded Man (recto); Head of a Girl (verso)
Girolamo Mazzola Bedoli
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Standing Female Figure and Ornamental Framework, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in black chalk — Standing Female Figure and Ornamental Framework
Girolamo Mazzola Bedoli
ca. 1547–53

A Putto Seated on a Frame, Girolamo Mazzola Bedoli Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache, over traces of leadpoint or black chalk — A Putto Seated on a Frame
Girolamo Mazzola Bedoli
ca. 1538–40

Holy Family with St. John the Baptist, Anne Claude Philippe de Tubières, comte de Caylus French, Etching — Holy Family with St. John the Baptist
Anne Claude Philippe de Tubières, comte de Caylus
Girolamo Mazzola Bedoli
18th century

Wilton Album, folio 10a: Priapus and Lotis, Anonymous, Italian, 16th century Italian, Etching — Wilton Album, folio 10a: Priapus and Lotis
Multiple artists/makers
ca. 1530–50

Madonna and Child

Multiple artists/makers

1586–1629

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Pope Clement X, Girolamo Lucenti, Bronze, Italian — Pope Clement X
Girolamo Lucenti
Gian Lorenzo Bernini
ca. 1670

Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice — Venus Marina
Girolamo Campagna
late 16th century–early 17th century

Pair of Flintlock Pistols, Girolamo Francino Italian, Steel, wood (walnut), Italian, Brescia — Pair of Flintlock Pistols
Girolamo Francino
ca. 1650–60

The Flagellation; (reverse) The Madonna of Mercy, Girolamo Romanino Italian, Distemper and oil(?) on canvas — The Flagellation; (reverse) The Madonna of Mercy
Girolamo Romanino
ca. 1540

The Adoration of the Shepherds, Girolamo da Carpi (Girolamo Sellari) Italian, Oil on wood — The Adoration of the Shepherds
Girolamo da Carpi (Girolamo Sellari)
ca. 1535–40

Madonna and Child with Saints, Girolamo dai Libri Italian, Tempera and oil on canvas — Madonna and Child with Saints
Girolamo dai Libri
ca. 1520

Fork, Girolamo Maltraversi Italian, Silver, Italian, Rome — Fork
Girolamo Maltraversi
1700–1730

Ceres, Girolamo Campagna Italian, Bronze, Italian, Venice — Ceres
Girolamo Campagna
possibly 17th century

Jupiter (?), Girolamo Campagna Italian, Bronze, Italian, Venice — Jupiter (?)
Girolamo Campagna
late 16th century

Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice — Venus Marina
Girolamo Campagna
late 16th century?

Andiron with figure of Ceres (allegory of Peace) (one of a pair), Girolamo Campagna Italian, Bronze, Italian, Venice — Andiron with figure of Ceres (allegory of Peace) (one of a pair)
Girolamo Campagna
possibly 17th century

Andiron with figure of Minerva (allegory of War) (one of a pair), Girolamo Campagna Italian, Bronze, Italian, Venice — Andiron with figure of Minerva (allegory of War) (one of a pair)
Girolamo Campagna
possibly 17th century

Andiron with figure of Venus (one of a pair), Girolamo Campagna Italian, Bronze, Italian, Venice — Andiron with figure of Venus (one of a pair)
Girolamo Campagna
possibly early 17th century

Concert champêtre, Girolamo Romanino Italian, Pen and brown ink, brown wash, over black chalk. — Concert champêtre
Girolamo Romanino
ca. 1520–30

Ceres, Girolamo Campagna Italian, Bronze, Italian, Venice — Ceres
Girolamo Campagna
late 16th–early 17th century

Onofrio Panvinio, Girolamo Campagna Italian, Bronze, iron (hook at back of neck), Italian, possibly Verona and Venice — Onofrio Panvinio
Girolamo Campagna
early 1570s

Harpsichord, Girolamo Zenti Italian, Cypress, boxwood, ebony, brass, leather, Italian — Harpsichord
Girolamo Zenti
1666

Triangular Octave Spinet, Girolamo Zenti Italian, Wood and various materials, Italian — Triangular Octave Spinet
Girolamo Zenti
before 1668

Studies of Figures, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, over black chalk, on yellow-brown paper — Studies of Figures
Parmigianino (Girolamo Francesco Maria Mazzola)
16th century

Horses, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink; framing lines in pen and brown ink on mount — Horses
Parmigianino (Girolamo Francesco Maria Mazzola)
Francesco Allegrini
1530–40

Standing Shepherd, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Etching — Standing Shepherd
Parmigianino (Girolamo Francesco Maria Mazzola)

Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, over traces of black chalk, on beige paper (recto and verso) — Nine Studies of the Moses in Santa Maria della Steccata, Parma (recto); Nine Studies for the Eve in Santa Maria della Steccata, Parma (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Design for the Tomb of a Youth, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown and yellow wash, over leadpoint and stylus ruling, the paper rubbed with charcoal — Design for the Tomb of a Youth
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–25

Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and gray wash, highlighted with white gouache, over black chalk on brownish prepared paper (recto); black chalk, highlighted with white gouache (verso) — Madonna and Child (recto); Head and Bust of Saint John the Evangelist (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

The Adoration of the Shepherds, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache over traces of black and a little red chalk (at upper left), on brownish paper — The Adoration of the Shepherds
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27

Justice Holding Scales, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink — Justice Holding Scales
Parmigianino (Girolamo Francesco Maria Mazzola)
1503–40

Head of man in Profile to Left

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Pen and brown ink, brush and gray-brown wash, over traces of leadpoint and some stylus ruling (recto); printed Jupiter enthroned with attendant eagle (verso) — Apparition of Christ (recto); Printed Fragment with Jupiter Enthroned with Eagle, from Caraglio's "Martyrdom of Saint Peter and Saint Paul" (verso)
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–27

Head of a Man in Profile to Right

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Head of a Bearded Man in Profile to Left, possibly the Portrait of the Poet Giorgio Anselmi (ca. 1459-1528), with Faint Sketch of a Skull-like Head

Parmigianino (Girolamo Francesco Maria Mazzola)

1503–40

Bishop Saint in Bust-Length (Cartoon for an Altarpiece), Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Brush and brown wash over black chalk — Bishop Saint in Bust-Length (Cartoon for an Altarpiece)
Parmigianino (Girolamo Francesco Maria Mazzola)
1529–30

Seated Figure of Mercury, Parmigianino (Girolamo Francesco Maria Mazzola) Italian, Black chalk — Seated Figure of Mercury
Parmigianino (Girolamo Francesco Maria Mazzola)
1524–26