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Showing 2,814 results for Girolamo da Cremona
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Descent from the Cross, Girolamo da Cremona  Italian, Tempera on parchment, laid down on wood
Girolamo da Cremona
Shield, Girolamo da Treviso  Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Girolamo da Treviso
ca. 1535
Violin, Nicolò Amati (Cremona 1596–1684 Cremona)  Italian, Spruce, maple, Italian (Cremona)
Nicolò Amati (Cremona 1596–1684 Cremona)
1669
ex "Kurtz" Violin, Andrea Amati  Italian, Spruce, maple, ebony, paint, gilding, Italian (Cremona)
Andrea Amati
ca. 1560
"Antonius" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1711
"Francesca" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, mother of pearl, Italian (Cremona)
Antonio Stradivari
1694
"Gould" Violin, Antonio Stradivari  Italian, Maple, spruce, ebony, Italian (Cremona)
Antonio Stradivari
1693
Aglauros’s Vision of the Bridal Chamber of Herse, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona  Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Multiple artists/makers
designed ca. 1540, woven ca. 1570
Mercury Changes Aglauros to Stone, from the Story of Mercury and Herse, Giovanni Battista Lodi da Cremona  Italian, Wool, silk and precious metal-wrapped threads (20-22 warps per inch, 8-9 warps per cm.), Netherlandish, Brussels
Multiple artists/makers
designed ca. 1540, woven ca. 1570
The Adoration of the Shepherds, Girolamo da Carpi (Girolamo Sellari)  Italian, Oil on wood
Girolamo da Carpi (Girolamo Sellari)
ca. 1535–40
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano  Italian, Marble, Italian, Florence
Multiple artists/makers
ca. 1470
Satyr, Desiderio da Firenze  Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530
Venus Marina, Girolamo Campagna  Italian, Bronze, Italian, Venice
Girolamo Campagna
late 16th century–early 17th century
Pope Clement X, Girolamo Lucenti, Bronze, Italian
Girolamo Lucenti
Gian Lorenzo Bernini
ca. 1670
Pair of Flintlock Pistols, Girolamo Francino  Italian, Steel, wood (walnut), Italian, Brescia
Girolamo Francino
ca. 1650–60
The Flagellation; (reverse) The Madonna of Mercy, Girolamo Romanino  Italian, Distemper and oil(?) on canvas
Girolamo Romanino
ca. 1540
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola  Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
Multiple artists/makers
ca. 1565–73
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte)  Italian, Oil on canvas
Jacopo Bassano (Jacopo da Ponte)
ca. 1590
Relief section (one of a pair), Terracotta, Italian, Cremona
Italian, Cremona
early 16th century
Relief section (one of a pair), Terracotta, Italian, Cremona
Italian, Cremona
early 16th century
A Bear Walking, Leonardo da Vinci  Italian, silverpoint on light buff prepared paper
Leonardo da Vinci
ca. 1482–85
The Last Supper, Ugolino da Siena (Ugolino di Nerio)  Italian, Tempera and gold on wood
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30
Adoration of the Shepherds, Francesco di Marco Marmitta da Parma  Emilian, Tempera and gold on parchment
Francesco di Marco Marmitta da Parma
ca. 1500
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini  Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Multiple artists/makers
ca. 1478–82
The Annunciation, Girolamo Mazzola Bedoli  Italian, Oil on wood
Girolamo Mazzola Bedoli
Madonna and Child with Saints, Girolamo dai Libri  Italian, Tempera and oil on canvas
Girolamo dai Libri
ca. 1520
Allegory of the Triumph of Death over Church and State, Girolamo da Treviso  Italian, Pen and brown ink, brush with brown and gray-blue wash, highlighted with white gouache, on brownish paper (probably blue originally).
Girolamo da Treviso
ca. 1538–44
The Virgin and Child with Saints, Girolamo da Treviso  Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
Girolamo da Treviso
1498–1544
Madonna and Child, Benedetto da Maiano  Italian, Marble, painted background, Italian, Florence
Benedetto da Maiano
ca. 1490
Farnese Hercules, Pietro da Barga  Italian, Bronze, Italian, Florence
Pietro da Barga
modeled ca. 1576; cast 17th century
Corbel, Giuliano da Sangallo  Italian, Grey stone (pietra serena), Italian, Florence
Giuliano da Sangallo
late 15th century
Barbute, Pietro da Castello  Italian, Steel, Italian, Brescia
Pietro da Castello
ca. 1470–80
Barbute, Bernardino da Carnago  Italian, Steel, Italian, Milan
Bernardino da Carnago
ca. 1475
Tondo mirror frame, Benedetto da Maiano  Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole.
Benedetto da Maiano
ca. 1480
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona  Italian, Marble (Carrara marble), Italian
Andrea da Giona
1434
The Crucifixion, Ugolino da Siena  Italian, Tempera on wood, gold ground
Ugolino da Siena
ca. 1315–20
Madonna and Child, Barna da Siena  Italian, Tempera on wood, gold ground
Barna da Siena
ca. 1340
Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1520–25
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., Nicola da Urbino  Italian, Maiolica (tin-glazed earthenware)
Nicola da Urbino
ca. 1525–30