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1-42 of 2,723 results for Girolamo da Treviso
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Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna
Shield
Girolamo da Treviso
ca. 1535
Allegory of the Triumph of Death over Church and State, Girolamo da Treviso Italian, Pen and brown ink, brush with brown and gray-blue wash, highlighted with white gouache, on brownish paper (probably blue originally).
Allegory of the Triumph of Death over Church and State
Girolamo da Treviso
ca. 1538–44
The Virgin and Child with Saints, Girolamo da Treviso Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache
The Virgin and Child with Saints
Girolamo da Treviso
1498–1544
The Adoration of the Shepherds, from The Life of Christ
Francesco de Nanto
Girolamo da Treviso
1520–30
Christ's Entry into Jerusalem, from 'The Life of Christ'
Francesco de Nanto
Girolamo da Treviso
1520–30
The Adoration of the Magi, from 'The Life of Christ'
Francesco de Nanto
Girolamo da Treviso
1520–30
The Circumcision of Christ, from 'The Life of Christ'
Francesco de Nanto
Girolamo da Treviso
1520–30
The Annunciation, from 'The Life of Christ'
Francesco de Nanto
Girolamo da Treviso
1520–30
The Virgin and Child Surrounded by Saints
Multiple artists/makers
1545–65 [republished 1610]
Saints Geminianus, Peter, Paul, and Antony, with the Virgin and Child seated in the clouds above
Multiple artists/makers
ca. 1835–40
The Adoration of the Shepherds, Girolamo da Carpi (Girolamo Sellari) Italian, Oil on wood
The Adoration of the Shepherds
Girolamo da Carpi (Girolamo Sellari)
ca. 1535–40
Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25
Descent from the Cross, Girolamo da Cremona Italian, Tempera on parchment, laid down on wood
Descent from the Cross
Girolamo da Cremona
Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence
Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470
Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina.
Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530
Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice
Venus Marina
Girolamo Campagna
late 16th century–early 17th century
Pair of Flintlock Pistols, Girolamo Francino Italian, Steel, wood (walnut), Italian, Brescia
Pair of Flintlock Pistols
Girolamo Francino
ca. 1650–60
Pope Clement X, Girolamo Lucenti, Bronze, Italian
Pope Clement X
Girolamo Lucenti
Gian Lorenzo Bernini
ca. 1670
The Flagellation; (reverse) The Madonna of Mercy, Girolamo Romanino Italian, Distemper and oil(?) on canvas
The Flagellation; (reverse) The Madonna of Mercy
Girolamo Romanino
ca. 1540
The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome
The Farnese Table
Multiple artists/makers
ca. 1565–73
The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas
The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590
A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper
A Bear Walking
Leonardo da Vinci
ca. 1482–85
The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood
The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), Leonardo da Vinci Italian, Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)
Leonardo da Vinci
1480–85
Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio
Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82
The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood
The Annunciation
Girolamo Mazzola Bedoli
Madonna and Child with Saints, Girolamo dai Libri Italian, Tempera and oil on canvas
Madonna and Child with Saints
Girolamo dai Libri
ca. 1520
Barbute, Pietro da Castello Italian, Steel, Italian, Brescia
Barbute
Pietro da Castello
ca. 1470–80
Farnese Hercules, Pietro da Barga Italian, Bronze, Italian, Florence
Farnese Hercules
Pietro da Barga
modeled ca. 1576; cast 17th century
Madonna and Child, Benedetto da Maiano Italian, Marble, painted background, Italian, Florence
Madonna and Child
Benedetto da Maiano
ca. 1490
Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan
Barbute
Bernardino da Carnago
ca. 1475
Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence
Corbel
Giuliano da Sangallo
late 15th century
Madonna and Child with Donors, Giovanni da Milano Italian, Tempera on wood, gold ground
Madonna and Child with Donors
Giovanni da Milano
ca. 1365
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona Italian, Marble (Carrara marble), Italian
Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona
1434
Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware)
Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., Nicola da Urbino Italian, Maiolica (tin-glazed earthenware)
Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.
Nicola da Urbino
ca. 1525–30
Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole.
Tondo mirror frame
Benedetto da Maiano
ca. 1480
The Chess Players, Liberale da Verona Italian, Tempera on wood
The Chess Players
Liberale da Verona
ca. 1475
Scene from a Novella, Liberale da Verona Italian, Tempera on wood
Scene from a Novella
Liberale da Verona
The Crucifixion, Ugolino da Siena Italian, Tempera on wood, gold ground
The Crucifixion
Ugolino da Siena
ca. 1315–20
Contest between Apollo and Marsyas, Girolamo da Carpi (Girolamo Sellari) Italian, Etching
Contest between Apollo and Marsyas
Girolamo da Carpi (Girolamo Sellari)
Matthias Oesterreich
ca. 1754
Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso), Girolamo da Carpi (Girolamo Sellari) Italian, Pen and brown ink, brush and brown wash (recto); pen and brown ink (verso)
Sheet of Figure Studies, Probably after the Antique (recto); Ornamental Designs (verso)
Girolamo da Carpi (Girolamo Sellari)
1501–56