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Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,715 results for Girolamo da TrevisoTook 43ms

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Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Allegory of the Triumph of Death over Church and State, Girolamo da Treviso Italian, Pen and brown ink, brush with brown and gray-blue wash, highlighted with white gouache, on brownish paper (probably blue originally). — Allegory of the Triumph of Death over Church and State
Girolamo da Treviso
ca. 1538–44

The Virgin and Child with Saints, Girolamo da Treviso Italian, Pen and brown ink, brush and brown wash, highlighted with white gouache — The Virgin and Child with Saints
Girolamo da Treviso
1498–1544

The Adoration of the Magi, from 'The Life of Christ'

Francesco de Nanto

Girolamo da Treviso

1520–30

The Circumcision of Christ, from 'The Life of Christ'

Francesco de Nanto

Girolamo da Treviso

1520–30

The Annunciation, from 'The Life of Christ'

Francesco de Nanto

Girolamo da Treviso

1520–30

Christ's Entry into Jerusalem, from 'The Life of Christ'

Francesco de Nanto

Girolamo da Treviso

1520–30

The Adoration of the Shepherds, from The Life of Christ

Francesco de Nanto

Girolamo da Treviso

1520–30

The Virgin and Child Surrounded by Saints

Multiple artists/makers

1545–65 [republished 1610]

Saints Geminianus, Peter, Paul, and Antony, with the Virgin and Child seated in the clouds above

Multiple artists/makers

ca. 1835–40

The Adoration of the Shepherds, Girolamo da Carpi (Girolamo Sellari) Italian, Oil on wood — The Adoration of the Shepherds
Girolamo da Carpi (Girolamo Sellari)
ca. 1535–40

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Descent from the Cross, Girolamo da Cremona Italian, Tempera on parchment, laid down on wood — Descent from the Cross
Girolamo da Cremona

Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence — Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470

Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina. — Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530

Pair of Flintlock Pistols, Girolamo Francino Italian, Steel, wood (walnut), Italian, Brescia — Pair of Flintlock Pistols
Girolamo Francino
ca. 1650–60

Pope Clement X, Girolamo Lucenti, Bronze, Italian — Pope Clement X
Girolamo Lucenti
Gian Lorenzo Bernini
ca. 1670

Venus Marina, Girolamo Campagna Italian, Bronze, Italian, Venice — Venus Marina
Girolamo Campagna
late 16th century–early 17th century

The Flagellation; (reverse) The Madonna of Mercy, Girolamo Romanino Italian, Distemper and oil(?) on canvas — The Flagellation; (reverse) The Madonna of Mercy
Girolamo Romanino
ca. 1540

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper — A Bear Walking
Leonardo da Vinci
ca. 1482–85

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

Madonna and Child with Saints, Girolamo dai Libri Italian, Tempera and oil on canvas — Madonna and Child with Saints
Girolamo dai Libri
ca. 1520

The Annunciation, Girolamo Mazzola Bedoli Italian, Oil on wood — The Annunciation
Girolamo Mazzola Bedoli

Barbute, Pietro da Castello Italian, Steel, Italian, Brescia — Barbute
Pietro da Castello
ca. 1470–80

Farnese Hercules, Pietro da Barga Italian, Bronze, Italian, Florence — Farnese Hercules
Pietro da Barga
modeled ca. 1576; cast 17th century

Madonna and Child, Benedetto da Maiano Italian, Marble, painted background, Italian, Florence — Madonna and Child
Benedetto da Maiano
ca. 1490

Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence — Corbel
Giuliano da Sangallo
late 15th century

Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan — Barbute
Bernardino da Carnago
ca. 1475

Madonna and Child with Donors, Giovanni da Milano Italian, Tempera on wood, gold ground — Madonna and Child with Donors
Giovanni da Milano
ca. 1365

The Chess Players, Liberale da Verona Italian, Tempera on wood — The Chess Players
Liberale da Verona
ca. 1475

Scene from a Novella, Liberale da Verona Italian, Tempera on wood — Scene from a Novella
Liberale da Verona

Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole. — Tondo mirror frame
Benedetto da Maiano
ca. 1480

Altarpiece with Christ, Saint John the Baptist, and Saint Margaret, Andrea da Giona Italian, Marble (Carrara marble), Italian — Altarpiece with Christ, Saint John the Baptist, and Saint Margaret
Andrea da Giona
1434

The Crucifixion, Ugolino da Siena Italian, Tempera on wood, gold ground — The Crucifixion
Ugolino da Siena
ca. 1315–20

Madonna and Child, Barna da Siena Italian, Tempera on wood, gold ground — Madonna and Child
Barna da Siena
ca. 1340

Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware) — Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25