Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 2,483 results for Giuliano da Sangallo

Sort by:

Corbel, Giuliano da Sangallo Italian, Grey stone (pietra serena), Italian, Florence — Corbel
Giuliano da Sangallo
late 15th century

Fountain with Arms of Jacopo de' Pazzi, Giuliano da Maiano Italian, Marble, Italian, Florence — Fountain with Arms of Jacopo de' Pazzi
Multiple artists/makers
ca. 1470

Brooch, Carlo Giuliano Italian, Gold, glass, British, London — Brooch
Carlo Giuliano
Arthur Giuliano
before 1896

Belt buckle, Carlo Giuliano Italian, Gold, silver, star sapphire, diamond, enamel, British, London — Belt buckle
Carlo Giuliano
Arthur Giuliano
ca. 1900

Studiolo from the Ducal Palace in Gubbio, Francesco di Giorgio Martini Italian, Walnut, beech, rosewood, oak and fruitwoods in walnut base, Italian, Gubbio — Studiolo from the Ducal Palace in Gubbio
Multiple artists/makers
ca. 1478–82

Giuliano da Sangallo

Multiple artists/makers

1769–72

Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse), Francesco da Sangallo Italian, Bronze (Copper alloy with brown patina<br/>under a layer of dark wax.) — Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)
Francesco da Sangallo
model ca. 1552 (probably a later cast)

Medal: Giovanni de'Medici delle Bande Nere, Francesco da Sangallo Italian, Lead. — Medal: Giovanni de'Medici delle Bande Nere
Francesco da Sangallo
model 1522 or ca. 1570 (cast 16th century)

Francesco da Sangallo and Elena Marsupini, his wife, Francesco da Sangallo Italian, Bronze, Italian, Florence — Francesco da Sangallo and Elena Marsupini, his wife
Francesco da Sangallo
1551

Francesco da Sangallo, Francesco da Sangallo Italian, Bronze, Italian, Florence — Francesco da Sangallo
Francesco da Sangallo
1551

Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I, Francesco da Sangallo Italian, Bronze, Italian, Florence — Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I
Francesco da Sangallo
ca. 1570

Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552), Francesco da Sangallo Italian, Bronze, Italian, possibly Florence — Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552)
Francesco da Sangallo
1552

Necklace with Satyr's-head pendants, Carlo Giuliano Italian, Gold, lapis lazuli, pearls, enamel, British, London — Necklace with Satyr's-head pendants
Carlo Giuliano
ca. 1870

Pendant brooch in the form of a Gothic Cross, Carlo Giuliano Italian, Gold, British, London — Pendant brooch in the form of a Gothic Cross
Carlo Giuliano
ca. 1880

Cardinal Scipione Borghese (1577–1633), Giuliano Finelli Italian, Marble, Italian, Rome — Cardinal Scipione Borghese (1577–1633)
Giuliano Finelli
1631–32

Renaissance revival pendant on chain, Carlo Giuliano Italian, Gold, amethyst, enamel, pearl, diamond, British — Renaissance revival pendant on chain
Carlo Giuliano
mid–late 19th century

Shield, Girolamo da Treviso Italian, Wood, linen, gesso, gold leaf, polychromy, Italian, probably Bologna — Shield
Girolamo da Treviso
ca. 1535

Armorial Plate (tondino): The story of King Midas, Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Armorial Plate (tondino): The story of King Midas
Nicola da Urbino
ca. 1520–25

Chair (Sgabello), Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497), Walnut, maple, ebony; ebonized wood, and fruitwood; traces of gilding and red paint, Italian, Florence — Chair (Sgabello)
Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497)
ca. 1489–91

Satyr, Desiderio da Firenze Italian, Copper alloy with a reddish brown patina; the base and shell with a dark brown patina. — Satyr
Desiderio da Firenze
Severo Calzetta da Ravenna
ca. 1530

Egyptian Revival demi-parure, Carlo Giuliano Italian, Gold, turquoise, ruby, rose-cut diamond, enamel, seed pearl, British — Egyptian Revival demi-parure
Carlo Giuliano
C. F. Hancock
ca. 1865

The Farnese Table, Jacopo [Giacomo] Barozzi da Vignola Italian, Marble of different colors, semiprecious stones, Egyptian alabaster, residue of paint of different colors on the piers, Italian, Rome — The Farnese Table
Multiple artists/makers
ca. 1565–73

The Baptism of Christ, Jacopo Bassano (Jacopo da Ponte) Italian, Oil on canvas — The Baptism of Christ
Jacopo Bassano (Jacopo da Ponte)
ca. 1590

St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving — St. Peter's, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1547

Plan of St. Peter's, from "Speculum Romanae Magnificentiae", Antonio da Sangallo, the Younger Italian, Engraving — Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
Multiple artists/makers
1549

Head of Medusa, Benedetto Pistrucci Italian, Red jasper mounted in gold with white enamel, Italian, executed in England (London) — Head of Medusa
Benedetto Pistrucci
Carlo Giuliano
cameo 1840–50, mount ca. 1860

Saint John the Baptist, Innocenzo da Imola (Innocenzo Francucci), Black and white chalk — Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
Giuliano di Piero di Simone Bugiardini
early 16th century

A Bear Walking, Leonardo da Vinci Italian, silverpoint on light buff prepared paper — A Bear Walking
Leonardo da Vinci
ca. 1482–85

Adoration of the Shepherds, Francesco di Marco Marmitta da Parma Emilian, Tempera and gold on parchment — Adoration of the Shepherds
Francesco di Marco Marmitta da Parma
ca. 1500

The Last Supper, Ugolino da Siena (Ugolino di Nerio) Italian, Tempera and gold on wood — The Last Supper
Ugolino da Siena (Ugolino di Nerio)
ca. 1325–30

Adam; Eve, Giuliano di Piero di Simone Bugiardini Italian, Oil on canvas — Adam; Eve
Giuliano di Piero di Simone Bugiardini
ca. 1520

Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist, Giuliano di Piero di Simone Bugiardini Italian, Oil on wood — Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist
Giuliano di Piero di Simone Bugiardini
ca. 1523

Design for a Freestanding Tomb Seen in Elevation and Plan, Antonio da Sangallo, the Younger Italian, Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements — Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
1530–35

Armorial Plate: Silenus on an ass, supported by Bacchic revelers, Nicola da Urbino or Castel Durante Italian, Maiolica (tin-glazed earthenware) — Armorial Plate: Silenus on an ass, supported by Bacchic revelers
Nicola da Urbino
ca. 1520–25

Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521., Nicola da Urbino Italian, Maiolica (tin-glazed earthenware) — Large Dish (tagliere): Pope Leo X presenting a baton to Federigo II Gonzaga, marquis of Mantua, on his appointment as captain general of the Church in 1521.
Nicola da Urbino
ca. 1525–30

Tondo mirror frame, Benedetto da Maiano Italian, Stucco squeeze, blown convex mirror, gilt, orange-brown bole. — Tondo mirror frame
Benedetto da Maiano
ca. 1480

Madonna and Child, Barna da Siena Italian, Tempera on wood, gold ground — Madonna and Child
Barna da Siena
ca. 1340

Barbute, Bernardino da Carnago Italian, Steel, Italian, Milan — Barbute
Bernardino da Carnago
ca. 1475

Madonna and Child, Benedetto da Maiano Italian, Marble, painted background, Italian, Florence — Madonna and Child
Benedetto da Maiano
ca. 1490

Barbute, Pietro da Castello Italian, Steel, Italian, Brescia — Barbute
Pietro da Castello
ca. 1470–80