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Showing 81 results for Giuliano da Sangallo
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Corbel
Giuliano da Sangallo
late 15th century
Recto: Front Elevation of a Roman Temple in Ruins (inspired by Giuliano da Sangallo); Verso: Elevation of the Nave of a Roman Basilica in Ruins (? the Basilica Giulia, inspired by Giuliano da Sangallo).
Sangallo family
1530–45
Chair (Sgabello)
Workshop of Giuliano da Maiano (1432–1490) and Benedetto da Maiano (1442–1497)
ca. 1489–91
Studiolo from the Ducal Palace in Gubbio
Francesco di Giorgio Martini
ca. 1478–82
Palazzi di Roma de Piu Celebri Architetti Disegnati da Pietro Ferrerio Pittore e Architetto
Pietro Ferrerio
1655
Fountain with Arms of Jacopo de' Pazzi
Giuliano da Maiano
ca. 1470
Saint John the Baptist; Saint Lucy
Perugino (Pietro di Cristoforo Vannucci)
Madonna and Child Enthroned with Saints Mary Magdalen and John the Baptist
Giuliano di Piero di Simone Bugiardini
ca. 1523
Francesco da Sangallo
Francesco da Sangallo
1551
The Trinity
Bartolomeo di Giovanni
The Entombment
Moretto da Brescia (Alessandro Bonvicino)
1554
Studies for Hercules Holding a Club Seen in Frontal View, Male Nude Unsheathing a Sword, and the Movements of Water (Recto); Study for Hercules Holding a Club Seen in Rear View (Verso)
Leonardo da Vinci
ca. 1506–8
Francesco da Sangallo and Elena Marsupini, his wife
Francesco da Sangallo
1551
Medal: Giovanni de'Medici delle Bande Nere
Francesco da Sangallo
model 1522 or ca. 1570 (cast 16th century)
Portrait medal of Paolo Giovio (obverse); Giovio Raising a Man from a Grave (reverse)
Francesco da Sangallo
model ca. 1552 (probably a later cast)
Giovanni de'Medici della Bande Nere (1498–1526), a Celebrated Condottiere, and Father of Cosimo I
Francesco da Sangallo
ca. 1570
Paolo Giovio, Historian and Prelate, Bishop of Nocera (d. 1552)
Francesco da Sangallo
1552
Recto: Temple Types: Amphiprostyle (Vitruvius, Book 3, Chapter 2, no. 4); Verso: Temple Types: Pseudodipteral (Vitruvius, Book 3, Chapter 2, no. 6).
Sangallo family
1530–45
Saint Nicholas of Tolentino Reviving a Child
Garofalo (Benvenuto Tisi da Garofalo)
ca. 1530
Saint Nicholas of Tolentino Reviving the Birds
Garofalo (Benvenuto Tisi da Garofalo)
ca. 1530
Vitruvius iterum et Frontinus à Iocundo revisi repurgatique quantum ex collatione licvit
Marcus Pollio Vitruvius
1513
Choir chair
Italian, Tuscany (Florence?)
early 16th century (partly, and later)
Wall fountain
Simone Mosca
1527–34
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
1530–35
Plan of St. Peter's, from "Speculum Romanae Magnificentiae"
Antonio da Sangallo, the Younger
1549
St. Peter's, from "Speculum Romanae Magnificentiae"
Antonio da Sangallo, the Younger
1547
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
Antonio da Labacco
1514
Design for the Basilica of St. Peter's in the Vatican, from "Speculum Romanae Magnificentiae"
Antonio da Labacco
16th century
Palazzo Farnese
Pietro Ferrerio
1655
Palazzo Farnese (Façade Via Giulia)
Pietro Ferrerio
1655
Saint John the Baptist
Innocenzo da Imola (Innocenzo Francucci)
early 16th century
Head of Medusa
Benedetto Pistrucci
cameo 1840–50, mount ca. 1860
Palazzo Farnese (floor plan)
Pietro Ferrerio
1655
Palazzo Farnese (inner court)
Pietro Ferrerio
1655
Plate 1: Lorenzo de' Medici, Duke of Urbino and General of the Holy Church, with Giuliano, Duke of Nemours and General of the Florentines, and Giuliano, Knight of the Garter, accompanied by commanders and people of rank
Giuliano Giampiccoli
1751
Recto: The Port City of Alexandria (? Allusion to Dinocrates's Building of Alexandria, Vitruvius, Book 2, introduction, no. 1); Verso: Fragmentary Writing ("Libro Primo...").
Sangallo family
1530–45
Recto: "Libro Primo, Chapo Quarto..." (Vitruvius, Book 1, Chapter 4); Verso: The Fortification of City Walls (Vitruvius, Book 1, Chapter 5).
Sangallo family
1530–45
Plate XLIX: Pastoral scene with peasants napping, one resting on a woman under a tree, a soldier approaches at right; from 'Studi di pittura gia dissegnati da Giambatista Piazzetta' after Giovanni Battista Piazzetta
Giuliano Giampiccoli
ca. 1725–59
Abraham and Hagar in the foreground, with an angel behind her left shoulder and a young boy seated on the ground with a dog in the left background; on the right, Sarah watches from inside a shelter, with two male passersby at the far right
Carlo Faucci
1766
Recto: Temple Types: in Antis and Prostyle (Vitruvius, Book 3, Chapter 2, nos. 2, 3); Verso: Temple Types: Peripteral (Vitruvius, Book 3, Chapter 2, no. 5).
Sangallo family
1530–45