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Showing 566 results for Goya

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Condesa de Altamira and Her Daughter, María Agustina, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Condesa de Altamira and Her Daughter, María Agustina
Goya (Francisco de Goya y Lucientes)
1787–88

Manuel Osorio Manrique de Zuñiga (1784–1792), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Manuel Osorio Manrique de Zuñiga (1784–1792)
Goya (Francisco de Goya y Lucientes)
1787–88

Ferdinand VII (1784–1833), When Prince of Asturias, Goya and Workshop Spanish, Oil on canvas — Ferdinand VII (1784–1833), When Prince of Asturias
Goya
ca. 1800

Goya, Roger Vivier French, leather, silk, metal, French — Goya
Roger Vivier
René Caovilla
fall/winter 1986–87

Aquellarre, Goya, Ted Joans American, Cut and pasted printed paper and pricking on photo postcard (gelatin silver print) — Aquellarre, Goya
Ted Joans
1990

Narcisa Barañano Gayoso de Goicoechea, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Narcisa Barañano Gayoso de Goicoechea
Goya (Francisco de Goya y Lucientes)
ca. 1805

Bullfight in a Divided Ring, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Bullfight in a Divided Ring
Goya (Francisco de Goya y Lucientes)
ca. 1810

Sebastián Martínez y Pérez (1747–1800), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Tiburcio Pérez y Cuervo (1785/86–1841), the Architect, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Goya (Francisco de Goya y Lucientes)
1820

Self-Portrait in a Cocked Hat, Goya (Francisco de Goya y Lucientes) Spanish, Pen and brown (iron gall?) ink on paper — Self-Portrait in a Cocked Hat
Goya (Francisco de Goya y Lucientes)
ca. 1790

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850), Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

José Costa y Bonells (died l870), Called Pepito, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — José Costa y Bonells (died l870), Called Pepito
Goya (Francisco de Goya y Lucientes)
ca. 1810

Majas on a Balcony, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Majas on a Balcony
Goya (Francisco de Goya y Lucientes)
ca. 1800–1810

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya (Francisco de Goya y Lucientes)
1804

A City on a Rock, Goya Spanish, Oil on canvas — A City on a Rock
Goya

María Luisa of Parma (1751–1819), Queen of Spain, Goya Spanish, Oil on canvas — María Luisa of Parma (1751–1819), Queen of Spain
Goya

Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883), Goya Spanish, Oil on canvas — Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Goya

Don Bernardo de Iriarte (1735–1814), Goya Spanish, Oil on canvas — Don Bernardo de Iriarte (1735–1814)
Goya

Fan with leaves imitative of Goya and Watteau, Goya (Francisco de Goya y Lucientes) Spanish, Gouache on parchment; gilt metal, silver (?), paste (?), possibly French — Fan with leaves imitative of Goya and Watteau
Goya (Francisco de Goya y Lucientes)
Antoine Watteau
late 19th century

Goya, Saul Chase American, Screenprint — Goya
Saul Chase
1977

Self-Portrait, Goya (Francisco de Goya y Lucientes) Spanish, Brush and point of brush, carbon black ink — Self-Portrait
Goya (Francisco de Goya y Lucientes)
ca. 1796

Seated Giant, Goya (Francisco de Goya y Lucientes) Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape) — Seated Giant
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)

God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E), Goya (Francisco de Goya y Lucientes) Spanish, Brush, carbon black gray ink and was, scraper — God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Goya (Francisco de Goya y Lucientes)
ca. 1816–20

Unholy Union, Goya (Francisco de Goya y Lucientes) Spanish, Brush with Indian ink and wash and traces of pen and ink on laid paper — Unholy Union
Goya (Francisco de Goya y Lucientes)
ca. 1801–3 or ca. 1813–19

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint — Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Goya (Francisco de Goya y Lucientes)
1799

Portrait of Francisco Goya, from "The Portfolio", Louis Lucas French, Etching — Portrait of Francisco Goya, from "The Portfolio"
Multiple artists/makers
1879

Late Caprichos of Goya

Multiple artists/makers

ca. 1824–28

The Disasters of War

Goya (Francisco de Goya y Lucientes)

1937

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching — Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778

A False Bacchus Crowning Drunkards, Goya (Francisco de Goya y Lucientes) Spanish, Etching — A False Bacchus Crowning Drunkards
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burin — Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)
Goya (Francisco de Goya y Lucientes)
1810

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon, Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, lavis, drypoint, burin — Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Goya (Francisco de Goya y Lucientes)
1816

Portrait of the court dwarf known as el Primo, after Velázquez, Goya (Francisco de Goya y Lucientes) Spanish, Etching — Portrait of the court dwarf known as el Primo, after Velázquez
Goya (Francisco de Goya y Lucientes)
Velázquez (Diego Rodríguez de Silva y Velázquez)
1778

'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint on laid paper — 'Barbarous Entertainment', a blind guitarist on the horns of a bull
Goya (Francisco de Goya y Lucientes)
1800–1804 (published 1828–67)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio), Goya (Francisco de Goya y Lucientes) Spanish, Etching, drypoint, burin, burnisher — Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
1810

Still Life with Dead Hares, Goya (Francisco de Goya y Lucientes) Spanish, Oil on canvas — Still Life with Dead Hares
Goya (Francisco de Goya y Lucientes)
ca. 1808–12

Bullfight in a divided ring, from the 'Bulls of Bordeaux', Goya (Francisco de Goya y Lucientes) Spanish, Lithograph — Bullfight in a divided ring, from the 'Bulls of Bordeaux'
Goya (Francisco de Goya y Lucientes)
Cyprien Charles Marie Nicolas Gaulon
1825

Blind Singer, Goya (Francisco de Goya y Lucientes) Spanish, Etching, aquatint, drypoint, burin on laid paper — Blind Singer
Goya (Francisco de Goya y Lucientes)
Ca. 1824–28 (published second half of the 19th century)

A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F), Goya (Francisco de Goya y Lucientes) Spanish, Brush, bistre and wash, traces of red chalk — A partly naked woman seated by a stream; page 32 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino), Goya (Francisco de Goya y Lucientes) Spanish, Etching, burnished aquatint, drypoint, burin — Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)
Goya (Francisco de Goya y Lucientes)
1799