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Showing 27 results for Gu Jianlong

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Two scenes from the Plum in the Golden Vase (Jinpingmei), Gu Jianlong Chinese, Two album leaves; ink and color on silk, China — Two scenes from the Plum in the Golden Vase (Jinpingmei)
Gu Jianlong
late 17th–early 18th century

Huaisu in the Banana Grove, Gu Yun, Folding fan mounted as an album leaf; ink and color on alum paper, China — Huaisu in the Banana Grove
Gu Yun
dated 1869

Landscape, Gu Yun, Hanging scroll; ink on paper, China — Landscape
Gu Yun

Moored at the West Cliff, Gu Yun, Hanging scroll; ink on paper, China — Moored at the West Cliff
Gu Yun

Enjoying the Moon: Landscape in the Manner of Wang Meng, Gu Yide Chinese, Hanging scroll; ink and color on paper, China — Enjoying the Moon: Landscape in the Manner of Wang Meng
Gu Yide
dated 1628

Clouds and Spring Trees at Dusk, Gu Yun, Album leaf; ink on paper, China — Clouds and Spring Trees at Dusk
Gu Yun
dated 1888

Gathering at the Orchid Pavilion, Qian Gu Chinese, Handscroll; ink and color on paper, China — Gathering at the Orchid Pavilion
Qian Gu
1560

Inkstone with phoenix design, Gu Erniang Chinese, Limestone, China — Inkstone with phoenix design
Gu Erniang
18th century

Pavilion beside a rock garden and stream, Gu Linshi Chinese, Folding fan mounted as an album leaf; ink and color on alum paper, China — Pavilion beside a rock garden and stream
Gu Linshi
1921

Landscape, Gu Linshi Chinese, Hanging scroll; ink and color on paper, China — Landscape
Gu Linshi
dated 1921

Brush Holder, Gu Jue Chinese, Bamboo with hardwood rim and base, China — Brush Holder
Gu Jue

The Mythos of Lost Dynasties-Form C: Pseudo-seal Scripture in Calligraphic Copybook Format, Gu Wenda Chinese, Hanging scroll; ink on paper, China — The Mythos of Lost Dynasties-Form C: Pseudo-seal Scripture in Calligraphic Copybook Format
Gu Wenda
1983–87

Landscape, Gu Linshi Chinese, Folding fan mounted as an album leaf; ink on paper, China — Landscape
Gu Linshi

Viewing the Moon in an Empty Room, Gu Luo Chinese, Album leaf; ink and color on paper, China — Viewing the Moon in an Empty Room
Gu Luo
1829

Landscape, Gu Yun, Hanging scroll; ink on paper, China — Landscape
Gu Yun
1890

Landscape, Gu Yun, Hanging scroll; ink on paper, China — Landscape
Gu Yun
1894

Landscape in the style of Ma Wan, Gu Yun, Hanging scroll; ink on paper, China — Landscape in the style of Ma Wan
Gu Yun
late 19th century

Ma Xiwu Mediating a Lawsuit,from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji, Gu Yuan Chinese, Woodcut prints, China — Ma Xiwu Mediating a Lawsuit,from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji
Gu Yuan
1944

Liu Zhidan, the people's leader, from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji, Gu Yuan Chinese, Woodcut prints, China — Liu Zhidan, the people's leader, from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji
Gu Yuan
1943

Nine carp, Gong Gu ? Chinese, Set of four hanging scrolls, ink and color on paper, China — Nine carp
Gong Gu
19th century (?)

Production in the Eighth Road Army, Gu Yuan Chinese, Woodcut print, ink on paper, China — Production in the Eighth Road Army
Gu Yuan
1930s and 1940s

The Hills of Kuaiji, Unidentified artist, Handscroll; ink and color on silk, China — The Hills of Kuaiji
Unidentified artist
Gu Kaizhi
18th cenury or later

An Emperor with Two Ladies, Unidentified artist, Album leaf; ink and color on silk, China — An Emperor with Two Ladies
Unidentified artist
Gu Kaizhi

Landscapes after old masters, Wang Hui Chinese, Album of sixteen leaves; ink and color on paper, China — Landscapes after old masters
Multiple artists/makers
dated 1692

Two Paintings of Deer Antlers, Qianlong Emperor Chinese, Two handscrolls; ink and color on paper, China — Two Paintings of Deer Antlers
Qianlong Emperor
dated 1762 and 1767

One Hundred Signs of the Demolition

Wang Jinsong

1999

The Reception of the Diplomatique and his Suite at the Court of Pekin, James Gillray British, Hand-colored etching — The Reception of the Diplomatique and his Suite at the Court of Pekin
Multiple artists/makers
September 14, 1792