Qing dynasty (1644–1911), Kangxi period (1662–1722)
Not on view
This brush holder illustrates scenes from the famous poem “Ode to the Pavilion of the Inebriated Old Man” by Ouyang Xiu (1007–1072). Demoted in 1045 to the remote Anhui Province, Ouyang took solace in wine and the natural world. Carving with supreme skill from a massive piece of bamboo, the artist exploited the potential of the different layers of the plant’s flesh to create varied textural and pictorial effects.
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Artwork Details
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清康熙 顧玨 竹雕筆筒
Title:Brush Holder
Artist:Gu Jue (active late 17th century)
Period:Qing dynasty (1644–1911), Kangxi period (1662–1722)
Culture:China
Medium:Bamboo with hardwood rim and base
Dimensions:H. 7 in. (17.8 cm); D. 6 1/2 in. (16.5 cm)
Classification:Bamboo
Credit Line:Purchase, Eileen W. Bamberger Bequest, in memory of her husband, Max Bamberger, 1994
Accession Number:1994.382
Signature: Signed "Ku Chuëh" (Gu Jue)
Marking: Carved seal mark "Zong-you"
[ Tai Sing Fine Antiques Ltd. , Hong Kong, until 1994; sold to MMA]
New York. The Metropolitan Museum of Art. "When the Manchus Ruled China: Painting under the Qing Dynasty (1644–1911)," February 2–August 18, 2002.
New York. The Metropolitan Museum of Art. "Cultivated Landscapes: Reflections of Nature in Chinese Painting with Selections from the Collection of Marie-Hélène and Guy Weill," September 10, 2002–February 9, 2003.
New York. The Metropolitan Museum of Art. "Dreams of Yellow Mountain: Landscapes of Survival in Seventeenth-Century China," September 13, 2003–February 22, 2004.
New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12–August 8, 2004.
New York. The Metropolitan Museum of Art. "Chinese Painting, Masterpieces from the Permanent Collection," August 28, 2004–February 20, 2005.
New York. The Metropolitan Museum of Art. "Art of the Brush: Chinese Painting and Calligraphy," March 12–August 14, 2005.
New York. The Metropolitan Museum of Art. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007.
New York. The Metropolitan Museum of Art. "Journeys: Mapping the Earth and Mind in Chinese Art," February 10–August 26, 2007.
New York. The Metropolitan Museum of Art. "Bridging East and West: The Chinese Diaspora and Lin Yutang," September 15, 2007–February 10, 2008.
New York. The Metropolitan Museum of Art. "Anatomy of a Masterpiece: How to Read Chinese Paintings," March 1–August 10, 2008.
New York. The Metropolitan Museum of Art. "Landscapes Clear and Radiant: The Art of Wang Hui (1632–1717)," September 9, 2008–January 4, 2009.
New York. The Metropolitan Museum of Art. "Arts of the Ming Dynasty: China's Age of Brilliance," January 23–September 13, 2009.
New York. The Metropolitan Museum of Art. "Eccentric Visions: The Worlds of Luo Ping (1733–1799)," October 6, 2009–January 10, 2010.
New York. The Metropolitan Museum of Art. "Extravagant Display: Chinese Art in the Eighteenth and Nineteenth Centuries," December 14, 2010–May 1, 2011.
New York. The Metropolitan Museum of Art. "The Art of Dissent in 17th-Century China: Masterpieces of Ming Loyalist Art from the Chih Lo Lou Collection," September 6, 2011–January 2, 2012.
New York. The Metropolitan Museum of Art. "Chinese Gardens: Pavilions, Studios, Retreats," August 18, 2012–January 6, 2013.
New York. The Metropolitan Museum of Art. "The Art of the Chinese Album," September 6, 2014–March 29, 2015.
New York. The Metropolitan Museum of Art. "Show and Tell: Stories in Chinese Painting," October 29, 2016–August 6, 2017.
New York. The Metropolitan Museum of Art. "Streams and Mountains without End: Landscape Traditions of China," August 26, 2017–January 6, 2019.
New York. The Metropolitan Museum of Art. "Companions in Solitude: Reclusion and Communion in Chinese Art," July 31, 2021–August 14, 2022.
New York. The Metropolitan Museum of Art. "Noble Virtues: Nature as Symbol in Chinese Art," September 10, 2022–January 29, 2023.
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