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Showing 229 results for Gu Linshi

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Pavilion beside a rock garden and stream, Gu Linshi Chinese, Folding fan mounted as an album leaf; ink and color on alum paper, China — Pavilion beside a rock garden and stream
Gu Linshi
1921

Landscape, Gu Linshi Chinese, Hanging scroll; ink and color on paper, China — Landscape
Gu Linshi
dated 1921

Landscape, Gu Linshi Chinese, Folding fan mounted as an album leaf; ink on paper, China — Landscape
Gu Linshi

Two scenes from the Plum in the Golden Vase (Jinpingmei), Gu Jianlong Chinese, Two album leaves; ink and color on silk, China — Two scenes from the Plum in the Golden Vase (Jinpingmei)
Gu Jianlong
late 17th–early 18th century

The Mythos of Lost Dynasties-Form C: Pseudo-seal Scripture in Calligraphic Copybook Format, Gu Wenda Chinese, Hanging scroll; ink on paper, China — The Mythos of Lost Dynasties-Form C: Pseudo-seal Scripture in Calligraphic Copybook Format
Gu Wenda
1983–87

Gathering at the Orchid Pavilion, Qian Gu Chinese, Handscroll; ink and color on paper, China — Gathering at the Orchid Pavilion
Qian Gu
1560

Inkstone with phoenix design, Gu Erniang Chinese, Limestone, China — Inkstone with phoenix design
Gu Erniang
18th century

Huaisu in the Banana Grove, Gu Yun, Folding fan mounted as an album leaf; ink and color on alum paper, China — Huaisu in the Banana Grove
Gu Yun
dated 1869

Landscape, Gu Yun, Hanging scroll; ink on paper, China — Landscape
Gu Yun

Moored at the West Cliff, Gu Yun, Hanging scroll; ink on paper, China — Moored at the West Cliff
Gu Yun

Brush Holder, Gu Jue Chinese, Bamboo with hardwood rim and base, China — Brush Holder
Gu Jue

Enjoying the Moon: Landscape in the Manner of Wang Meng, Gu Yide Chinese, Hanging scroll; ink and color on paper, China — Enjoying the Moon: Landscape in the Manner of Wang Meng
Gu Yide
dated 1628

Clouds and Spring Trees at Dusk, Gu Yun, Album leaf; ink on paper, China — Clouds and Spring Trees at Dusk
Gu Yun
dated 1888

Viewing the Moon in an Empty Room, Gu Luo Chinese, Album leaf; ink and color on paper, China — Viewing the Moon in an Empty Room
Gu Luo
1829

Landscape, Gu Yun, Hanging scroll; ink on paper, China — Landscape
Gu Yun
1890

Landscape, Gu Yun, Hanging scroll; ink on paper, China — Landscape
Gu Yun
1894

Landscape in the style of Ma Wan, Gu Yun, Hanging scroll; ink on paper, China — Landscape in the style of Ma Wan
Gu Yun
late 19th century

Nine carp, Gong Gu ? Chinese, Set of four hanging scrolls, ink and color on paper, China — Nine carp
Gong Gu
19th century (?)

Production in the Eighth Road Army, Gu Yuan Chinese, Woodcut print, ink on paper, China — Production in the Eighth Road Army
Gu Yuan
1930s and 1940s

Liu Zhidan, the people's leader, from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji, Gu Yuan Chinese, Woodcut prints, China — Liu Zhidan, the people's leader, from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji
Gu Yuan
1943

Ma Xiwu Mediating a Lawsuit,from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji, Gu Yuan Chinese, Woodcut prints, China — Ma Xiwu Mediating a Lawsuit,from a group of Ten Revolutionary woodblock prints with Folio Cover titled Lu Yi Mu Ke Xuan Ji
Gu Yuan
1944

The Hills of Kuaiji, Unidentified artist, Handscroll; ink and color on silk, China — The Hills of Kuaiji
Unidentified artist
Gu Kaizhi
18th cenury or later

An Emperor with Two Ladies, Unidentified artist, Album leaf; ink and color on silk, China — An Emperor with Two Ladies
Unidentified artist
Gu Kaizhi

Landscapes after old masters, Wang Hui Chinese, Album of sixteen leaves; ink and color on paper, China — Landscapes after old masters
Multiple artists/makers
dated 1692

Clear View on a Crisp Autumn Day, Dōmoto Inshō Japanese, Hanging scroll; ink and color on silk, Japan — Clear View on a Crisp Autumn Day
Dōmoto Inshō
1924

Real Figures of the King of Mountains (Sannō shinkei) 山王真形, Ōishi Shūga 大石周我, Ink and color on paper, Japan — Real Figures of the King of Mountains (Sannō shinkei) 山王真形
Ōishi Shūga 大石周我
Spring 1822

Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編, Ōishi Matora 大石真虎 Japanese, Woodblock printed book; ink and color on paper, Japan — Festival Lanterns, First Series (Shinji andon shohen) 神事行燈初編
Ōishi Matora 大石真虎
1829, (Bunsei 12)

The Visit, Pietro Longhi (Pietro Falca) Italian, Oil on canvas — The Visit
Pietro Longhi (Pietro Falca)
1746

The Letter, Pietro Longhi (Pietro Falca) Italian, Oil on canvas — The Letter
Pietro Longhi (Pietro Falca)
1746

The Meeting, Pietro Longhi (Pietro Falca) Italian, Oil on canvas — The Meeting
Pietro Longhi (Pietro Falca)
1746

The Temptation, Pietro Longhi (Pietro Falca) Italian, Oil on canvas — The Temptation
Pietro Longhi (Pietro Falca)
1746

Jar, Nonomura Ninsei Japanese, Clay covered with a transparent crackled glaze; decorated colored enamels and gold (Kyoto ware, Takamatsu type), Japan — Jar
Nonomura Ninsei
1730

Bowl, Nonomura Ninsei Japanese, Clay covered with a transparent crackled glaze and decorated with polychrome enamel (Kyoto ware, Banko style), Japan — Bowl
Nonomura Ninsei
19th century

Covered Incense Box, Nonomura Ninsei Japanese, Paste covered with a transparent crackled glaze and decorated with colored enamels and gold (Kyoto ware, Satsuma type), Japan — Covered Incense Box
Nonomura Ninsei
1670

Tea jar, Nonomura Ninsei Japanese, Clay; black glaze with two bands of crackled white glaze; (Awata ware), Japan — Tea jar
Nonomura Ninsei
ca. 1660

Ninsei-style Incense Burner with Flowers of the Four Seasons

, Nonomura Ninsei Japanese, Stoneware with polychrome overglaze enamels and gold; openwork gilt-bronze cover (Kyoto ware), Japan — Ninsei-style Incense Burner with Flowers of the Four Seasons
Nonomura Ninsei
17th century

Teabowl, Ninsei II Japanese, Shallow, slight wheelmarks visible; fine drab clay, thin brown glaze, worn and showing pink underneath (Awata ware), Japan — Teabowl
Ninsei II
ca. 1650

Complete Wisdom, Huang Junshi Chinese, Hanging scroll; ink on paper, China — Complete Wisdom
Huang Junshi
dated 1976

First Ode on the Red Cliff in the Style of Zhu Yunming (1461–1527), Huang Junshi Chinese, Hanging scroll, ink on gold-flecked paper, China — First Ode on the Red Cliff in the Style of Zhu Yunming (1461–1527)
Huang Junshi
dated 1976

Tea Caddy, named Tall (Seitaka), Nonomura Ninsei Japanese, Stoneware with iron glaze (Kyoto ware), Japan — Tea Caddy, named Tall (Seitaka)
Nonomura Ninsei
second half of the 17th century