Der Tempel von Dendur ist von Sonntag, dem 26. April, bis Freitag, dem 8. Mai, geschlossen. Das Met Fifth Avenue ist am Montag, dem 4. Mai, geschlossen.

Planen Sie Ihren Besuch
Tickets
Deutsch
SpendenMitgliedschaft
Tickets
Wir arbeiten daran, diese Seite so schnell wie möglich zu übersetzen. Vielen Dank für Ihr Verständnis.

Search for Art

1-42 of 10,929 results for Hatch and Smillie
Sort by:
Show only
Images
Date
For BCE dates, enter a negative number. E.g. For 2000 BCE, enter -2000.
–
Object type / material
Geographic location
Department
View of the Old City Hall, Wall Street, New York in the Year 1789
Multiple artists/makers
first half 19th century
[Man in a Fez]
Hatch and Millea
ca. 1880
Landscape (from McGuire Scrapbook), James Smillie American, Graphite on off-white wove paper, American
Landscape (from McGuire Scrapbook)
James Smillie
1840
Lime Rock on the Rondout, New York (from McGuire Scrapbook), James Smillie American, Graphite on green wove paper, American
Lime Rock on the Rondout, New York (from McGuire Scrapbook)
James Smillie
1840
Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, British, London
Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80
Ausable River, George Henry Smillie American, Watercolor on light brown oatmeal wove paper, American
Ausable River
George Henry Smillie
1870
East Hampton Meadows, George Henry Smillie American, Oil on canvas, American
East Hampton Meadows
George Henry Smillie
1883
Tremezzo, Lake Como, George Henry Smillie American, Watercolor, gouache, and graphite on light green wove paper, American
Tremezzo, Lake Como
George Henry Smillie
1898
On the Ausable, James David Smillie American, Watercolor and gouache on green-gray wove paper, American
On the Ausable
James David Smillie
1869
Roaring Brook—Adirondack Mountains, George Henry Smillie American, Graphite and white gouache on tan paper, American
Roaring Brook—Adirondack Mountains
George Henry Smillie
1868
Entree Dish, Taylor and Lawrie, Silver, American
Entree Dish
Taylor and Lawrie
Bailey and Kitchen
ca. 1839
R. M. Stivers, Manufacturers of Fine Carriages, 146-152 East 31st Street, New York, Hatch & Co. American, Color lithograph
R. M. Stivers, Manufacturers of Fine Carriages, 146-152 East 31st Street, New York
Hatch & Co.
1872–73
Pair of andirons, Stephen Pilcherd or British, Brass, partly enameled, on a wrought-iron frame, British, London
Pair of andirons
Stephen Pilcherd
Anthony Hatch
probably 1660–80
Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, traces of gilding, British, London
Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80
Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, British, London
Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80
Candlestick (one of a pair), Stephen Pilcherd or British, Brass, partly enameled, traces of gilding, British, London
Candlestick (one of a pair)
Stephen Pilcherd
Anthony Hatch
ca. 1660–80
Pair of Rowel Spurs, Stephen Pilcherd British, Brass, enamel, British, London
Pair of Rowel Spurs
Stephen Pilcherd
Anthony Hatch
ca. 1650–75
Pair of Stirrups, Stephen Pilcherd British, Brass, gold, enamel, British, London
Pair of Stirrups
Stephen Pilcherd
Anthony Hatch
ca. 1650–75
The Rocky Mountains, Lander's Peak, James Smillie American, Hand-colored steel plated etching and engraving
The Rocky Mountains, Lander's Peak
James Smillie
Albert Bierstadt
1866
Dover Plains, James Smillie American, Etching and engraving on steel
Dover Plains
Multiple artists/makers
1851
Dream of Arcadia, James Smillie American, Etching and engraving on steel
Dream of Arcadia
Multiple artists/makers
1851
Tarawa - Marines advancing from behind a sandbag entrenchment hurriedly thrown up on Tarawa's atoll as the Marines wrested the strategic base from the Japanese in 76 bloody hours
Norman T. Hatch
1943
[Canopy of Domes- U.S. Capitol]
T. W. Smillie
1860s–80s
[Columbus - U.S. Capitol]
T. W. Smillie
1860s–80s
[Civilization - U.S Capitol, Sculptures]
T. W. Smillie
1860s–80s
[U.S. Capitol, West]
T. W. Smillie
1860s–80s
[Presidents House East]
T. W. Smillie
1860s–80s
[Bronze Door, Senate Wing. U.S. Capitol]
T. W. Smillie
1860s–80s
[Bronze Door, U.S. Capitol]
T. W. Smillie
1860s–80s
[U.S. Treasury, Southwest]
T. W. Smillie
1860s–80s
[U.S. Capitol Building]
T. W. Smillie
1860s–80s
[Smiithsonian Institution North]
T. W. Smillie
1860s–80s
[U.S. Capitol, Northeast]
T. W. Smillie
1860s–80s
[U.S. Patent Office South Hall]
T. W. Smillie
1860s–80s
[Arlington Cemetry]
T. W. Smillie
1860s–80s
[U.S. Patent Office]
T. W. Smillie
1860s–80s
[Newhaven Fishwives], Hill and Adamson British, Scottish, Salted paper print from paper negative
[Newhaven Fishwives]
Multiple artists/makers
ca. 1845
Lemuel Shaw, Southworth and Hawes American, Daguerreotype
Lemuel Shaw
Multiple artists/makers
ca. 1850
Dress, Puppets and Puppets, Silk, American
Dress
Puppets and Puppets
Carly Mark
fall/winter 2021−22
Brooch, Marcus and Co. American, Plique-à-jour enamel, conch pearl, diamond, platinum and eighteen karat gold, American
Brooch
Marcus and Co.
ca. 1900
Nkishi (community power figure), Songye artist and nganga (ritual specialist), Wood, copper, brass, iron, fiber, snakeskin, leather, fur, feathers, mud, resin, Songye peoples
Nkishi (community power figure)
Songye artist and nganga (ritual specialist)
19th–first half of 20th century
Nkisi (power figure), Kongo artist and nganga (ritual specialist), Wood, pigment, resin, iron, brass, tin, cloth, plant fiber cord, beads, cowrie shells, bone or ivory, arrows, leather, seeds, animal horn, Kongo peoples
Nkisi (power figure)
Kongo artist and nganga (ritual specialist)
19th–first half of 20th century