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1-42 of 82 results for Heilig Jörg
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Object type / material
Geographic location
Department
Armor, Heilig Jörg German, Steel, leather, German
Armor
Heilig Jörg
ca. 1500 and later
Sallet, Jörg Wagner Austrian, Steel, Austrian, Innsbruck
Sallet
Jörg Wagner
ca. 1485–95
Composite Armor, Jörg Wagner Austrian, Steel, Austrian, Innsbruck and Mühlau
Composite Armor
Multiple artists/makers
comprehensively ca. 1485–95
Gauntlet for the Left Hand, Jörg Sigman German, Steel, gold, copper alloy, leather, German, Augsburg
Gauntlet for the Left Hand
Jörg Sigman
ca. 1557
Joseph Interpreting the Dreams of Pharaoh, Jörg Breu the Younger German, Distemper on linen
Joseph Interpreting the Dreams of Pharaoh
Jörg Breu the Younger
ca. 1534–47
Roundel of The Planet Venus and Her Children, Jörg Breu the Elder German, Colorless glass, vitreous paint, silver stain, German
Roundel of The Planet Venus and Her Children
Jörg Breu the Elder
ca. 1520–30
C.D. - Variation schwarz, Jörg Immendorff German, Opaque watercolor on paper
C.D. - Variation schwarz
Jörg Immendorff
1978
Attack, Jörg Immendorff German, Ink, watercolor and opaque watercolor on paper
Attack
Jörg Immendorff
1980
Café Deutschland, Jörg Immendorff German, Opaque watercolor on paper
Café Deutschland
Jörg Immendorff
1978
Surveyor's Compass, John Heilig American, Brass, poplar, American
Surveyor's Compass
John Heilig
ca. 1800
Foot-Combat Armor of Prince-Elector Christian I of Saxony (reigned 1586–91), Anton Peffenhauser German, Steel, gold, leather, copper alloy, German, Augsburg

Foot-Combat Armor of Prince-Elector Christian I of Saxony (reigned 1586–91)

Anton Peffenhauser
Jörg Sorg the Younger
1591
Field and Tournament Armor of Johann Wilhelm (1530–1573), Duke of Saxe-Weimar, Anton Peffenhauser German, Steel, gold, brass, textile, leather, German, Augsburg

Field and Tournament Armor of Johann Wilhelm (1530–1573), Duke of Saxe-Weimar

Anton Peffenhauser
Jörg Sorg the Younger
ca. 1565
Pommel Plate, Jörg Sorg the Younger German, Steel, gold, German, Augsburg
Pommel Plate
Jörg Sorg the Younger
ca. 1550
The Campaign of the Emperor Maximilian, Jörg Breu the Elder German, Stained glass, German, probably Nuremberg
The Campaign of the Emperor Maximilian
Jörg Breu the Elder
Hans Knoder
1515
Album containing 75 Drawings for Garden Trellises & Parterres, Jörg Rurfinger German, Pen and ink over stylus ruling and watercolors
Album containing 75 Drawings for Garden Trellises & Parterres
Jörg Rurfinger
ca. 1610–40
Layout for a Garden with Flower-shaped Floral Beds, Jörg Rurfinger German, Ink over stylus ruling and watercolors
Layout for a Garden with Flower-shaped Floral Beds
Jörg Rurfinger
17th century
Burgonet, Desiderius Helmschmid German, Steel, German, Augsburg
Burgonet
Desiderius Helmschmid
Jörg Sigman
ca. 1550–55
Portions of an Armor Garniture
Jörg Sorg the Younger
ca. 1550–55, some etched decoration, 19th century
Portions of an Armor Garniture
Jörg Sorg the Younger
ca. 1550–55, some etched decoration, 19th century
Portions of an Armor Garniture
Jörg Sorg the Younger
ca. 1550–55, some etched decoration, 19th century
Backplate
Jörg Sorg the Younger
Leonard Heinrich
ca. 1550–55; some etched decoration, possibly 19th century; lowest lame, 1932
Reinforce for the Left Elbow
Jörg Sorg the Younger
ca. 1550–55, some etched decoration, possibly 19th century
Reinforce for a Helmet (Gupfe), Mattheus Frauenpreis the Elder German, Steel, gold, German, Augsburg
Reinforce for a Helmet (Gupfe)
Multiple artists/makers
1549–50
Roundel with Architecture (from a series of The Septem Artes Mechanicae), Monogrammist SZ German, Colorless glass, silver stain and vitreous paint, German
Roundel with Architecture (from a series of The Septem Artes Mechanicae)
Monogrammist SZ
Jörg Breu the Elder
after 1563
Brandenburger Tor Weltfrage (Brandenburg Gate Universal Question)
Multiple artists/makers
1982
The Garden of Love, Jörg Breu the Younger German, Pen and brown ink, brown, pink and blue wash, over black chalk.
The Garden of Love
Jörg Breu the Younger
16th century
The Four Temperaments, Jörg Breu the Elder German, Pen and dark brown ink, framing line in pen and dark brown ink
The Four Temperaments
Jörg Breu the Elder
1500–1537
Episode from the "Gesta Romanorum": The Emperor and the Page, Jörg Breu the Elder German, Pen and black ink, gray wash. Framing line in pen and black ink.
Episode from the "Gesta Romanorum": The Emperor and the Page
Jörg Breu the Elder
1500–1537
Saint Christopher and Saint John the Baptist, Jorg Glockendon German, Woodcut, hand-colored
Saint Christopher and Saint John the Baptist
Jorg Glockendon
ca. 1480–90
King Pausanius Receiving the Persian King
Jörg Breu the Younger
1533
Itinerarium Wegrayß Kün. May. potschafft gen. Constantinopel / zu dem Türckischen keiser soleyman Anno XXX.
Multiple artists/makers
1531
Design for a Reliquary with Branchwork (Astwerk), from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and black ink on paper
On loan to The Met
Design for a Reliquary with Branchwork (Astwerk), from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510
Stem and Foot of a Monstrance, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and brown ink on paper
On loan to The Met
Stem and Foot of a Monstrance, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510
Elevation of a Baldachin, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and brown ink on paper
On loan to The Met
Elevation of a Baldachin, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510
Arm Reliquary, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Charcoal or black chalk on paper
On loan to The Met
Arm Reliquary, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
ca. 1508–24
Design for a Monstrance, Jörg Seld, Pen and brown ink on paper
On loan to The Met
Design for a Monstrance
Jörg Seld
1507
Schematic Representation of Tracery Elements and Friezes, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and brown ink on paper
On loan to The Met
Schematic Representation of Tracery Elements and Friezes, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510
Elevation of a Baldachin, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and brown ink on paper
On loan to The Met
Elevation of a Baldachin, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510
Reliquary with a Statue of Saint Luke, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Charcoal or black chalk on paper
On loan to The Met
Reliquary with a Statue of Saint Luke, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
ca. 1508–24
Design for a Sacrament House with the Last Supper, Jörg Seld, Pen and ink, over partial blind ruling with stylus, guided by compass and straightedge, on parchment
On loan to The Met
Design for a Sacrament House with the Last Supper
Jörg Seld
Master I Y S
1514
Design for the Architectural Frame of a Wall Monument, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and black ink on paper
On loan to The Met
Design for the Architectural Frame of a Wall Monument, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510
Elevation of a Tower Monstrance, from Basler Goldschmiederisse (Basel goldsmith’s drawings), Jörg Schweiger, Pen and brown ink on paper
On loan to The Met
Elevation of a Tower Monstrance, from Basler Goldschmiederisse (Basel goldsmith’s drawings)
Jörg Schweiger
Anonymous, German, 15th century
ca. 1500–1510