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The Night-Hag Visiting Lapland Witches, Henry Fuseli Swiss, Oil on canvas
The Night-Hag Visiting Lapland Witches
Henry Fuseli
1796
Hagen and the Nymphs of the Danube, Henry Fuseli Swiss, Graphite, pen and brown ink, watercolor and gouache on cream wove paper
Hagen and the Nymphs of the Danube
Henry Fuseli
1802
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5), Henry Fuseli Swiss, Pen and brown ink over faint graphite
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)
Henry Fuseli
Subject William Shakespeare
1790
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), Henry Fuseli Swiss, Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)
Henry Fuseli
1764–70
Portrait of a Young Lady Drawn in Left Profile, Henry Fuseli Swiss, Graphite
Portrait of a Young Lady Drawn in Left Profile
Henry Fuseli
ca. 1778–79
Oedipus at Colonus, Cursing his Son Polynices, Henry Fuseli Swiss, Pen and brown ink, brush and gray wash, traces of black chalk underdrawing
Oedipus at Colonus, Cursing his Son Polynices
Henry Fuseli
1777
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi), Henry Fuseli Swiss, Etching
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi)
Henry Fuseli
1800–1810
Sleeping Woman with a Cupid (Hush), Henry Fuseli Swiss, Etching and drypoint; published state
Sleeping Woman with a Cupid (Hush)
Henry Fuseli
Publisher Robert Pollard
1780–90
Menelaus and Patroclus, after the Antique (recto and verso), Henry Fuseli Swiss, Pen and brown ink (recto); pen and ink over graphite (verso)
Menelaus and Patroclus, after the Antique (recto and verso)
Henry Fuseli
1770–78
Lectures on Painting, Delivered at the Royal Academy, March 1801
Multiple artists/makers
1801
The Witch and the Mandrake (Ben Jonson, "Witch's Song," Masque of Queens)
Henry Fuseli
1812
Evening Thou Bringest All
After Henry Fuseli
19th century
A Woman Sitting by the Window–Evening Thou Bringest All
Henry Fuseli
Publisher Georg Jacob Vollweiler
1802–6
Heavenly Ganymede (Homer, Iliad, XX, 234)
Henry Fuseli
Publisher Georg Jacob Vollweiler
1804–7
Perseus Holding the Head of Medusa While Being Attacked by the Other Gorgons; verso: A Sketch
Henry Fuseli
1816
Fuessli und Bodmer (Fuseli and Bodmer in Conversation), Johann Heinrich Lips Swiss, Outline engraving and etching
Fuessli und Bodmer (Fuseli and Bodmer in Conversation)
Engraver Johann Heinrich Lips
After Henry Fuseli
Sitter Henry Fuseli
1806
Mother and children [Night and Her Children Aither and Hemera, from Hesiod's "Theogony"], William Young Ottley British, Soft-ground etching; unfinished
Mother and children [Night and Her Children Aither and Hemera, from Hesiod's "Theogony"]
William Young Ottley
Formerly attributed to Henry Fuseli
1803–28
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11), Thomas Holloway British, Engraving
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11)
Engraver Thomas Holloway
After Henry Fuseli
Publisher Thomas Holloway
1798
Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55), Johann Heinrich Lips Swiss, Outline engraving and etching
Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome), John Barlow British, Outline engraving and etching
Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome)
Engraver John Barlow
After Henry Fuseli
1806
Caius Marius and the Cimbrian Soldier (Plutarch, "Marius," 39; Lucan, "Pharsalia," XI, 75-86), Johann Heinrich Lips Swiss, Outline engraving and etching
Caius Marius and the Cimbrian Soldier (Plutarch, "Marius," 39; Lucan, "Pharsalia," XI, 75-86)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Belisane and Percival Under the Enchantment of Urma, Johann Heinrich Lips Swiss, Outline engraving and etching
Belisane and Percival Under the Enchantment of Urma
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Schweizerbund (The Oath of the Rütli), Franz Hegi Swiss, Outline engraving and etching
Der Schweizerbund (The Oath of the Rütli)
Engraver Franz Hegi
After Henry Fuseli
1806
Wie Till die Schneider duch Saüe straft (How Till Eugenspiegel Punished the Tailors), Johann Heinrich Lips Swiss, Outline engraving and etching
Wie Till die Schneider duch Saüe straft (How Till Eugenspiegel Punished the Tailors)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window), Johann Heinrich Lips Swiss, Outline engraving and etching
Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Der Tod des Oedipus (The Death of Oedipus), Franz Hegi Swiss, Outline engraving and etching
Der Tod des Oedipus (The Death of Oedipus)
Engraver Franz Hegi
After Henry Fuseli
1806
Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Johann Heinrich Lips Swiss, Outline engraving and etching
Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250)
Engraver Johann Heinrich Lips
After Henry Fuseli
1806
Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792), Moses Haughton the younger British, Stipple engraving and aquatint; published state
Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792)
Multiple artists/makers
November 27, 1804
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3), John Raphael Smith British, Mezzotint
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3)
Multiple artists/makers
March 10, 1785
The Night Mare, Laurede French, Stipple engraving, printed in brown ink
The Night Mare
Engraver Laurede
After Henry Fuseli
Publisher Lenoir
1782
Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden", William Blake British, Engraving
Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden"
William Blake
After Henry Fuseli
Author Erasmus Darwin
1791
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden), Anker Smith British, Engraving
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden)
Engraver Anker Smith
After Henry Fuseli
Publisher Joseph Johnson
June 1, 1791
Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 5: 58-78), Johann Heinrich Lips Swiss, Outline engraving and etching
Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 5: 58-78)
Engraver Johann Heinrich Lips
After Henry Fuseli
Subject William Shakespeare
1806
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden", William Blake British, Engraving
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden"
Multiple artists/makers
August 1, 1795
Belisane and Parcifal under the Enchantment of Urma
Engraver John Raphael Smith
After Henry Fuseli
August 25, 1782
Belisane and Parcifal under the Enchantment of Urma
Engraver John Raphael Smith
After Henry Fuseli
August 25, 1782
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney American, born England, Stipple engraving; third state of three
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4)
Multiple artists/makers
first published 1795; reissued 1852
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden", William Blake British, Engraving
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden"
Multiple artists/makers
August 1, 1795
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), Robert Thew British, Stipple engraving; fourth state of four
Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4)
Multiple artists/makers
first published 1796; reissued 1852
Reflections on the Painting and Sculpture of the Greeks: with Instructions for the Connoisseur and an Essay on Grace in Works of Art
Multiple artists/makers
1765
Count Ezzelin Bracciaferro Musing over the Body of His Wife Meduna, Slain by Him for Her Infidelity during his Absence in the Holy Land
Engraver John Raphael Smith
After Henry Fuseli
Publisher James Birchall
May 1781
Prince Arthur's Vision (Edmund Spenser, The Faerie Queene, I, ix, 13)
Engraver Peltro William Tomkins
After Henry Fuseli
Publisher Thomas Macklin
April 4, 1788

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