Search the collection

Filter By

Object Type / Material
Geographic Location
Department
Date
Show Only:
  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
Showing 6,534 results for Henry Fuseli
Sort by:
The Night-Hag Visiting Lapland Witches, Henry Fuseli  Swiss, Oil on canvas
Henry Fuseli
1796
Portrait of a Young Lady Drawn in Left Profile, Henry Fuseli  Swiss, Graphite
Henry Fuseli
ca. 1778–79
Menelaus and Patroclus, after the Antique (recto and verso), Henry Fuseli  Swiss, Pen and brown ink (recto); pen and ink over graphite (verso)
Henry Fuseli
1770–78
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso), Henry Fuseli  Swiss, Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Henry Fuseli
1764–70
Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5), Henry Fuseli  Swiss, Pen and brown ink over faint graphite
Henry Fuseli
William Shakespeare
1790
Hagen and the Nymphs of the Danube, Henry Fuseli  Swiss, Graphite, pen and brown ink, watercolor and gouache on cream wove paper
Henry Fuseli
1802
Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi), Henry Fuseli  Swiss, Etching
Henry Fuseli
1800–1810
Sleeping Woman with a Cupid (Hush), Henry Fuseli  Swiss, Etching and drypoint; published state
Henry Fuseli
Robert Pollard
1780–90
Oedipus at Colonus, Cursing his Son Polynices, Henry Fuseli  Swiss, Pen and brown ink, brush and gray wash, traces of black chalk underdrawing
Henry Fuseli
1777
Henry Fuseli
1816
Multiple artists/makers
1801
Henry Fuseli
1812
Henry Fuseli
Georg Jacob Vollweiler
1802–6
Henry Fuseli
19th century
Henry Fuseli
Georg Jacob Vollweiler
1804–7
Mother and children, or Night and Her Children Aither and Hemera (Hesiod, Theogony), William Young Ottley  British, Soft-ground etching; unfinished
William Young Ottley
Henry Fuseli
1803–28
Das Gespenst des Dion (The Apparition Appears to Dion Wielding a Broom, Plutarch, Dion, 55), Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
Belisane and Percival Under the Enchantment of Urma, Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
Der Schweizerbund (The Oath of the Rütli), Franz Hegi  Swiss, Outline engraving and etching
Franz Hegi
Henry Fuseli
1806
Wie Till die Schneider duch Saüe straft (How Till Eugenspiegel Punished the Tailors), Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
Wie Till zur Barbier durch's Fenster kömt (How Till Eupenspiegel Came In Through the Barber's Window), Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
The Daughter of Herodias (Salome Receiving the Head of John the Baptist, Matthew 14:10-11), Thomas Holloway  British, Engraving
Thomas Holloway
Henry Fuseli
1798
Fuessli und Bodmer (Fuseli and Bodmer in Conversation), Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
Der Besessene (The Escapee: A Real Scene in the Hospital of San Spirito at Rome), John Barlow  British, Outline engraving and etching
John Barlow
Henry Fuseli
1806
Caius Marius and the Cimbrian Soldier (Plutarch, "Marius," 39; Lucan, "Pharsalia," XI, 75-86), Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
Der Tod des Oedipus (The Death of Oedipus), Franz Hegi  Swiss, Outline engraving and etching
Franz Hegi
Henry Fuseli
1806
Hercules Slays Diomedes and his Flesh-Eating Mares (Apollodorus, II, 5, 8 and Quintus Smyrnaeus, VI, 247-250), Johann Heinrich Lips  Swiss, Outline engraving and etching
Johann Heinrich Lips
Henry Fuseli
1806
The Night Mare, Laurede  French, Stipple engraving, printed in brown ink
Multiple artists/makers
1782
Fertilization of Egypt, from Erasmus Darwin's "The Botanic Garden", William Blake  British, Engraving
Multiple artists/makers
1791
The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3), John Raphael Smith  British, Mezzotint
Multiple artists/makers
March 10, 1785
Der Kronenräuber (Claudio Murders His Brother, King Hamlet, By Pouring Poison into His Ear as He Lies Sleeping in the Garden, Shakespeare, Hamlet, Act 1, Scene 5: 58-78), Johann Heinrich Lips  Swiss, Outline engraving and etching
Multiple artists/makers
1806
Flora Attired by the Elements (Frontispiece to The Economy of Vegetation, vol. I of Erasmus Darwin's The Botanic Garden), Anker Smith  British, Engraving
Multiple artists/makers
June 1, 1791
John Raphael Smith
Henry Fuseli
August 25, 1782
John Raphael Smith
Henry Fuseli
August 25, 1782
Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792), Moses Haughton the younger  British, Stipple engraving and aquatint; published state
Multiple artists/makers
November 27, 1804
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "Botanic Garden", William Blake  British, Engraving
Multiple artists/makers
August 1, 1795
Tornado–Zeus Battling Typhon, from Erasmus Darwin's "The Botanic Garden", William Blake  British, Engraving
Multiple artists/makers
August 1, 1795
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), William Satchwell Leney  American, born England, Stipple engraving; third state of three
Multiple artists/makers
first published 1795; reissued 1852
Multiple artists/makers
1765
Multiple artists/makers
May 1781