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Showing 64 results for Ignaz Bottengruber

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Coffeepot, Meissen Manufactory German, Hard-paste porcelain decorated in polychrome enamels, German, Meissen and Breslau (Wrocław) — Coffeepot
Multiple artists/makers
manufactured ca. 1715–20; decorated ca. 1728–30

Two-handled cup with cover, Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Two-handled cup with cover
Meissen Manufactory
Ignaz Bottengruber
1725–30

Bottle, Vienna, Hard-paste porcelain, silver gilt, Austrian, Vienna and German, Breslau (Wrocław) — Bottle
Multiple artists/makers
1725–30

Dish, Meissen Manufactory German, Hard-paste porcelain, German, Meissen — Dish
Multiple artists/makers
ca. 1740

Dish, Vienna, Hard-paste porcelain, Austrian, Vienna with German, Breslau (Wrocław) decoration — Dish
Multiple artists/makers
ca. 1725–30

Saucer, Vienna, Hard-paste porcelain, Austrian, Vienna with German, Breslau (Wrocław) decoration — Saucer
Multiple artists/makers
1726

Coffeepot, Vienna, Hard-paste porcelain, Austrian, Vienna with German, Breslau (Wrocław) decoration — Coffeepot
Multiple artists/makers
ca. 1725

Saucer, Vienna, Hard-paste porcelain, Austrian, Vienna with German, Breslau (Wrocław) decoration — Saucer
Multiple artists/makers
1725–30

Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German — Angel
Ignaz Günther
ca. 1760–70

Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German — Angel
Ignaz Günther
ca. 1760–70

Vase (one of a pair), Ignaz Preissler Bohemian, Hard-paste porcelain (Jingdezhen ware), Chinese with Bohemian, Kronstadt decoration — Vase (one of a pair)
Ignaz Preissler
early 18th century, decoration ca. 1729–32

Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German — Angel
Ignaz Günther
ca. 1760–70

Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German — Angel
Ignaz Günther
ca. 1760–70

Angel, Ignaz Günther German, Lindenwood, traces of gesso, Southern German — Angel
Ignaz Günther
ca. 1760–70

God the Father, Ignaz Günther German, Pine, painted white, Southern German, Bavaria — God the Father
Ignaz Günther
ca. 1770–80

Horn in F, Ignaz Lorenz Austrian, Brass, nickel-silver, Austrian — Horn in F
Ignaz Lorenz
ca. 1860

Pair of vases, Ignaz Preissler Bohemian, Hard-paste porcelain (Dehua, so-called blanc de chine), Chinese and European — Pair of vases
Ignaz Preissler
decorated ca. 1725–30

Saucer, Ignaz Preissler Bohemian, Hard-paste porcelain, Chinese, Jingdezhen with Bohemian, Kronstadt (present-day Kunstàt, Czech Republic) decoration — Saucer
Ignaz Preissler
ca. 1730

Model for the so-called "Female Saint of Starnberg", Ignaz Günther German, Linden wood with pencil marks, German, Munich — Model for the so-called "Female Saint of Starnberg"
Ignaz Günther
ca. 1755

Teabowl with Chinoiserie decoration, Ignaz Preissler Bohemian, Jingdezhen porcelain with underglaze blue border, decorated in iron-red enamel and gold decoration, Chinese, Jingdezhen with Bohemian, Kronstadt (present-day Kunstàt, Czech Republic) decoration — Teabowl with Chinoiserie decoration
Ignaz Preissler
Chinese porcelain, ca. 1700–20, with Bohemian enamel decoration, ca. 1720–30

Wine cooler (one of a pair), Ignaz Joseph Würth Austrian, Silver, Austrian, Vienna — Wine cooler (one of a pair)
Ignaz Joseph Würth
1781

Wine cooler (one of a pair), Ignaz Joseph Würth Austrian, Silver, Austrian, Vienna — Wine cooler (one of a pair)
Ignaz Joseph Würth
marked 1781

A Difficult Question (Une Question Difficile), Ignaz Marcel Gaugengigl American, Oil on panel, American — A Difficult Question (Une Question Difficile)
Ignaz Marcel Gaugengigl
1883

Strapwork and rinceaux with Chinoiserie figures, Ignaz Preissler Bohemian, Glass, German, Silesia — Strapwork and rinceaux with Chinoiserie figures
Ignaz Preissler
ca. 1725–30

Barrel Organ, Ignaz Bruder German, Wood, various materials, German — Barrel Organ
Ignaz Bruder
1839

Vase (one of a pair), Ignaz Preissler Bohemian, Hard-paste porcelain (Jingdezhen ware), Chinese with Bohemian, Kronstadt decoration — Vase (one of a pair)
Ignaz Preissler
early 18th century, decoration ca. 1729–32

Copy of The Relief of Vienna, September 12, 1683, Johan Ignaz Bendl, American — Copy of The Relief of Vienna, September 12, 1683
Johan Ignaz Bendl
19th century

The Relief of Vienna, September 12, 1683, Johan Ignaz Bendl, Ivory, Austrian — The Relief of Vienna, September 12, 1683
Johan Ignaz Bendl
1683

Beaker with “Posteleӱn Verkooping” (porcelain selling), Daniel Preissler Bohemian, Jingdezhen hard-paste porcelain with enamel decoration, Chinese, Jingdezhen with Bohemian, Kronstadt (present-day Kunstàt, Czech Republic) decoration — Beaker with “Posteleӱn Verkooping” (porcelain selling)
Multiple artists/makers
beaker ca. 1700–20; decoration ca. 1711–30

Design for a Funerary Monument, Ignaz Günther (?) German, Pen and brown ink, with gray wash; incised for transfer — Design for a Funerary Monument
Ignaz Günther
Anonymous, French, 18th century
ca. 1710–40

Tomb Design, Ignaz Günther German, Pen and black ink, brush and gray brown, and pink wash. Laid down on paper mount with NILSON written below drawing now erased. Gold and black boardering. — Tomb Design
Ignaz Günther
1740–75

Skull and crossbones, Nymphenburg Porcelain Manufactory German, Hard-paste porcelain, wood, mirror glass, metal pins, German, Nymphenburg — Skull and crossbones
Nymphenburg Porcelain Manufactory
Ignaz Günther
ca. 1755–60

Dish, Meissen Manufactory German, Hard-paste porcelain, German, Meissen with German, Kronstadt decoration — Dish
Meissen Manufactory
Ignaz Preissler
ca. 1725–32

Copy of The Relief of Vienna, September 12, 1683

Johan Ignaz Bendl

19th century

Two Studies of Bearded Men; verso: Studies after Antique Sculpture, Bartholomaeus Ignaz Weiss German, Red and black chalks; verso: pen and brown ink — Two Studies of Bearded Men; verso: Studies after Antique Sculpture
Bartholomaeus Ignaz Weiss
mid-18th–early 19th century

Studies of draped female and male figures; verso: Studies of draped female figures, Bartholomaeus Ignaz Weiss German, Pen and brown ink, brown wash, over red chalk — Studies of draped female and male figures; verso: Studies of draped female figures
Bartholomaeus Ignaz Weiss
18th–early 19th century

The Holy Family (recto); Moses striking water from a rock (verso), Bartholomaeus Ignaz Weiss German, Pen and brown ink, brush and gray wash, over graphite (recto); pen and brown ink, brush and gray wash, over graphite (verso) — The Holy Family (recto); Moses striking water from a rock (verso)
Bartholomaeus Ignaz Weiss
mid-18th–early 19th century

Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso), Bartholomaeus Ignaz Weiss German, Pen and brown ink, brush and brown wash, highlighted with white gouache, over red chalk and traces of lead? on cream paper (recto); red chalk (verso) — Study for a Nativity, Bearded Male Saint, and Head Studies (recto); Two Head Studies (verso)
Bartholomaeus Ignaz Weiss
Anonymous, Italian, 18th century
1750–1815

Figure and head-studies (including Bacchus) (recto); four main figure studies repeated from the recto (verso), Bartholomaeus Ignaz Weiss German, Pen and brown ink, brush and brown wash, and red chalk (recto); red chalk and pen and black ink (verso) — Figure and head-studies (including Bacchus) (recto); four main figure studies repeated from the recto (verso)
Bartholomaeus Ignaz Weiss
1745–1815

Design for a Fanciful Organ, Joseph Ignaz Gurk Austrian, Pen and black and brown ink, and watercolor — Design for a Fanciful Organ
Joseph Ignaz Gurk
late 18th–early 19th century