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Showing 499 results for Il Poccetti
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Harpsichord top, Il Poccetti  Italian, Painted wood, Italian, Florence
Il Poccetti
late 16th century
The Entry of Christ into Jerusalem, Valerio Belli (Il Vicentino), Rock crystal, Italian, Vicenza
Valerio Belli (Il Vicentino)
ca. 1531–33
A Cardinal's Procession, Ottavio Leoni (Il Padovano)  Italian, Oil on copper
Ottavio Leoni (Il Padovano)
1621
The Lamentation, Scipione Pulzone (Il Gaetano)  Italian, Oil on canvas
Scipione Pulzone (Il Gaetano)
1593
Untitled 303, Il Lee  Korean, Black ballpoint pen on paper
Il Lee
2003
The death of Saint Alexis Falconieri at Monte Senario, Bernardino Poccetti  Italian, Pen and brown ink, brush and brown wash, highlighted with white, over red chalk and some charcoal
Bernardino Poccetti
1548–1612
Standing Dominican or Servite Holding a Book and Staff (recto); Study of two warriors (verso), Bernardino Poccetti  Italian, Red chalk (recto); black chalk (verso)
Bernardino Poccetti
1548–1612
Saint Philip Benizi Converting Two Wicked Women at the City of Todi, Bernardino Poccetti  Italian, Brush and gray wash, highlighted with white gouache, on brownish paper
Bernardino Poccetti
1608–9
The Assumption of the Virgin, Bernardino Poccetti  Italian, Red chalk, over charcoal, squared for transfer
Bernardino Poccetti
1548–1612
Figure Studies:  Woman holding a Shield, a Dancing Female, and a Priest Supported at an Altar before a Group of Onlookers, Bernardino Poccetti  Italian, Red chalk
Bernardino Poccetti
1612
The Martyrdom of St. Catherine of Alexandria, Bernardino Poccetti  Italian, Pen and brown ink, brush and brown wash, over red chalk
Bernardino Poccetti
1548–1612
Seated Crowned Male Figure Holding a Book or Scroll (recto); Seated Nude Boy (verso), Bernardino Poccetti  Italian, Charcoal on blue paper (recto); charcoal (verso)
Bernardino Poccetti
1548–1612
Saint Antoninus Kneeling before the Crucifix in Orsanmichele, Florence, Bernardino Poccetti  Italian, Charcoal and brush and pale brown wash on beige paper; squared in red chalk
Bernardino Poccetti
1600–1605
Design with Two Winged Female Figures and a Putto, Bernardino Poccetti  Italian, Charcoal
Bernardino Poccetti
1568–1612
The Visitation, Bernardino Poccetti  Italian, Pen and brown ink, brush and brown wash, over black chalk
Bernardino Poccetti
ca. 1599–1610
Design for Pointed Utensil with an Egyptian Style Figure on the Handle, Bernardino Poccetti  Italian, Pen and brown ink, brush and brown wash, over black chalk
Bernardino Poccetti
1548–1612
Designs for Cartouche (recto and verso), Bernardino Poccetti  Italian, Pen and brown ink, over leadpoint or black chalk
Bernardino Poccetti
1548–1612
Ornamental Designs After Antique Vases, Bernardino Poccetti  Italian, Pen and brown ink, brush and brown wash
Bernardino Poccetti
1548–1612
Sea Monster (in two fragments), Bernardino Poccetti  Italian, Pen and brown ink
Bernardino Poccetti
1548–1612
Studies for a Seated Figure of a Man with a Shovel, Bernardino Poccetti  Italian, Black and red chalk
Bernardino Poccetti
ca. 1603
The Annunciation, after Poccetti, Bernardino Poccetti  Italian, Etching and sulphur tone printed in brown
Bernardino Poccetti
1780
Seated Male Figure with the Head of an Onlooker (recto); Standing Male Figure in a Monk's Habit (verso), Bernardino Poccetti  Italian, Charcoal with traces of white chalk highlights
Bernardino Poccetti
1548–1612
Saint Francis in Ecstasy, Giovanni Benedetto Castiglione (Il Grechetto)  Italian, Oil on canvas
Giovanni Benedetto Castiglione (Il Grechetto)
ca. 1650
Portrait of a Woman, Giovanni Battista Gaulli (Il Baciccio)  Italian, Oil on canvas
Giovanni Battista Gaulli (Il Baciccio)
ca. 1670s
Pope Clement X (1590–1676), Giovanni Battista Gaulli (Il Baciccio)  Italian, Oil on canvas
Giovanni Battista Gaulli (Il Baciccio)
ca. 1670–71
Roman Landscape with a Shepherd and Sheep, Giovanni Benedetto Castiglione (Il Grechetto)  Italian, Oil on copper
Giovanni Benedetto Castiglione (Il Grechetto)
late 1640s
Pilate Washing His Hands, Mattia Preti (Il Cavalier Calabrese)  Italian, Oil on canvas
Mattia Preti (Il Cavalier Calabrese)
1663
Altar candlestick (pair with 1975.1.1383), Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Altar candlestick, Andrea di Alessandri, called Il Bresciano  Italian, Copper alloy with a thick black varnish patina.
Andrea di Alessandri, called Il Bresciano
ca. 1565
Adoration of the Magi, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
late 15th–early 16th century
The Four Evangelists, Valerio Belli (Il Vicentino), Rock crystal and fruitwood, Italian, Vicenza crystal with European stand
Valerio Belli (Il Vicentino)
16th century; stand, second half 19th century
The Entombment, Valerio Belli (Il Vicentino), Silver, with traces of gilding; niello, gilt bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Adoration of the Shepherds, Valerio Belli (Il Vicentino), Bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
Plate, Valerio Belli (Il Vicentino), Rock crystal, Northern Italian
Valerio Belli (Il Vicentino)
first half 16th century
The Adoration of the Magi, Valerio Belli (Il Vicentino), Gilt bronze, Italian, Vicenza
Valerio Belli (Il Vicentino)
16th century
The Betrayal of Christ, Valerio Belli (Il Vicentino), Bronze, Northern Italian
Valerio Belli (Il Vicentino)
first half 16th century
Pan and nymph, Valerio Belli (Il Vicentino), Chalcedony, Italian, Milan
Valerio Belli (Il Vicentino)
early 16th century
The Lamentation, Valerio Belli (Il Vicentino), Gold relief on slate, Italian, possibly Florence
Valerio Belli (Il Vicentino)
16th century
Bull hunt, Valerio Belli (Il Vicentino), Bell metal, Italian
Valerio Belli (Il Vicentino)
16th century
Emperor Aelius A.D. 138, adopted son of Emperor Hadrian, Valerio Belli (Il Vicentino), Bronze, Italian, Padua
Valerio Belli (Il Vicentino)
1478–1546