Donate Membership

Search the collection

Filter By

Object Type / Material

Geographic Location

Department

Show Only:

Highlights
Artworks With Image
Artworks on Display
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
APIPublic domain data for this object can also be accessed using the Met's Open Access API
Nazi-era provenance
Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more

Showing 196 results for Inacio Ribeiro

Sort by:

Ensemble, Clements Ribeiro British, a) silk;b) leather, metal, British — Ensemble
Multiple artists/makers
spring/summer 2001

Saint Michael the Archangel, Ignacio de Ries Spanish, Oil on canvas — Saint Michael the Archangel
Ignacio de Ries
1640s

Humanario, Sara Facio Argentine — Humanario
Sara Facio
1976

Julia Wainwright Robbins, Ignacio Zuloaga Spanish, Oil on canvas — Julia Wainwright Robbins
Ignacio Zuloaga
1923

Mountains of Calatayud, Ignacio Zuloaga Spanish, Oil on canvas — Mountains of Calatayud
Ignacio Zuloaga
1921

Alva B. Gimbel, Ignacio Zuloaga Spanish, Oil on canvas — Alva B. Gimbel
Ignacio Zuloaga
1925

Victims of the Fiesta, Ignacio Zuloaga Spanish, Oil on canvas — Victims of the Fiesta
Ignacio Zuloaga
1923

The Gypsy Agustina: a Drawing Dedicated to "Señora de Kerrigan", Ignacio Zuloaga Spanish, Charcoal — The Gypsy Agustina: a Drawing Dedicated to "Señora de Kerrigan"
Ignacio Zuloaga
1920s

Guitar, Ignacio Fleta Spanish, Spruce, rosewood, Spanish — Guitar
Ignacio Fleta
1953

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas — The Holy Family with Saints Anne and Catherine of Alexandria
Jusepe de Ribera (called Lo Spagnoletto)
1648

Textile Sample Book, Frier Riber, Cotton, French — Textile Sample Book
Frier Riber
1845–60

Plate 17: scene of prison and the death of malcontents from the north, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 17: scene of prison and the death of malcontents from the north, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 38: after capturing Matamoros, the rebel (constitutionalist) troops distribute hacienda land to the peasantry, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 38: after capturing Matamoros, the rebel (constitutionalist) troops distribute hacienda land to the peasantry, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana, Ignacio Aguirre Mexican, Lithograph in red and black on buff paper backed on linen — A poster advertising a meeting in Mexico City supported by the Liga Pro-cultura Alemana
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1938

Broadside 'Calaveras unite': many small skeletons identified by names some engaged in raising a huge skeleton using a pulley, Ignacio Aguirre Mexican, Lithograph in black on buff paper backed with linen — Broadside 'Calaveras unite': many small skeletons identified by names some engaged in raising a huge skeleton using a pulley
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1938

Plate 36: Venustiano Carranza addressing rebel leaders, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 36: Venustiano Carranza addressing rebel leaders, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 72: The president Lázaro Cárdenas on a balcony addressing his supporters, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 72: The president Lázaro Cárdenas on a balcony addressing his supporters, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

The worker exterminating Trotsky and his followers who have destabilized the earth beneath him, Ignacio Aguirre Mexican, Lithograph — The worker exterminating Trotsky and his followers who have destabilized the earth beneath him
Ignacio Aguirre
ca. 1940

Emiliano Zapata taken prisoner in response to his fight for the rights of campesinos (Emiliano Zapata hecho prisionero en su lucha en favor de los campesinos, 1908), Plate 58 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Emiliano Zapata taken prisoner in response to his fight for the rights of campesinos (Emiliano Zapata hecho prisionero en su lucha en favor de los campesinos, 1908), Plate 58 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Constitutionalist troops make the first distribution of land in Matamoros, 6 August 1913 (Las tropas constitucionalistas hacen el primer reparto de tierra en Matamoros, 6 de Agosto de 1913), Plate 76 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Constitutionalist troops make the first distribution of land in Matamoros, 6 August 1913 (Las tropas constitucionalistas hacen el primer reparto de tierra en Matamoros, 6 de Agosto de 1913), Plate 76 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Plate 16: Emiliano Zapata taken prisoner because of his support for peasants, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 16: Emiliano Zapata taken prisoner because of his support for peasants, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 58: figures gathering the dead, an allegory of the sovereignty of the village, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Plate 77: the sinking of the ship Potrero del Llano by the Nazis on 13 May 1942, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution), Ignacio Aguirre Mexican, Linocut — Plate 77: the sinking of the ship Potrero del Llano by the Nazis on 13 May 1942, from "Estampas de la Revolución Mexicana" (Prints of the Mexican Revolution)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1947

Morelos, the implacable (Morelos, El implacable), Plate 12 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Morelos, the implacable (Morelos, El implacable), Plate 12 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Senator Belisario Dominguez protesting against the military uprising (El senador Belisario Dominguez protesta contra el cuartelazo,1913), Plate 78 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — Senator Belisario Dominguez protesting against the military uprising (El senador Belisario Dominguez protesta contra el cuartelazo,1913), Plate 78 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The Constitutionalist army's entry into Mexico City on August 20, 1914 (La entrada del ejercito constitucionalista en la ciudad de Mexico, 20 de Agosto de 1914), Plate 90 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The Constitutionalist army's entry into Mexico City on August 20, 1914 (La entrada del ejercito constitucionalista en la ciudad de Mexico, 20 de Agosto de 1914), Plate 90 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The people are sovereign (el pueblo es soberano), Plate 96 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The people are sovereign (el pueblo es soberano), Plate 96 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The first constitution (La primera constitucion), Plate 10 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The first constitution (La primera constitucion), Plate 10 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

La mesilla, Plate 26 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — La mesilla, Plate 26 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

President Lázaro Cárdenas receives the support of the Mexican people for his measures towards the country's progress (El presidente Lázaro Cárdenas recibe el apoyo del pueblo mexicano por sus medidas en favor del país), Plate 109 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — President Lázaro Cárdenas receives the support of the Mexican people for his measures towards the country's progress (El presidente Lázaro Cárdenas recibe el apoyo del pueblo mexicano por sus medidas en favor del país), Plate 109 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The sinking of the “Potrero del Llano” by the Nazis in May 1942 (El hundimiento del "Potrero del Llano" por los nazis, en mayo de 1942)), Plate 114 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The sinking of the “Potrero del Llano” by the Nazis in May 1942 (El hundimiento del "Potrero del Llano" por los nazis, en mayo de 1942)), Plate 114 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

The petroleum industry (La petroquimica nacional), Plate 138 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People), Ignacio Aguirre Mexican, Offset lithograph — The petroleum industry (La petroquimica nacional), Plate 138 from "450 Años de Lucha: Homenaje al Pueblo Mexicano" (450 Years of Struggle: Homage to the Mexican People)
Ignacio Aguirre
Taller de Gráfica Popular, Mexico City
1960

Auction Sale in Clinton Hall, New York, 1876, Ignacio de León y Escosura Spanish, Oil on canvas — Auction Sale in Clinton Hall, New York, 1876
Ignacio de León y Escosura
1876

The Tears of Saint Peter, Jusepe de Ribera (called Lo Spagnoletto) Spanish, Oil on canvas — The Tears of Saint Peter
Jusepe de Ribera (called Lo Spagnoletto)
ca. 1612–13

[View of the 2400 block of Telegraph Avenue, Berkeley, CA, during the student protests]

Nacio Jan Brown

1969–73

Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso), Tiberio Titi Italian, Pen and light brown ink, over black chalk; some reworking of contours in black chalk(?) (recto); black chalk (verso) — Saint Anthony of Padua Healing a Sick Man (recto); Partial Figural Studies Based on the Composition on the Recto (verso)
Tiberio Titi
Santi di Tito
1590–1600

Buckle, Bronze, patina, Ibero-Roman — Buckle
Ibero-Roman
ca. 100 BCE–ca. 500 CE

Buckle, Bronze, patina, Ibero-Roman — Buckle
Ibero-Roman
ca. 100 BCE–ca. 500 CE

Buckle, Bronze, Ibero-Roman — Buckle
Ibero-Roman
ca. 100 BCE–ca. 500 CE

Buckle, Bronze, Ibero-Roman — Buckle
Ibero-Roman
ca. 100 BCE–ca. 500 CE